Ernest Rides Again (1993)

PG | 99 mins | Comedy | 12 November 1993

Director:

John Cherry

Producer:

Stacy Williams

Cinematographer:

David Geddes

Editor:

Craig Bassett

Production Designer:

Chris August

Production Company:

Emshell Producers
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HISTORY

       Portrayed by actor and stand-up comedian Jim Varney, Ernest P. Worrell first appeared in 1980, as a character in an amusement park television commercial produced by John Cherry of Nashville, TN’s Carden & Cherry Advertising Agency. After achieving national success selling products for several companies, Varney reprised the role for the children’s television show, Hey Vern, It’s Ernest (CBS Television Network, 1988), and made his first feature film appearance in 1985’s Dr. Otto and the Riddle of the Gloom Beam.
       Ernest Rides Again is the fifth and final theatrically released “Ernest” film, following the commercial success of Ernest Goes to Camp (1987), Ernest Saves Christmas (1988), Ernest Goes to Jail (1990), and Ernest Scared Stupid (1991, see entries). Despite the series’ popularity, the 5 Oct 1993 DV and 15 Nov 1993 HR reviews noted that production company Touchstone Pictures and distributor Buena Vista Pictures, both subsidiaries of the Walt Disney Company, opted not to continue the franchise after Ernest Scared Stupid. Ernest Rides Again was independently financed and released through John Cherry’s company, Emshell Producers.
       A 2 Aug 1993 HR brief announced that screenings of Ernest Rides Again were accompanied by Emshell’s short film, Mr. Bill Goes to Washington. The HR review stated that the picture concluded with an advertisement for the upcoming direct-to-video release, Ernest Goes to School (1994), directed by Coke Sams. Varney and Cherry resumed their collaboration for Slam Dunk Ernest (1995), Ernest Goes to Africa (1997), and ...

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       Portrayed by actor and stand-up comedian Jim Varney, Ernest P. Worrell first appeared in 1980, as a character in an amusement park television commercial produced by John Cherry of Nashville, TN’s Carden & Cherry Advertising Agency. After achieving national success selling products for several companies, Varney reprised the role for the children’s television show, Hey Vern, It’s Ernest (CBS Television Network, 1988), and made his first feature film appearance in 1985’s Dr. Otto and the Riddle of the Gloom Beam.
       Ernest Rides Again is the fifth and final theatrically released “Ernest” film, following the commercial success of Ernest Goes to Camp (1987), Ernest Saves Christmas (1988), Ernest Goes to Jail (1990), and Ernest Scared Stupid (1991, see entries). Despite the series’ popularity, the 5 Oct 1993 DV and 15 Nov 1993 HR reviews noted that production company Touchstone Pictures and distributor Buena Vista Pictures, both subsidiaries of the Walt Disney Company, opted not to continue the franchise after Ernest Scared Stupid. Ernest Rides Again was independently financed and released through John Cherry’s company, Emshell Producers.
       A 2 Aug 1993 HR brief announced that screenings of Ernest Rides Again were accompanied by Emshell’s short film, Mr. Bill Goes to Washington. The HR review stated that the picture concluded with an advertisement for the upcoming direct-to-video release, Ernest Goes to School (1994), directed by Coke Sams. Varney and Cherry resumed their collaboration for Slam Dunk Ernest (1995), Ernest Goes to Africa (1997), and Ernest in the Army (1998).
      Opening credits are superimposed over historical illustrations into which the character, “Ernest P. Worrell,” has been inserted. Lyrics for the accompanying song, “There Once Was A Man Named Worrell,” appear at the bottom of the screen. End credits include “Special thanks to: Cannon Chassis, Motor Home Effects, Hutton Enterprises, Gimondo Enterprises,” and state: “Filmed on location in British Columbia, Canada.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
5 Oct 1993
---
EW
13 Apr 1990
Issue 9
Hollywood Reporter
2 Aug 1993
---
Hollywood Reporter
15 Nov 1993
---
Los Angeles Times
12 Nov 1993
Section F, p. 6
New York Times
12 Nov 1993
p. 10
Variety
29 Nov 1993
p. 31
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
Emshell Producers presents
A John Cherry Film
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
2d asst dir
3d asst dir
Trainee asst dir
PRODUCERS
Co-prod
Exec prod
WRITERS
PHOTOGRAPHY
Dir of photog
Cam op
1st asst cam
2d asst cam
2d 2d asst cam
"B" cam op
1st asst "B" cam
Gaffer
Best boy elec
Lamp op
Key grip
Best boy grip
Dolly grip
Cannon master & rigging
Cannon best boy
ART DIRECTORS
Prod des
FILM EDITORS
Film ed
Asst ed-Vancouver
Asst ed-L.A.
Apprentice-Vancouver
Apprentice-L.A.
PMP dir of post-prod
Negative cutting
SET DECORATORS
Set dec
Asst set dec
Set dresser
On set dresser
Prop master
Asst prop master
Prop buyer
Const coord
Lead hand
Foreman
Carpenter helper
Scenic carpenter
Head painter
Lead hand
COSTUMES
Cost supv
Costumer
MUSIC
Mus ed
Mus eng
Asst mus eng
SOUND
Sd mixer
Vancouver sd mixer
Boom op
Post prod sd services
Supv sd ed
Dial ed
ADR ed
Foley ed
Asst sd ed
Asst sd ed
Apprentice sd ed
Re-rec mixer
Re-rec mixer
Re-rec mixer
Foley mixer
Foley rec
Foley artist
Foley artist
Machine room op
VISUAL EFFECTS
Spec eff coord
SPFX asst
SPFX 2d asst
SPFX prosthetics
SPFX/Cam car driver
Main title des
Titles and opticals
Titles and opticals
Titles and opticals
MAKEUP
Key makeup
Makeup asst
Hairstylist
Asst hairstylist
PRODUCTION MISC
Casting
Prod office coord
1st asst prod office coord
Asst prod mgr
Prod accountant
Asst accountant
Asst to prod
Asst to Mr. Varney
Casting asst
Extras casting
Scr supv
Loc mgr
Asst loc mgr
Loc prod asst
Loc prod asst
Animal coord
Animal trainer
Transportation coord
Co-capt "B" train
B train driver
Cast driver
Cast driver
Const driver
Hair/Makeup/Ward
Honey wagon driver
Set dec driver
SPFX/Cam car driver
Star Wagon driver
Asst chef
Craft service
Insurance
Asst to pub
Post prod secy
Post prod accountant
Prod services provided by
STAND INS
Stunt coord
Abner stunt double
Ernest stand-in
Abner stand-in
COLOR PERSONNEL
Col by
Dan Muscarella
Color timing
DETAILS
Series:
Release Date:
12 November 1993
Premiere Information:
Los Angeles opening: 12 Nov 1993; New York opening: week of 12 Nov 1993
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Ernest Partners, Ltd., LP
30 November 1994
PA699283
Physical Properties:
Sound
Dolby Stereo in selected theatres
Color
Lenses
Filmed with Panavision® Cameras & Lenses
Duration(in mins):
99
MPAA Rating:
PG
Country:
United States
Language:
English
PCA No:
32680
SYNOPSIS

Pretending to be a brave explorer, the feebleminded but well intentioned Ernest P. Worrell hunts for diamonds at a construction site. After maximizing the voltage on his metal detector, an electrical charge animates a nearby buzz saw that chases Ernest around the property and leaves the unfinished house in ruins. Meanwhile, J. Quentin University history professor Dr. Abner Melon is ridiculed by the Board of Regents for a paper proposing that England’s King George III sent the British Crown Jewels to Virginia during the Revolutionary War. He concludes that the items currently on display in the Tower of London are illegitimate, while the real gems remain hidden in Virginia. After the meeting, esteemed collector Dr. Radnor T. Glencliff encourages Abner to come to him with any further developments in his research. Outside, Abner runs into Ernest, who works as the university janitor. Ernest accidentally destroys an invaluable reference book, but Abner’s distress is short-lived once he notices Ernest holding a battlefield marker belonging to the cavalry unit responsible for stealing and hiding the British Crown Jewels. Believing the item contributes to the validity of his theory, Abner takes Ernest to see Dr. Glencliff, who insists he come up with more proof. Although his wife Nan disapproves of his association with Ernest, Abner realizes that Ernest is the only person who has faith in his theory. Together, he and Ernest return to the construction site and uncover a cannonball fired from “Goliath,” the largest cannon ever cast. The men follow the cannonball’s trajectory to a nearby grassy knoll. As Abner begins to lose faith, Ernest falls into the underground bunker containing Goliath. The cannon shifts and rolls downhill, destroying Nan’s ...

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Pretending to be a brave explorer, the feebleminded but well intentioned Ernest P. Worrell hunts for diamonds at a construction site. After maximizing the voltage on his metal detector, an electrical charge animates a nearby buzz saw that chases Ernest around the property and leaves the unfinished house in ruins. Meanwhile, J. Quentin University history professor Dr. Abner Melon is ridiculed by the Board of Regents for a paper proposing that England’s King George III sent the British Crown Jewels to Virginia during the Revolutionary War. He concludes that the items currently on display in the Tower of London are illegitimate, while the real gems remain hidden in Virginia. After the meeting, esteemed collector Dr. Radnor T. Glencliff encourages Abner to come to him with any further developments in his research. Outside, Abner runs into Ernest, who works as the university janitor. Ernest accidentally destroys an invaluable reference book, but Abner’s distress is short-lived once he notices Ernest holding a battlefield marker belonging to the cavalry unit responsible for stealing and hiding the British Crown Jewels. Believing the item contributes to the validity of his theory, Abner takes Ernest to see Dr. Glencliff, who insists he come up with more proof. Although his wife Nan disapproves of his association with Ernest, Abner realizes that Ernest is the only person who has faith in his theory. Together, he and Ernest return to the construction site and uncover a cannonball fired from “Goliath,” the largest cannon ever cast. The men follow the cannonball’s trajectory to a nearby grassy knoll. As Abner begins to lose faith, Ernest falls into the underground bunker containing Goliath. The cannon shifts and rolls downhill, destroying Nan’s new car. Ernest climbs into the cannon bore and becomes stuck just as Glencliff arrives to confiscate the artifact for himself. On the way back to Dr. Glencliff’s office, Ernest dislodges himself and releases the piece of artillery from its hitch. He rides the runaway cannon as it rolls through a family garden party, and Abner gives chase in a dune buggy. Narrowly evading the gunfire of Glencliff’s pursuing men, Abner jumps onto the cannon, which comes to rest in a barn. As the pair stops to eat, Abner thanks Ernest for his help and admits they have become good friends. They hitch the cannon to a tractor and continue their journey. When they reach a dead end, Ernest uses a blowtorch to fire a cannonball at Glencliff’s approaching car. Realizing the cannon does not hold the hidden jewels, Abner blames Ernest for their failure and storms off. Moments later, however, Ernest hits his head on the cannon chamber, revealing a secret compartment containing the British Sovereign’s Orb and crown. He shouts the news to Abner, but his yells attract Glencliff’s attention. Unable to wrest the crown from his head, Glencliff plans to cut open Ernest’s skull. Ernest escapes and runs to Glencliff’s artifact room, where a fight ensues. Meanwhile, Abner reunites with Nan and disappoints his wife by confessing he did not find the jewels. When Nan criticizes Ernest, Abner defends his friend and rushes off to save him. He barges into the office and knocks Glencliff unconscious. A British Secret Service member arrives to reclaim the jewels, but because the crown will still not budge from Ernest’s head, he declares that whoever wears the crown must be named rightful King of England. Claiming he will miss Ernest if he leaves, Abner pops the crown from his head, and the two men erupt in a fit of laughter.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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