House of Cards
(1993)
PG-13 | 109 mins | Drama | 25 June 1993
Director:
Michael LessacWriters:
Michael Lessac, Robert Jay LitzProducers:
Dale Pollock, Lianne Halfon, Wolfgang GlattesCinematographer:
Victor HammerEditor:
Patrick DuffnerProduction Designer:
Peter LarkinProduction Companies:
Penta Pictures, A&M FilmsA 2 Dec 1991 HR news item referred to the film by the working title, Before I Wake.
According to a 15 Jan 1993 HR article, screenwriter Michael Lessac wrote the script between 1984 and 1986. Although several companies were interested in the property, Lessac, who previously worked in television, intended to make the vehicle his feature film directorial debut. Production notes in AMPAS library files and the 26 Nov 1990 DV indicate that A&M Films financed the project without studio support.
The script was originally developed as a father-daughter drama, but the 2 Dec 1991 HR stated that Lessac rewrote the story for his friend, actress Kathleen Turner. Roughly 3,000 young girls auditioned for the role of “Sally Matthews,” and 1,000 boys were screened to play her brother, “Michael.”
Despite various reports of a 1 Apr 1991 start date, the 23 Apr 1991 HR announced the start of principal photography two weeks later, on 15 Apr 1991. The 10 Apr 1991 DV noted that Tommy Lee Jones filmed House of Cards while also working on JFK (1991, see entry).
Interiors and exteriors of the “Matthews” Victorian home were shot on the Wheatmore Dairy Farm in Archdale, NC. Scenes at the construction site took place at the Internal Revenue Building in downtown Raleigh; courtroom scenes were shot in Winston-Salem; and the Greensboro campus of University of North Carolina doubled as the exterior of “Dr. Beerlander’s” clinic. Additional sequences and soundstage work were completed at the Carolina Atlantic Studios and the Ferndale Middle School in High Point, NC. Scenes featuring autistic ...
A 2 Dec 1991 HR news item referred to the film by the working title, Before I Wake.
According to a 15 Jan 1993 HR article, screenwriter Michael Lessac wrote the script between 1984 and 1986. Although several companies were interested in the property, Lessac, who previously worked in television, intended to make the vehicle his feature film directorial debut. Production notes in AMPAS library files and the 26 Nov 1990 DV indicate that A&M Films financed the project without studio support.
The script was originally developed as a father-daughter drama, but the 2 Dec 1991 HR stated that Lessac rewrote the story for his friend, actress Kathleen Turner. Roughly 3,000 young girls auditioned for the role of “Sally Matthews,” and 1,000 boys were screened to play her brother, “Michael.”
Despite various reports of a 1 Apr 1991 start date, the 23 Apr 1991 HR announced the start of principal photography two weeks later, on 15 Apr 1991. The 10 Apr 1991 DV noted that Tommy Lee Jones filmed House of Cards while also working on JFK (1991, see entry).
Interiors and exteriors of the “Matthews” Victorian home were shot on the Wheatmore Dairy Farm in Archdale, NC. Scenes at the construction site took place at the Internal Revenue Building in downtown Raleigh; courtroom scenes were shot in Winston-Salem; and the Greensboro campus of University of North Carolina doubled as the exterior of “Dr. Beerlander’s” clinic. Additional sequences and soundstage work were completed at the Carolina Atlantic Studios and the Ferndale Middle School in High Point, NC. Scenes featuring autistic and Down Syndrome children were supervised by the Gateway Educational Center and The Teach Center, and several of the children’s parents appeared in the film as teachers. Once filming concluded in North Carolina, production moved to Villahermosa, Mexico, and the Mayan ruins of Comalcalco. According to the 2 Dec 1991 HR, production costs came in $600,000 under the $10.5 million budget.
Although Twentieth Century Fox and PentAmerica, also known as Penta Pictures, were scheduled to release the film in Mar 1992, House of Cards debuted without a distributor as the closing night film of the 1993 Sundance Film Festival in Park City, UT. In the 15 Jan 1993 HR, Lessac said that he hoped premiering the picture at Sundance would eradicate the negative word-of-mouth that arose due to its association with Penta International’s other two poorly-received releases, Man Trouble (1992, see entry) and Folks! (1992, see entry). The 19 Jan 1993 HR announced that Miramax Films acquired domestic distribution rights during the festival.
According to a 17 May 1993 Var advertisement, House of Cards received Best Picture and Best Actress (Kathleen Turner) awards at the Worldfest/Houston International Film Festival. The film was also screened at the AFI/L.A. Film Fest on 16 Jun 1993, as indicated by a HR item of the same date.
End credits state: “3D graphics and animation developed with SAS/NVISION™ Software and provided by SAS Institute Inc.”; “Special thanks to Greg Shank, Animator, and to Roxanne Hicklin, Enrique Leoni and Stuart Nisbet for technical assistance”; and, “The director & producers wish to thank: Carolina Atlantic Studios; the University of North Carolina at Greensboro; North Carolina Film Commission; the Governor’s Office of North Carolina; Comalcalco Archeological Site; the people of Oxolotan; the State of Tabasco; the parents, teachers, and children of the Ferndale Middle School and Gateway Education Center as well as Connie Mashburn, Kathy Moore, Penny Barratt, Dr. Catherine Lord, Dr. Bernard Rimland, Dr. Darold Treffert, Dr. Eric Schopler, Lillian & Harold Michaelson, Sarah Black; Children from Beerlander’s school: Azalea Anderson, Baron Boyce, Derek Burris, Cady Jean Francis, Katie Martin, Sam Peter Miller, Eric Peak, Martin Sizemore, Lyndy Steed, Mack Weaver.” An incorrect dedication reads, “In memory of Anne Dollard, 1956-1988.” Dollard was a Hollywood talent agent who died in a horseback riding accident in 1989.
While on an archeological expedition in Mexico, architect Ruth Matthews witnesses her husband fall to his death from a pyramid. Suppressing her grief, Ruth moves back to Arliss, North Carolina, with her son, Michael, and six-year-old daughter, Sally. While Michael enjoys reconnecting with friends and supports his mother’s emotional adjustment to widowhood, the usually talkative Sally becomes withdrawn and refuses to speak. Absorbed in her own world, she is obsessively fixated on stories she heard from a Mayan archeologist, who claimed that her father went to live on the moon. Sally begins to display strange behavior at home and at school, prompting teachers to insist she see a psychologist. One afternoon, Michael urges his sister to climb onto the roof to retrieve a baseball caught in the gutter. Sally complies, but screams incessantly when she sees her mother reaching toward her from the upstairs window. Child psychologist Dr. Jacob “Jake” Beerlander arrives during the incident, and theorizes that Sally was overcome with paralyzing anxiety upon noticing that her mother’s hat was on backward. Although Ruth vehemently insists there is nothing wrong with her daughter, the girl eventually begins sessions with Dr. Beerlander, who suspects she may be autistic. While Ruth confides in her friend, Lillian Huber, Sally builds an intricate spiral structure out of playing cards. Ruth photographs the edifice and shows it to Dr. Beerlander, determined to prove that Sally is not sick. Dismayed by her denial, Dr. Beerlander introduces her to other mentally challenged children in his care who also demonstrate spectacular abilities. He warns that because Sally’s condition occurred so suddenly, they must act quickly to treat her. Afterward, Ruth overhears two children with Down Syndrome ...
While on an archeological expedition in Mexico, architect Ruth Matthews witnesses her husband fall to his death from a pyramid. Suppressing her grief, Ruth moves back to Arliss, North Carolina, with her son, Michael, and six-year-old daughter, Sally. While Michael enjoys reconnecting with friends and supports his mother’s emotional adjustment to widowhood, the usually talkative Sally becomes withdrawn and refuses to speak. Absorbed in her own world, she is obsessively fixated on stories she heard from a Mayan archeologist, who claimed that her father went to live on the moon. Sally begins to display strange behavior at home and at school, prompting teachers to insist she see a psychologist. One afternoon, Michael urges his sister to climb onto the roof to retrieve a baseball caught in the gutter. Sally complies, but screams incessantly when she sees her mother reaching toward her from the upstairs window. Child psychologist Dr. Jacob “Jake” Beerlander arrives during the incident, and theorizes that Sally was overcome with paralyzing anxiety upon noticing that her mother’s hat was on backward. Although Ruth vehemently insists there is nothing wrong with her daughter, the girl eventually begins sessions with Dr. Beerlander, who suspects she may be autistic. While Ruth confides in her friend, Lillian Huber, Sally builds an intricate spiral structure out of playing cards. Ruth photographs the edifice and shows it to Dr. Beerlander, determined to prove that Sally is not sick. Dismayed by her denial, Dr. Beerlander introduces her to other mentally challenged children in his care who also demonstrate spectacular abilities. He warns that because Sally’s condition occurred so suddenly, they must act quickly to treat her. Afterward, Ruth overhears two children with Down Syndrome reciting patterns of prime numbers and tries to interact with them. Determined to connect with her daughter, she builds a computer program that virtually recreates Sally’s card structure. One day, Ruth visits the construction site for her latest project, instructing Michael and Sally to wait in the car. When Michael is not looking, Sally climbs the scaffolding and walks along the arm of a tower crane, one hundred and forty feet above the ground. Although she is rescued without injury, the Department of Social Services threatens to charge Ruth with negligence and places Sally in the full-time care of Dr. Beerlander. Sally conveys no reaction to being removed from her mother’s custody, but Ruth convinces Dr. Beerlander to let her live at home while attending sessions during the day. Examining photographs of Sally’s house of cards, Ruth notices that the structure includes a Tarot card of “The Moon.” While Sally works with Dr. Beerlander, Ruth builds an oversize model of Sally’s structure using plywood boards, hoping to place herself inside her child’s unique mind. On the night of a full moon, Ruth falls asleep at the base of her creation, which at full size resembles a spiral staircase reaching toward the sky. Sally sneaks out of the house and climbs the tower. The next morning, Michael and Dr. Beerlander find Sally wandering through a field alone. Ruth carries Sally back to the tower and urges her to climb the stairs with her. Although Sally did not see her father die, she stares into her mother’s eyes and imagines Ruth’s memories of the accident. Finally allowing herself to be emotional, Sally sheds a single tear, throws her arms around Ruth, and says, “I miss my daddy.” Seemingly returned to normal, Sally teases her brother, and Ruth invites Dr. Beerlander to stay for breakfast.
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