Indian Summer (1993)

PG-13 | 98 mins | Drama | 23 April 1993

Director:

Mike Binder

Writer:

Mike Binder

Cinematographer:

Tom Sigel

Editor:

Adam Weiss

Production Designer:

Craig Stearns

Production Company:

Touchstone Pictures
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HISTORY

       A 12 Feb 1990 DV story by Claudia Fuller stated that Michael Binder would co-star in Northern Lights, a story based on his own 1968 experiences in a Northern Canadian summer camp. A 21 Mar 1990 Var item noted that Binder would produce the film with Robert W. Cort and Ted Field of Interscope Communications.
       By 26 Jun 1992 the project was now set up at Touchstone Pictures under the title Algonquin in August, according to a Screen Interntional item of the same date. In his 10 Jul 1992 DV “Just For Variety” column, Army Archerd mentioned that Diane Lane was returning from her Paris, France, home to appear in the film, which was now retitled Algonquin.
       An 18 Aug 1992 HR production chart posted a 26 Aug 1992 start date for the film, which had yet again been retitled Tamakwa. However, the 15 Sep 1992 HR production chart listed the start date as 27 Aug 1992.
       Production notes in AMPAS library files confirmed the 27 Aug 1992 start date, and stated that the film had an eight-week schedule on location at Camp Tamakwa, located in Algonquin Provincial Park, Ontario, Canada, the actual location of the childhood events depicted in Binder’s script. The camp was established in 1937, and was only accessible by water. Production began four days after the end of the camp’s actual summer season.
       According to production designer Craig Stearns, some of the larger sets in the film, including the covered bridge, the guard tower ...

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       A 12 Feb 1990 DV story by Claudia Fuller stated that Michael Binder would co-star in Northern Lights, a story based on his own 1968 experiences in a Northern Canadian summer camp. A 21 Mar 1990 Var item noted that Binder would produce the film with Robert W. Cort and Ted Field of Interscope Communications.
       By 26 Jun 1992 the project was now set up at Touchstone Pictures under the title Algonquin in August, according to a Screen Interntional item of the same date. In his 10 Jul 1992 DV “Just For Variety” column, Army Archerd mentioned that Diane Lane was returning from her Paris, France, home to appear in the film, which was now retitled Algonquin.
       An 18 Aug 1992 HR production chart posted a 26 Aug 1992 start date for the film, which had yet again been retitled Tamakwa. However, the 15 Sep 1992 HR production chart listed the start date as 27 Aug 1992.
       Production notes in AMPAS library files confirmed the 27 Aug 1992 start date, and stated that the film had an eight-week schedule on location at Camp Tamakwa, located in Algonquin Provincial Park, Ontario, Canada, the actual location of the childhood events depicted in Binder’s script. The camp was established in 1937, and was only accessible by water. Production began four days after the end of the camp’s actual summer season.
       According to production designer Craig Stearns, some of the larger sets in the film, including the covered bridge, the guard tower and the Everett cabin, were built off site, disassembled, and floated by barge to the camp where they were rebuilt on site.
       Location photography at Camp Tamakwa was completed on 17 Oct 1992, just a day before a snowstorm hit the island. Production moved to Toronto, Canada, for two days of shooting at Pearson International Airport, Old Mill Bus Station, and the Roots clothing factory before wrapping on 23 Oct 1992.

      The following acknowledgments appear in the end credits: "The Producers Wish To Thank: Ontario Film Development Corporation, Anne Walsh; Algonquin Provincial Park, Ron Speck; Hunstville Chamber of Commerce Eastview Neighborhood Community Center; And a Special Thanks To: The Campers and Counselors of Camp Tamakwa." End credits also note: "Filmed on location at Camp Tamakwa."

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
12 Feb 1990
---
Daily Variety
10 Jul 1992
---
Hollywood Reporter
18 Aug 1992
---
Hollywood Reporter
15 Sep 1992
---
Hollywood Reporter
23 Apr 1993
p. 8, 12
Los Angeles Times
23 Apr 1993
p. 16
New York Times
23 Apr 1993
p. 10
Screen International
26 Jun 1992
---
Variety
21 Mar 1990
---
Variety
26 Apr 1993
p. 69
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
Touchstone Pictures Presents
An Outlaw Production
A Film By Mike Binder
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
1st asst dir
2d asst dir
2d asst dir
Asst prod mgr
3d asst dir
Prod mgr, Toronto crew
PRODUCERS
Co-prod
Co-prod
WRITER
PHOTOGRAPHY
Dir of photog
Cam op/Steadicam®
1st asst cam
1st asst "B" cam
2d asst cam
Cam clapper/loader
Cam dept asst
Still photog
Best boy elec
Best boy grip
Best boy grip
Dolly grip
Dir of photog, Moose unit
Dir of photog, Moose unit
Dir of photog, Moose unit
Dir of photog, Moose unit
ART DIRECTORS
Prod des
Art dir
Art dept. prod asst
FILM EDITORS
Film ed
Post prod supv
1st asst ed (US)
1st asst ed (US)
1st asst ed (Canada)
1st asst ed (Canada)
2d asst ed
Apprentice ed
Post prod accounting
Negative cutter
SET DECORATORS
Set dec
Leadman
On-set dresser
Swing gang
Set des
Prop master
John Allen
Asst props
Const coord
Lead carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Scenic artist
Lead scenic
Scenic painter
Scenic painter
Scenic painter
Scenic painter
Greensman
Greensman
Log fitter
Log fitter
Log fitter
Log fitter
Log fitter
COSTUMES
Cost des
Cost supv
Key ward asst
Ward asst
Seamstress
Ward and accessories provided by
MUSIC
Mus supv
Mus ed
Mus scoring mixer
Mus scoring mixer
Mus cond by
Sandy De Crescent
Orch contractor
Temp mus ed
The Shrek Kings
The Shrek Kings
The Shrek Kings
The Shrek Kings
The Shrek Kings
The Shrek Kings
The Shrek Kings
SOUND
Prod sd
Cableman
Supv sd ed
Rerec mixer
Rerec mixer
Dial ed
Sd eff ed
Foley ed
Foley mixer
Asst foley mixer
Foley artist
Foley artist
Joan Chapman
ADR ed
ADR mixer
Post prod sd facility
VISUAL EFFECTS
Title des
Title opticals
Opticals
MAKEUP
Key makeup artist
Key hairstylist
Asst makeup artist
Asst makeup artist
Asst hairstylist
Asst hairstylist
Hair/makeup asst
PRODUCTION MISC
Casting
Casting
Casting
Asst to prod
Asst to Mr. Binder
Asst to Mr. Binder
Prod supv
Prod coord
Asst prod coord
Unit pub
Genny op
Wood carver
Wood carver
Asst accountant
Asst accountant
Camp Tamakwa trainer
Camp Tamakwa trainer
Camp Tamakwa liaison
Camp Tamakwa liaison
Camp Tamakwa liaison
Key set prod asst
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Office prod asst
Office prod asst
Post prod asst
Casting asst
Toronto casting
Toronto extras casting
Catering
Catering
Catering
Craft service
Craft service
Craft service
Craft service
On-set first aid
Transportation coord
Transportation capt
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Boat captain
Pig dog op
Pig dog op
Pig dog op
Pointer op
Pointer op
Loc mgr, Toronto crew
Prod asst, Toronto crew
Mose guide, moose unit
Insurance
Insurance
Post prod accounting
Post prod accounting
Post prod accounting
STAND INS
Stunt coord
Stunt player
Stunt player
Stand-in
Stand-in
Stand-in
COLOR PERSONNEL
Col timer
Laboratory services
Film procesing
SOURCES
SONGS
"Suzie Q," written by Dale Hawkins, Stan J. Lewis and Eleanor Broadwater, performed by Creedence Clearwater Revival, courtesy of Fantasy Records; "Crimson And Clover," written by Tommy James and Pete Lucia, performed by Tommy James and the Shondells, courtesy of Rhino Records, Inc. by arrangement with Warner Special Products; "Ready For Love," written by Mick Ralphs, performed by Bad Company, courtesy of Swan Song, Inc.; "Spinning Wheel," written by David Clayton Thomas, performed by Blood, Sweat & Tears, courtesy of Columbia Records by arrangement with Sony Music Licensing; "Hello, Muddah, Hello Faddah (A Letter From Camp)," written by Allan Sherman and Lou Busch, performed by Allan Sherman, courtesy of Warner Bros. Records Inc. by arrangement with Warner Special Products.
SONGWRITERS/COMPOSERS
+
DETAILS
Alternate Titles:
Algonquin
Algonquin in August
Northern Lights
Tamakwa
Release Date:
23 April 1993
Premiere Information:
New York opening: week of 23 Apr 1993; Los Angeles opening: 26 Apr 1993
Production Date:
27 Aug--23 Oct 1992 in Canada
Copyright Info
Claimant
Date
Copyright Number
Touchstone Pictures, an accepted alternative of the Walt Disney Company
18 May 1993
PA611010
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Produced and distributed on Eastman Film
Widescreen/ratio
2.35:1
Lenses
Lenses and Panaflex® camera by Panavision®
Duration(in mins):
98
MPAA Rating:
PG-13
Countries:
Canada, United States
Language:
English
PCA No:
32399
SYNOPSIS

At Camp Tamakwa in 1972, a group of kids hike with “Unca” Lou Handler, and come upon a moose in the forest. Twenty years later, the former campers prepare to return to Tamakwa for a fall reunion after the regular summer season. Landing on the island, they are greeted by Unca Lou, who invited them back. Brad Berman, one of the returnees, encounters camp maintenance man “Stick” Coder, son of Wylie Coder. Brad observes that Wylie never liked him, and Stick concurs. Even though some of the returnees are married or paired up, Unca Lou insists the women sleep in the girls’ cabin, and the men in the boys’ cabin, and outlines a week of the sort of camp activities they enjoyed as kids. Jamie Ross asks Unca Lou how he can be expected to stay apart from his twenty-one-year-old girl friend, Gwen Daugherty, for six nights, and the counselor responds that he probably won’t be able to, but asks that he not harm any wild animals in the process. In their cabin, Jamie, Brad and his cousin, Matthew "Matt" Berman, reminisce, and wonder whatever became of Jack Belston. Matt recalls that Unca Lou kicked him out of camp. As Jennifer Morton, Kelly Berman and Gwen unpack in their cabin, Beth Warden arrives and is warmly welcomed. Later, Jack arrives. The others are happy to see him, but when he greets Beth, he apologetically says, “I should have been at Rick’s funeral.” When Unca Lou comes out to start the week’s activities, he seems surprised to see Jack. As a first step for the week, he makes ...

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At Camp Tamakwa in 1972, a group of kids hike with “Unca” Lou Handler, and come upon a moose in the forest. Twenty years later, the former campers prepare to return to Tamakwa for a fall reunion after the regular summer season. Landing on the island, they are greeted by Unca Lou, who invited them back. Brad Berman, one of the returnees, encounters camp maintenance man “Stick” Coder, son of Wylie Coder. Brad observes that Wylie never liked him, and Stick concurs. Even though some of the returnees are married or paired up, Unca Lou insists the women sleep in the girls’ cabin, and the men in the boys’ cabin, and outlines a week of the sort of camp activities they enjoyed as kids. Jamie Ross asks Unca Lou how he can be expected to stay apart from his twenty-one-year-old girl friend, Gwen Daugherty, for six nights, and the counselor responds that he probably won’t be able to, but asks that he not harm any wild animals in the process. In their cabin, Jamie, Brad and his cousin, Matthew "Matt" Berman, reminisce, and wonder whatever became of Jack Belston. Matt recalls that Unca Lou kicked him out of camp. As Jennifer Morton, Kelly Berman and Gwen unpack in their cabin, Beth Warden arrives and is warmly welcomed. Later, Jack arrives. The others are happy to see him, but when he greets Beth, he apologetically says, “I should have been at Rick’s funeral.” When Unca Lou comes out to start the week’s activities, he seems surprised to see Jack. As a first step for the week, he makes his guests take a swimming test, then runs them through their paces on sailing gear and terminology. He tells the group they represent the “golden age” of the camp when everything seemed to come together. As they pair off to go sailing, Matt confides to Jack that he is glad to be away from his cousin, Brad, for a few minutes, and that he is thinking of leaving their clothing manufacturing business. At night, in the kitchen, the group snacks and smokes marijuana. Brad reminisces that Unca Lou used to patrol the camp at night and “bust” anyone he caught violating curfew. Later that evening, Brad returns from the bathroom to discover his roommates have short-sheeted his bed. In the morning, the guys play another trick on Brad, by removing toilet paper from the men’s room. At breakfast, the returnees marvel at Unca Lou’s ability to remember every camper’s name. Unca Lou recalls that he often gave kids who felt left out or lonely a “super secret Indian name.” Matt does not believe Unca Lou can remember his secret Indian name, but Lou responds, “Thundering Cloud.” Matt is amazed until he learns that Brad’s super secret Indian name and every other secret Indian names was also “Thundering Cloud.” Unca Lou confesses to the campers that this is the last summer for Camp Tamakwa, since he feels he can no longer connect with the kids. Later, Jack digs a hole near one of the cabins, looking for something he buried years before, but whatever he is looking for is not where he remembers burying it. Walking with some of the others, Jack is asked why he returned after having been kicked out of camp? He replies that Unca Lou’s call reminded him he needed to make amends. That night, after a long day, Kelly asks Matt if he has fallen out of love with her. He protests that they have come up to the camp to have a good time, but she insists they have to work things out between them. She remembers when he used to spend hours saying goodnight to Jennifer when they were kids at camp, and she always wished he had been kissing her instead. Matt gives her a perfunctory kiss and tells her to go to bed. In the men’s cabin, the guys pull another prank, sticking Brad’s hand in warm water while he sleeps, causing him to wet the bed. The next day, watching him from afar, Jennifer and Beth discuss Jack. Beth mentions that Jack was her husband Rick’s best friend, and she thinks he is in Alcoholics Anonymous now, and that is what he was referring to when he mentioned making amends. Beth also tells Jennifer she has not made love since Rick passed away. In the evening, after having sex, Gwen suggests to Jamie they could run the camp themselves, but he is not interested; and when she suggests that he is afraid of her having a baby, he tells her he likes his life and she has fifteen years before her biological clock winds down. On the grounds at night, Matt runs into Jennifer, but she gives him a peck on the cheek and goes off to bed so he won’t get into trouble with the camp counselor. Later that night, the men “raid” the girls’ dorm. Matt cannot wake Kelly, so he asks Jennifer to join him, Jack, and Beth outside while Jamie and Gwen stay behind to make love. Beth and Jack go to the boathouse, where Beth asks Jack why he was kicked out of camp. He tells her about Sam Grover, a junior counselor Unca Lou hired over the phone, only to discover when he arrived that Sam was a black man. Lou gave Sam return fare and a week’s pay and sent him home. Jack says he was forced out because he then took something from Lou designed to take him down a peg over the way he treated Sam Grover. Matt takes Jennifer to an empty cabin, and though both realize they should leave, they start to kiss, only to have Unca Lou burst in on them and escort them back to their dorms. Jack continues to dig for what he buried, and Jennifer tells Jack that Beth is interested in him. That night the campers watch a promotional film about the camp shot when they were young attendees. Later, Beth and Jack talk by a campfire, but when he tries to kiss her, Beth tells him she is not interested in him that way. At dinner, Matt asks if someone might take over running the camp. The group discusses the idea, but the dynamics of their relationships make it clear that is not likely to happen. The following day, as the others gather on the dock, Gwen rows up in a canoe and takes off the bikini Jamie gave her as a present, saying she does not believe the garment shows enough of her body off to his friends. He demands she put on some clothes, but Gwen refuses to take orders, and he walks away. At night in their dorm, Jennifer assures Kelly that, although she is lonely, she is not trying to steal Matt. The next day, Unca Lou admits to Jack that he was wrong to treat Sam Grover the way he did. When Gwen attempts to return her ring to Jamie, he grabs her roughly. Matt intercedes, and when Unca Lou sees what is going on, he suggests they take their fight to the boxing ring. Although Matt hates boxing and at first takes a beating, he knocks Jamie down and wins the fight. Then Kelly puts on Jamie’s boxing gloves and challenges her husband, telling him he cannot ignore her anymore. As Jack again sets to digging, he finally finds what he has been looking for: Unca Lou’s silver 1946 Michigan State University Class A Boxing Championship trophy. Elsewhere, Unca Lou takes Beth to the dilapidated “Everett cabin,” and tells her about Oscar and Claire Everett. When Oscar died, he wanted to be “deep sixed” in the lake. After wasting the last fifteen years of her life alone in the cabin, Claire Everett died and wanted to be dropped into the lake to be with her husband. Beth accuses Lou of making up the story, but understands it was meant for her. As the final night dance goes on, Matt and Kelly reconcile, Jamie asks Jennifer to dance, Matt reaches an agreement with his cousin Brad to leave their clothing business, Beth takes Jack out to look at the stars and seduces him, and Gwen asks Stick Coder to dance with her. At one point Brad rushes in and gets everyone to follow him to a raft at the pier to watch Beth and Jack rowing in a canoe. Then, in an act of revenge for the tricks they played on him, Brad unties the raft and sets them adrift. Unca Lou returns to his office and finds the trophy standing on his desk. As the group boards the boat for home, Matt pulls Unca Lou aside to apologize and say that he cannot take over the camp. However, Beth and Jack are not on board, and when Lou heads back he runs into them. They tell him they want to take over the camp, but do not know where they will get the money. He happily gives them the camp for free.

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GENRE
Genre:


Subject

Subject (Minor):
Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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