Joey Breaker (1993)

R | 93 mins | Comedy-drama, Romance | 14 May 1993

Director:

Steven Starr

Writer:

Steven Starr

Producers:

Amos Poe, Steven Starr

Cinematographer:

Joe DeSalvo

Production Designer:

Jocelyne Beaudoin

Production Companies:

Poe Productions, Starr Pictures
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HISTORY

The picture marks the feature film debut of director/writer Steven Starr, who was an entertainment agent for over ten years before leaving his profession to become a filmmaker, according to the 19 Feb 1993 LAWeekly. Seventy-five percent of the budget, $875,000, was provided by two equity investors.
       Production notes in APMAS library files report that Cedella Marley, who made her acting debut in the film, was friends with Steven Starr for many years, and he wrote the part of “Cyan” with her in mind. Principal photography began in Oct 1991 in New York, and relocated to St. Lucia for the final four days of shooting.
       According to an advertisement in the 15 Aug 1993 LAT, the picture screened at the Santa Barbara International Film Festival, where it was awarded “Best of the Fest.”
       End credits feature the statement: “God’s love we deliver” and the following acknowledgements: “St. Lucia: The Government of St. Lucia, West Indies; Anthony Severin, Ministry of Trade and Tourism; Barclay’s Bank, Victor A.A. Eudoxie, Elaine Borton; The Gros Islet Infant School, Alicia Louis; The Gros Islet Nurses Station; The Gros Islet Police Department; The Castries Fire Department; Mr. and Mrs. Herbert Scott; The staff at Scotty’s; Montgomery Ford; Gayle Charles; Richard St. Brice; Mr. Do; Boom Boom; The Fine People of Gros Islet.” Also included are: “Special Thanks to: Mineola Covington, Davien Littlefield, Billy Manger, Bill Marino, Joel Rose, Anita Sarko, Joe Vasquez.” In addition: “The Producers would like to thank the following, without whose help the film could not have been made: Dakota Jackson; Aim Promotions; Apollinaris Mineral Water; Bidermann Industries Corp.; Bubbie’s ...

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The picture marks the feature film debut of director/writer Steven Starr, who was an entertainment agent for over ten years before leaving his profession to become a filmmaker, according to the 19 Feb 1993 LAWeekly. Seventy-five percent of the budget, $875,000, was provided by two equity investors.
       Production notes in APMAS library files report that Cedella Marley, who made her acting debut in the film, was friends with Steven Starr for many years, and he wrote the part of “Cyan” with her in mind. Principal photography began in Oct 1991 in New York, and relocated to St. Lucia for the final four days of shooting.
       According to an advertisement in the 15 Aug 1993 LAT, the picture screened at the Santa Barbara International Film Festival, where it was awarded “Best of the Fest.”
       End credits feature the statement: “God’s love we deliver” and the following acknowledgements: “St. Lucia: The Government of St. Lucia, West Indies; Anthony Severin, Ministry of Trade and Tourism; Barclay’s Bank, Victor A.A. Eudoxie, Elaine Borton; The Gros Islet Infant School, Alicia Louis; The Gros Islet Nurses Station; The Gros Islet Police Department; The Castries Fire Department; Mr. and Mrs. Herbert Scott; The staff at Scotty’s; Montgomery Ford; Gayle Charles; Richard St. Brice; Mr. Do; Boom Boom; The Fine People of Gros Islet.” Also included are: “Special Thanks to: Mineola Covington, Davien Littlefield, Billy Manger, Bill Marino, Joel Rose, Anita Sarko, Joe Vasquez.” In addition: “The Producers would like to thank the following, without whose help the film could not have been made: Dakota Jackson; Aim Promotions; Apollinaris Mineral Water; Bidermann Industries Corp.; Bubbie’s Pickles, John Gray; Burnes & Ricker; Car-Freshener Corporation; Chemical Bank, Stephanie Dalton; Cloverdale Transportation Services; Corneliani, U.S.A.; Corrado, Aaron Matalon; Country Gentleman; Driade; Dri-Beck Importers, Inc.; F&M Headwear Inc.; Fifth Avenue Office Supply; Fish’s Eddy; The Gallery; International Images, Karla MacKay; The Joseph & Feiss Co.; Kitchen Food Shop; McDonald Products Co.; Media Music Consultants; Meadowlands Food Products; Howard Miller Clock Company; Modernage; Motion Picture Enterprises; NeXT Computer; New York Deli; NY Corporation of America; Original Beverage Coop.; Perrier Mineral Water; La Preferida, Inc. of NY; Rolodex Corporation; Roses Only; Saratoga Brands; Tourneau; Upp Entertainment Marketing; Urban Outfitters; Variety; Vito Russo Center Library/Pat Parker; Joan Vass, N.Y.; St. John’s Church, Father Prader; Island Records, Chris Blackwell, Doreen Crujeiras; William Morris Agency, Alan Kannof, Johnnie Planco; The Governors Office for Motion Pictures, NYC: Pepper O’Brien; The New York Mayor’s Office for Film, Television & Broadcasting: Jaynne Keyes, Director.” End credits conclude with: “Maximum Respect and Love, Rita Marley and the Marley Family;” and “In Memory of Fred Fondren (1948-1992), Jessica Haston (1964-1992); For Alita.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
10 Mar 1993
p. 21
Hollywood Reporter
11 Mar 1993
p. 12, 52
Los Angeles Times
15 Aug 1993
---
Los Angeles Times
20 Aug 1993
p. 8
LA Weekly
19 Feb 1993
---
New York Times
14 May 1993
p. 19
Variety
22 Mar 1993
p. 53
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANIES
PRODUCTION TEXTS
A Poe Production
A Skouras Pictures release
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
1st asst dir
2d asst dir
2d 2d asst dir
PRODUCERS
Prod
Assoc prod
Line prod
WRITER
PHOTOGRAPHY
Dir of photog
Steadicam
1st asst cam
2d asst cam
2d asst cam
Addl asst cam
Cam trainee
Cam p.a.
2d unit
Gaffer
Best boy elec
3d elec
Addl elec
3d elec
3d elec
3d elec
Key grip
Best boy grip
Addl grip
Addl grip
Addl grip
Elec
Generator op
Grip/Elec equip
Still photog
ART DIRECTORS
Art dir
Asst art dir
Story board artist
Art dept p.a., St. Lucia
FILM EDITORS
2d asst ed
SET DECORATORS
Swing gang
Swing gang
Prop master
On set props
Scenic artist
Set dresser
Set dresser
Orig artwork
COSTUMES
Cost des
Ward supv
Ward asst
MUSIC
Synclavier programming
Trumpet, Paul Aston's Wide World
Tenor sax, Paul Aston's Wide World
Piano, Paul Aston's Wide World
Guitar, Paul Aston's Wide World
Bass, Paul Aston's Wide World
Percussion, Paul Aston's Wide World
Percussion, Paul Aston's Wide World
Eng by
Mus counsel, Hansen, Jacobsen and Teller
Mus maestro
SOUND
Sd mixer
Supv sd ed
Re-rec mixer
Dial ed
Sd eff ed
Foley artist
ADR eng
Facility coord
Asst to the sd des
Apprentice sd ed
Audio consultant
Audio consultant
VISUAL EFFECTS
Opticals, The Effects House Corp.
Front credit des, Atlantic Motion Pictures
Front credit des
Final frame artwork
MAKEUP
Makeup/Hair
Addl makeup
Joey's dreads
PRODUCTION MISC
Casting
Prod coord
Asst prod coord
Casting assoc
Casting assoc
Loc mgr
Loc mgr
Prod exec - Starr Pictures
Asst to the dir
Asst to Ms. Marley
Post prod supv
Extras casting
Promotions coord/Prod asst
Vocal prod coach
Prod accountant
Craft services
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Catering
Addl catering
Teamster capt
Prod counsel, Frankfurt, Garbus, Klein & Selz
Pub relations
Stand up consultant
Loc mgr, St. Lucia
Security, St. Lucia
Driver, St. Lucia
COLOR PERSONNEL
Timer
Negative matching
SOURCES
SONGS
"Coming In From The Cold," written by Bob Marley, performed by Bob Marley and The Wailers, published by Bob Marley Music Limited, by arrangement with Island Records; "Could You Be Loved," written by Bob Marley, performed by Bob Marley and The Wailers, published by Bob Marley Music Limited, by arrangement with Island Records; "Concrete Jungle, written by Bob Marley, performed by Bob Marley and The Wailers, published by Cayman Music Inc., by arrangement with Island Records; "Satisfy My Soul," written by Bob Marley, performed by Bob Marley and The Wailers, published by Bob Marley Music Limited, by arrangement with Island Records; "Love Is The Only Way," written by Cedella Marley and Ziggy Marley, performed by Ziggy Marley and The Melody Makers, published by Colgems-EMI Music Inc., by arrangement with Virgin Records; "Sina (Soumbouya)," written by Salif Keita, performed by Salif Keita, published by Black Lion Music, by arrangement with Island Records and Sterns African Record Center, Ltd.; "Cono," written by Salif Keita, performed by Salif Keita, published by Black Lion Music, by arrangement with Island Records and Sterns African Record Center, Ltd.; "Prometheus Suite (Alfred's Theme)," written by Paul Aston, performed by Wide World, by arrangement with Kinda Black Music; "Jump Up," written by Paul Aston, performed by Wide World, by arrangement with Kinda Black Music; "Blues For Eddie G.," written by Erik Frandsen, performed by Erik Frandsen, by arrangement with Kinda Black Music.
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
14 May 1993
Premiere Information:
New York opening: week of 14 May 1993; Los Angeles opening: 20 Aug 1993
Production Date:
began Oct 1991
Physical Properties:
Sound
Color
Duration(in mins):
93
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
31765
SYNOPSIS

In New York City, successful “Morgan Creative” talent agent Joey Breaker joins his colleague, Esther Trigliani, as she volunteers to bring lunch to Alfred Moore, a man suffering from AIDS. After they leave, Esther chastises Joey for being prejudiced against AIDS victims, and caring only about his career. Joey meets a potential client, comedian “Hip Hop Hank,” at a restaurant, and becomes infatuated with a Jamaican server named Cyan Worthington. Later, Joey and colleague Jenny Chaser meet with writer Larry Metz in hope of signing him, based on his impressive script. When Esther has a work emergency, she asks Joey to take dinner to Alfred Moore. Joey complies, but he maintains his distance until Alfred explains that AIDS is not contagious through casual contact. Joey relaxes and the men share stories. Joey attends Hip Hop Hank’s comedy show, and continues to court him for the agency. Cyan, a friend of Hank’s, also attends the show, and joins him and Joey for dinner afterward. Hip Hop Hank agrees to sign with Morgan Creative, but when Joey suggests he keep his homosexual lifestyle a secret from the public, the comedian becomes furious. Joey asks Cyan about her life, so she takes him to a hospital where she is a nursing student. Cyan explains that the people in her poverty-stricken country need good medical care, and she plans to return to Jamaica to work as a nurse after she graduates. Joey asks Cyan on a date, and she is surprised because they are so dissimilar. Sometime later, Joey admits that likes Alfred, and Esther suggests he take over her ...

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In New York City, successful “Morgan Creative” talent agent Joey Breaker joins his colleague, Esther Trigliani, as she volunteers to bring lunch to Alfred Moore, a man suffering from AIDS. After they leave, Esther chastises Joey for being prejudiced against AIDS victims, and caring only about his career. Joey meets a potential client, comedian “Hip Hop Hank,” at a restaurant, and becomes infatuated with a Jamaican server named Cyan Worthington. Later, Joey and colleague Jenny Chaser meet with writer Larry Metz in hope of signing him, based on his impressive script. When Esther has a work emergency, she asks Joey to take dinner to Alfred Moore. Joey complies, but he maintains his distance until Alfred explains that AIDS is not contagious through casual contact. Joey relaxes and the men share stories. Joey attends Hip Hop Hank’s comedy show, and continues to court him for the agency. Cyan, a friend of Hank’s, also attends the show, and joins him and Joey for dinner afterward. Hip Hop Hank agrees to sign with Morgan Creative, but when Joey suggests he keep his homosexual lifestyle a secret from the public, the comedian becomes furious. Joey asks Cyan about her life, so she takes him to a hospital where she is a nursing student. Cyan explains that the people in her poverty-stricken country need good medical care, and she plans to return to Jamaica to work as a nurse after she graduates. Joey asks Cyan on a date, and she is surprised because they are so dissimilar. Sometime later, Joey admits that likes Alfred, and Esther suggests he take over her position delivering food to him. On one occasion, Joey hand-feeds Alfred upon finding him sick in bed. Cyan invites Joey to be her date to a Halloween party, and he arrives wearing a Rastafarian costume. Afterward, they make love. At work, Joey insults colleague Jenny Chaser, prompting her to leave early. Joey meets with Hip Hop Hank, who reminds him that Cyan is moving home in a few weeks, and warns him not to get attached. When Cyan tells Joey she wants to end their involvement because they are so different, Joey argues that their differences are not important. However, Cyan disagrees and accuses him of not knowing himself. Joey books a show for Hip Hop Hank, but when the comedian learns he needs to take a physical exam beforehand, he delays accepting the job. Tired of Joey’s insults, Jenny quits Morgan Creative and takes their important client, Larry Metz, with her, much to Joey’s chagrin. Esther informs Joey that Alfred has died, and they attend his funeral together. Afterward, Joey visits Cyan and they again make love. Hip Hop Hank tells Joey he is afraid to take the blood test required for a specific job because he fears he may have contracted HIV through his promiscuous lifestyle. Joey reassures him, and with Esther’s help, secures another offer for him to appear on television. The men celebrate over dinner, where Joey learns that Cyan returned to Jamaica without saying goodbye to him. Joey quits his job, claiming there are more important things in life than his career. His boss, Sid Kramer, warns him against leaving, and offers him a promotion. However, Joey cannot stop thinking about Cyan, and after receiving her photograph in the mail, he flies to Jamaica. Six months later, Joey has become acclimated to island life, and uses his skills to broker business deals in town. Cyan works as a nurse and she and Joey live happily together.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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