Love Your Mama (1993)

PG-13 | 93 mins | Drama | 5 March 1993

Director:

Ruby L. Oliver

Writer:

Ruby L. Oliver

Producer:

Ruby L. Oliver

Cinematographer:

Ronald Courtney

Editor:

Joy L. Rencher

Production Designer:

Ruby L. Oliver

Production Company:

Oliver Productions, Ltd.
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HISTORY

According to an article in the 2 Mar 1993 Philadelphia Inquirer, filmmaker Ruby L. Oliver grew up in a poor South Side neighborhood of Chicago, IL and spent more than twenty-three years working as a day-care operator for underprivileged children before enrolling in Columbia College. Although she intended to spend her retirement writing books, she developed the script for Love Your Mama in a screenwriting course, and based the story on her own experiences. Despite the discouragement of her instructor, she decided to fly to Los Angeles, CA, to seek financing.
       After graduation, Oliver began production in Jul 1988. The Philadelphia Inquirer and 5 Mar 1993 LAT listed conflicting budgets of $500,000 and $1.2 million. The five-week shoot took place between 35th and 40th Streets in Chicago, near Oliver’s childhood home.
       Articles in the 19 Apr 1991 and 10 Mar 1993 Chicago Tribune indicate that the film was released in 1989 under the title Leola. The film played at the 1990 Festival of Festivals in Toronto, Canada, and the 1991 AFI/Los Angeles Film Festival.
       According to the 12 Feb 1993 DV, Hemdale Communications planned a seven-city platform release beginning 5 Mar 1993, with additional openings 26 Mar 1993. A 18 Mar 1993 USA Today item stated that the film was scheduled to expand to more theaters on 2 Apr 1993, despite its weak box-office reception. The 12 Mar 1993 Austin American Statesman reported earnings of $50,120 from forty screens.
       The 7 Jan 1991 Var Toronto review listed a running time of 100 minutes. However, the AFI/Los Angeles Film ...

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According to an article in the 2 Mar 1993 Philadelphia Inquirer, filmmaker Ruby L. Oliver grew up in a poor South Side neighborhood of Chicago, IL and spent more than twenty-three years working as a day-care operator for underprivileged children before enrolling in Columbia College. Although she intended to spend her retirement writing books, she developed the script for Love Your Mama in a screenwriting course, and based the story on her own experiences. Despite the discouragement of her instructor, she decided to fly to Los Angeles, CA, to seek financing.
       After graduation, Oliver began production in Jul 1988. The Philadelphia Inquirer and 5 Mar 1993 LAT listed conflicting budgets of $500,000 and $1.2 million. The five-week shoot took place between 35th and 40th Streets in Chicago, near Oliver’s childhood home.
       Articles in the 19 Apr 1991 and 10 Mar 1993 Chicago Tribune indicate that the film was released in 1989 under the title Leola. The film played at the 1990 Festival of Festivals in Toronto, Canada, and the 1991 AFI/Los Angeles Film Festival.
       According to the 12 Feb 1993 DV, Hemdale Communications planned a seven-city platform release beginning 5 Mar 1993, with additional openings 26 Mar 1993. A 18 Mar 1993 USA Today item stated that the film was scheduled to expand to more theaters on 2 Apr 1993, despite its weak box-office reception. The 12 Mar 1993 Austin American Statesman reported earnings of $50,120 from forty screens.
       The 7 Jan 1991 Var Toronto review listed a running time of 100 minutes. However, the AFI/Los Angeles Film Festival program listed a running time of ninety-two minutes. The print viewed for this record was ninety-three minutes.
       A written epilogue reads: “Leola finished college and operated several day care centers. Wren totally recovered.”
       End credits state: “Special Thanks to: Heyward Bland; Bunnyland Day Care Center; Dr. & Mrs. William E. Cunningham; Drexel National Bank; Emanuel Spiritual Church; Englewood Community Health Organization; Clinton & Roberta Fields; James E. Files; Anderson & Lucille Freeman; Freida’s Tavern; Patricia L. Holder; Derrick & Pauline Lampkin; Seaway National Bank; Southtown Day Care Center; Stop & Go Towing; William L. Dawson Nursing Home.”
       Actor Earnest Rayford, III is credited onscreen as "Earnest III Rayford."

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Austin American Statesman
12 Mar 1993
Weekend, p. 4
Chicago Tribune
19 Apr 1991
Friday, p. B
Chicago Tribune
10 Mar 1993
p. 53
Daily Variety
12 Feb 1993
p. 17
Hollywood Reporter
12 Apr 1991
p. 66
Los Angeles Times
5 Mar 1993
Calendar, p. 12
New York Times
5 Mar 1993
Section C, p. 14
Philadelphia Inquirer
2 Mar 1993
Section E, p. 1
USA Today
18 Mar 1993
Section D, p. 8
Variety
7 Jan 1991
p. 26
CAST
NAME
CREDITED AS
CREDIT
+ −
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
Oliver Productions, Ltd. Presents
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
Unit prod mgr
Asst dir
PRODUCER
WRITER
PHOTOGRAPHY
Dir of photog
1st cam asst
2d cam asst
2d cam asst
2d cam asst
Gaffer
Best boy
Key grip
Dolly grip
2d unit dir of photog
Still photog
ART DIRECTOR
Prod des
FILM EDITORS
Asst ed
Apprentice ed
Post prod supv
Negative cutter
Negative cutter
SET DECORATOR
Set dec
COSTUMES
Cost supv
SOUND
Prod sd mixer
Boom op
Dubbing
VISUAL EFFECTS
Title seq by
MAKEUP
Makeup artist/Hair stylist
PRODUCTION MISC
Casting
Scr supv
Loc mgr
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Truck driver
COLOR PERSONNEL
Prints by
Lab services
Lab services
SOURCES
SONGS
"All My Dreams," lyrics by Ruby L. Oliver, music by John Van Allen, Jr. and Markian Fedorowycz, sung by Ruby L. Oliver; "The Body Body," lyrics by Ruby L. Oliver, music by John Van Allen, Jr. and Markian Fedorowycz, sung by Ruby L. Oliver; "The Body," lyrics by Ruby L. Oliver, music by John Van Allen, Jr. and Markian Fedorowycz, sung by Ruby L. Oliver.
PERFORMED BY
DETAILS
Alternate Title:
Leola
Release Date:
5 March 1993
Premiere Information:
Toronto Festival of Festivals screening: 14 Sep 1990; AFI Fest screening: 14 Apr 1991; Los Angeles and New York opening: 5 Mar 1993
Production Date:
Jul--Aug 1988
Physical Properties:
Sound
Color
gauge
35mm
Duration(in mins):
93
MPAA Rating:
PG-13
Country:
United States
Language:
English
SYNOPSIS

In the South Side slums of Chicago, Illinois, middle-aged mother Lucille Brown, known affectionately as “Mama,” encourages her daughter, Leola, to work hard so she can go to college and open her own day-care center for underprivileged children. In addition to her studies, Leola is an active member of the student body and looks after her three siblings, Wren, Willie, and Lois. One night during dinner, a woman knocks on the door asking for their philandering, hard-drinking father, Sam. The children know she is his mistress, but Mama continues to deny her husband’s wrongdoings. The next morning, Sam announces he has quit his job, leaving the family without any source of income. Mama seeks work as a babysitter, while Wren and Willie hijack cars and sell them for spare parts. One afternoon, Leola’s friend, Barbara Williams, gets them both into trouble for smoking marijuana in the school bathroom. Although Leola is innocent, the principal prohibits her from graduating until one of them confesses. When Sam contracts gonorrhea, he becomes the neighborhood laughingstock, but Mama still promises to support him. Determined to keep her family afloat, she starts a day-care service for the mothers in their building, but the Department of Children and Family Services shuts her down for not having the required license. Two undercover police officers catch Wren stealing a car and shoot him in the abdomen. He slips into a coma, and doctors worry he may never recover. Meanwhile, Leola learns she is pregnant by her classmate, Zeek. Although she decides she is not ready for marriage, her previous boyfriend, Bob, hears rumors of her pregnancy and offers to support her. Barbara advises her to consider an ...

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In the South Side slums of Chicago, Illinois, middle-aged mother Lucille Brown, known affectionately as “Mama,” encourages her daughter, Leola, to work hard so she can go to college and open her own day-care center for underprivileged children. In addition to her studies, Leola is an active member of the student body and looks after her three siblings, Wren, Willie, and Lois. One night during dinner, a woman knocks on the door asking for their philandering, hard-drinking father, Sam. The children know she is his mistress, but Mama continues to deny her husband’s wrongdoings. The next morning, Sam announces he has quit his job, leaving the family without any source of income. Mama seeks work as a babysitter, while Wren and Willie hijack cars and sell them for spare parts. One afternoon, Leola’s friend, Barbara Williams, gets them both into trouble for smoking marijuana in the school bathroom. Although Leola is innocent, the principal prohibits her from graduating until one of them confesses. When Sam contracts gonorrhea, he becomes the neighborhood laughingstock, but Mama still promises to support him. Determined to keep her family afloat, she starts a day-care service for the mothers in their building, but the Department of Children and Family Services shuts her down for not having the required license. Two undercover police officers catch Wren stealing a car and shoot him in the abdomen. He slips into a coma, and doctors worry he may never recover. Meanwhile, Leola learns she is pregnant by her classmate, Zeek. Although she decides she is not ready for marriage, her previous boyfriend, Bob, hears rumors of her pregnancy and offers to support her. Barbara advises her to consider an abortion so she does not have to give up on her dreams, but Leola is too frightened to follow through with the procedure. Mama learns that Barbara has confessed to smoking the marijuana, and the principal has decided not to administer punishment. However, Leola is too ashamed to return to school, and chooses to finish her degree through a GED (General Educational Development) program. The Department of Child and Family Services permits Mama to continue her in-home day-care business, provided she makes various modifications to the apartment. With her husband still out of work, however, she continues to babysit illicitly until she can raise enough money. Wren eventually awakens from his coma, while Leola passes her GED and secures a job at the post office. Once she gives birth, she enrolls in night college and resumes her relationship with Bob. Mama receives her home care license, and Sam seeks help for alcoholism. After a few months working at the post office, Leola is approved for a small business loan to lease a nearby building, which she reopens as the Bunny Land Day Care center.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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