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HISTORY

The print viewed for this record was a sixty-seven-minute 1998 home video version released by Miramax Films and narrated by Leonard Nimoy. The VHS contains footage not seen in the original release, and credits for this entry reflect both the theatrical version and Miramax's added footage.
       A 7 Feb 1992 HR article by Doris Toumarkine noted that the Toronto, Canada-based Imax Corporation would be making its first feature-length documentary if an additional $1.5 million could be raised. Titanica was originally intended to be a forty-minute, standard-length IMAX film with a budget of $6 million, but the success of the 1991 IMAX concert film, Rolling Stones at the Max, suggested that a feature-length Titanica would find a market.
       Production began in the summer of 1991, and the majority of the material came from footage shot by a Canadian-Soviet-American expedition to the North Atlantic wreck site of the Titanic. The 25 Feb 1992 HR reported that the crew spent twelve to sixteen hours per day on the ocean floor, and collected more than 40,000 feet of film. Divers used HMI (hydragyrum medium arc) lights that were originally developed for the fictional motion picture, The Abyss (1989, see entry), and illuminated areas up to 100 square feet.
       Once filming wrapped, post-production was completed at the IMAX Technology Center in Mississauga, Ontario, Canada. The world premiere was set to take place in Oct 1992 at the Canadian Museum of Civilization, followed by a U.S. debut at the Liberty Science Center in Jersey City, NJ. However, publicity materials in AMPAS library files suggest the Canadian opening did not ...

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The print viewed for this record was a sixty-seven-minute 1998 home video version released by Miramax Films and narrated by Leonard Nimoy. The VHS contains footage not seen in the original release, and credits for this entry reflect both the theatrical version and Miramax's added footage.
       A 7 Feb 1992 HR article by Doris Toumarkine noted that the Toronto, Canada-based Imax Corporation would be making its first feature-length documentary if an additional $1.5 million could be raised. Titanica was originally intended to be a forty-minute, standard-length IMAX film with a budget of $6 million, but the success of the 1991 IMAX concert film, Rolling Stones at the Max, suggested that a feature-length Titanica would find a market.
       Production began in the summer of 1991, and the majority of the material came from footage shot by a Canadian-Soviet-American expedition to the North Atlantic wreck site of the Titanic. The 25 Feb 1992 HR reported that the crew spent twelve to sixteen hours per day on the ocean floor, and collected more than 40,000 feet of film. Divers used HMI (hydragyrum medium arc) lights that were originally developed for the fictional motion picture, The Abyss (1989, see entry), and illuminated areas up to 100 square feet.
       Once filming wrapped, post-production was completed at the IMAX Technology Center in Mississauga, Ontario, Canada. The world premiere was set to take place in Oct 1992 at the Canadian Museum of Civilization, followed by a U.S. debut at the Liberty Science Center in Jersey City, NJ. However, publicity materials in AMPAS library files suggest the Canadian opening did not occur until 30 Nov 1992, while a 24 Jun 1993 event at the Pacific Science Center in Seattle, WA, marked its first U.S. screening.
       Although additional material was added, a 16 May 1996 HR review indicated that the version shown at the California Museum of Science and Industry in Los Angeles ran for the original forty minutes.
       End credits state: "Special thanks: P. P. Shirshov Institute of Oceanology, Moscow; Captain Anatoly Korobov and the Crew of the Research Vessel Akademik Mstislav Keltlysh and Emory Kristof, The National Geographic Society." Additional credits include acknowledgments to the following parties: "Benthos, Inc. - Sam Raymond; Cinemills Corp - Wally Mills; L.P. Associates, Inc.; Geological Survey of Canada; Energy, Mines and Resources Canada; Oceanic Navigation Research Society, Inc.; The Titanic Historical Society - Edward Kamuda; Woods Hole Oceanographic Institution; Royal Ontario Museum; Trimac Transportation Services; Toronto Necropolis and Crematorium; Film Lighting Services Ltd.; Parish of St. John the Evangelist; Henry Hayward, M.P., Mayor of St. Georges; Her Majesty's Customs Bermuda; Bermuda Marine and Ports Services; Dorothy Morrison; Noella M. Haycock; Gladys Smith; P. A. Rowland; GP Films Ltd.; Richard Clegg; Tedco."

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Hollywood Reporter
24 Jul 1991
pp. 17-18
Hollywood Reporter
25 Feb 1992
---
CAST
NAME
CREDITED AS
CREDIT
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
A Presentation of IMAX corporation
A Stephen Low Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
PRODUCERS
Co-prod
Assoc prod
Assoc prod
Exec prod
PHOTOGRAPHY
Dir of photog (Surface)
Titanic photog
Titanic photog
Titanic photog
Cam asst
Cam asst
Cam asst
Helicopter cam op
Key grip
Key grip
1st asst cam
2nd asst cam
2d asst cam
2d asst cam
Gaffer
Elec
Best boy
Best boy
Still photog
Still photog
Submersible cam engineering
Tech mgr, undersea lighting & submarine tech
Tech mgr, undersea lighting & submarine tech
Tech mgr, undersea lighting & submarine tech
Titanic wreck scenes filmed with HW lights des and
Titanic wreck scenes filmed with HW lights des and
Titanic wreck scenes filmed with HW lights des and
In conjunction with
In conjunction with HydroImage, Inc.
In conjunction with HydroImage, Inc.
Gaffer, London unit
Generator op, London unit
Orig photographs by
from the Harland Wolff Collection
Video tech
All environment HW lighting
Grip & lighting equip
Filmed in
Motion control supv
Motion control supv
Motion control op CC
ART DIRECTOR
Storyboard artist
FILM EDITORS
Asst ed/Post prod supv
Negative cutting
Negative cutting
Editorial asst
Editorial asst
Online ed
Online ed
Online asst ed
Picture ed
SET DECORATORS
MK interior mock up fabrication
MK interior mock up fabrication
MK interior mock up fabrication
COSTUMES
MUSIC
Mus prod & cond by
Assoc mus prod
Mus record eng
Serenata comp by
SOUND
Supv sd ed
Sd rec
Sd rec
Sd post prod
Editing facility
Re-rec mixer
Re-rec mixer
Rec supv
Sd ed
Sd ed
Foley artist
Foley asst
Asst sd ed
Foley eng
Dial ed
Sd ed
Re-rec mixer
Re-rec mixer
Supervising sd ed
VISUAL EFFECTS
Titanic miniature created by
Titanic miniature created by
Visual eff supv
Digital video eff
IMAX® opticals & addl titles
Digital still enhancement
End titles
Flame artist Hollywood Digital
PRODUCTION MISC
Research and development
Submersible pilot
Submersible pilot
Submersible pilot
Submersible pilot
Loc mgr (Bermuda and London)
Exec in charge of IMAX® post prod
Prod coord
Prod coord
Prod coord
Prod controller
Prod secy
Asst prod accountant
Legal counsel
Legal counsel
Film promotion
Unit pub
Unit pub
Unit pub
Financial adv
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Submersible support
Casting
Prod asst, London unit
Dir field operations, Bermuda unit
Prod dir, Bermuda unit
Prod asst, Bermuda unit
Dive boat, Bermuda unit
Dive master, Bermuda unit
Diver, Bermuda unit
Diver, Bermuda unit
Diver, Bermuda unit
Images of Titanic, Olympic and Britannic supplied
Tech assistance
Head of Dept. of Photography
Post prod consultant
Post prod consultant
Post prod consultant
Post prod consultant
Post prod consultant
Printing
Syntactic foam courtesy
Aerial photog support courtesy
M.V. Tadoussac courtesy
with tech assistance from
with tech assistance from
M.V. Stephen B. Roman courtesy
with tech assistance from
with tech assistance from
Addl archival images
Addl archival images
M.V. James Norris
Satellite communication
Insurance brokerage
Completion bond by
Addl material written and produced by
Prod coord
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Collage
Collage
Casting
Videographer, Mad Dog Video LA crew
Field sound rec, Mad Dog Video LA crew
Field prod/Videographer, Miami crew
Field sd rec, Miami crew
Field prod/Boston crew
Videographer, Boston crew
Field sd rec, Boston crew
Field prod/Videographer, New York crew
Field sd rec/New York crew
Field prod/Videographer, Canadian crew
Field prod, English crew
Videographer, English cew
Field sd rec/English crew
Transcripts
Prod with the financial assistance of
Prod with the financial assistance of
Prod with the financial assistance of
Prod with the financial assistance of
Prod with the financial assistance of
Prod with the financial assistance of
Prod with the financial assistance of
Musée Canadien des Civilisations
Prod with the financial assistance of
(An agency of the Ontario Ministry of Tourism and Recreation)
Prod with the financial assistance of
Stills
Stills
Stills
Stills
COLOR PERSONNEL
Dan Muscarella
Col timer
DETAILS
Release Date:
30 November 1992
Premiere Information:
Canadian world premiere: 30 Nov 1992; U.S. premiere in Seattle, WA: 24 Jun 1993; Los Angeles opening: 17 Oct 1993
Production Date:
Jun--Jul 1991
Physical Properties:
Sound
Color
gauge
Filmed in IMAX
Duration(in mins):
40 or 94
Countries:
Canada, United States
Language:
English
SYNOPSIS

Titanica recounts the construction, voyage, sinking, and discovery of the remains of the R.M.S. Titanic through archival photographs and film footage, interviews, and newly-shot underwater footage of the Titanic ...

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Titanica recounts the construction, voyage, sinking, and discovery of the remains of the R.M.S. Titanic through archival photographs and film footage, interviews, and newly-shot underwater footage of the Titanic wreckage.

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GENRE
Genre:
Sub-genre:
Historical, Sea


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.