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       End credits also include: “Special thanks to the following companies for use of their merchandise: Active Linen Supply; Adidas; Art Banner and Flag Company; Barney's; Berkley Cravat; Betsey Johnson; Bobby Breslau; Cartier; Christian Dior Lingerie; Coming Attractions; Don Marshall Hats; Eagle Shirtmakers; Emilio Pucci; The Eye Shop Eighth Street; Fieldcrest; Fredricks of Hollywood; Merchandising by George Fenmore Associates, Inc.; Goody Two Shoes; Kenneth Lane; Laura Ashley; Levi Strauss; Life Uniforms; London Fog; Maracoba; Naomi Sims Wigs; Ophelie; Pierre Cardin; Pringles/Sweaters from Scotland; Bill Kaiserman for Rafael; Rona; Rugby American, Inc.; Rugged Wear, Ltd.; Shirts by C.F. Hathaway; T. Anthony; The Timberland Company; Unique Clothing Warehouse; Vasque Boots/Redwing Shop Company; Wamsutta; Woolrich; Zandra Rhodes; Yonkers Motorcycle Club appears in memory of Joe Coin.”
       The first scene in Home Movies displays opening screen credits for an instructional film made by “The Maestro,” a filmmaking instructor and self-help coach who teaches a workshop at Now College: “The Maestro presents; The Maestro; starring in; Explorations in Star Therapy; Written, Directed and Produced by; The Maestro; Case History: Denis Byrd, An Extra in His Own Life; This film documents the treatment of my most famous and tragic case. [signed] The Maestro; Everything you see happened as it happened; Now College – Fall Semester.” The Maestro’s instructional film is divided into four chapters, which appear throughout the film to introduce the next stage of “Denis Byrd’s” therapy: “1. Introduction to the Maestro; 2. Diagnosis in the Field; 3. Treatment; 4. Reviewing the Patient’s Progress.” The instructional film is set apart from the rest of the picture by the presence of the Maestro, performed by actor Kirk Douglas, ...

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       End credits also include: “Special thanks to the following companies for use of their merchandise: Active Linen Supply; Adidas; Art Banner and Flag Company; Barney's; Berkley Cravat; Betsey Johnson; Bobby Breslau; Cartier; Christian Dior Lingerie; Coming Attractions; Don Marshall Hats; Eagle Shirtmakers; Emilio Pucci; The Eye Shop Eighth Street; Fieldcrest; Fredricks of Hollywood; Merchandising by George Fenmore Associates, Inc.; Goody Two Shoes; Kenneth Lane; Laura Ashley; Levi Strauss; Life Uniforms; London Fog; Maracoba; Naomi Sims Wigs; Ophelie; Pierre Cardin; Pringles/Sweaters from Scotland; Bill Kaiserman for Rafael; Rona; Rugby American, Inc.; Rugged Wear, Ltd.; Shirts by C.F. Hathaway; T. Anthony; The Timberland Company; Unique Clothing Warehouse; Vasque Boots/Redwing Shop Company; Wamsutta; Woolrich; Zandra Rhodes; Yonkers Motorcycle Club appears in memory of Joe Coin.”
       The first scene in Home Movies displays opening screen credits for an instructional film made by “The Maestro,” a filmmaking instructor and self-help coach who teaches a workshop at Now College: “The Maestro presents; The Maestro; starring in; Explorations in Star Therapy; Written, Directed and Produced by; The Maestro; Case History: Denis Byrd, An Extra in His Own Life; This film documents the treatment of my most famous and tragic case. [signed] The Maestro; Everything you see happened as it happened; Now College – Fall Semester.” The Maestro’s instructional film is divided into four chapters, which appear throughout the film to introduce the next stage of “Denis Byrd’s” therapy: “1. Introduction to the Maestro; 2. Diagnosis in the Field; 3. Treatment; 4. Reviewing the Patient’s Progress.” The instructional film is set apart from the rest of the picture by the presence of the Maestro, performed by actor Kirk Douglas, and by a reduced frame size.
       As explained in a 2 Aug 1980 LAT article, Home Movies resulted from a film workshop that director-producer-story writer Brian De Palma taught at Sarah Lawrence College in Bronxville, NY. The project was filmed by a student crew and began production in 1978. According to De Palma, the film cost $350,000, and was funded by him and other private investors, including fellow directors Steven Spielberg and George Lucas. A 28 May 1980 Var article noted that actor Kirk Douglas also contributed financially to the film. The aim of the project was to provide lessons on all aspects of low-budget filmmaking, and ultimately demonstrate that a modest picture could be commercially successful. De Palma mentioned in a 31 Jan 1979 NYT article that he did not originally plan to direct, but as the budget increased, he needed to “step in and make sure it all worked.” The “experiment,” as De Palma called it, stretched from two months to one year. Although Hollywood studios, such as Orion Pictures and Twentieth Century-Fox Film Corp., did express interest in financing the project, De Palma wanted to keep the production non-union, allowing the students to have as much hands-on experience as possible. Several reviews, including the 16 May 1980 NYT, stated that the film was shot on the Sarah Lawrence campus.
       Although the film initially had difficulty attracting a distributor, United Artists (UA) Classics purchased the domestic theatrical rights, as announced in a 7 Feb 1980 DV article. In early Apr 1980, the studio was planning to test the advertising campaign by releasing the picture in limited engagements, including Boston, MA; Atlanta, GA; Washington, D.C.; and Miami, FL, before breaking in larger markets. The film opened in New York City on 16 May 1980 and, according to the 28 May 1980 Var article, earned $12,000 the first week.
       As reported in the 2 Aug 1980 LAT article and other contemporary sources, De Palma criticized UA for not fully supporting the picture’s release and blamed the studio for the meager box-office results. The director was disappointed that UA spent only $10,000 for the New York City marketing campaign, so he contributed $7,500 for additional newspaper advertising. Nathaniel Kwit, an executive at UA Classics, argued that UA’s advertising budget in New York City was closer to $15,000, and noted that the studio was reluctant to open the film in the city, but De Palma and co-producers, Gil Adler and Jack Temchin, pleaded with him. The director was counting on his loyal following in the New York City area to boost interest. Kwit admitted that the film’s collapse in New York would undermine future release plans for twenty other markets. Meanwhile, De Palma’s Dressed to Kill (1980, see entry), which also featured Nancy Allen and Keith Gordon, was in release at the same time and was a box-office hit.
       According to the 19 Sep 1979 Var review, Home Movies screened at the Edinburgh Film Festival on 28 Aug 1979.
      End credits include the following statement and acknowledgment: “This film was made by The Sarah Lawrence College Film Workshop, 1978/1979. The producers wish to thank: Sarah Lawrence College for its cooperation in the making of this motion picture.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
7 Feb 1980
p. 26
Los Angeles Times
2 Aug 1980
Section B, p. 5, 11
Los Angeles Times
31 Oct 1980
Section H, p. 2
New York Times
31 Jan 1979
Section C, p. 15
New York Times
16 May 1980
Section C, p. 13
Variety
19 Sep 1979
---
Variety
28 May 1980
p. 4, 37
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
A Brian De Palma Film
An SLC Films Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
2d asst dir
Student dir
Student dir
Student dir
Student dir
Student dir
Student dir
Student dir
PRODUCERS
Prod
Assoc prod
Assoc prod
PHOTOGRAPHY
2d asst cam
Best boy
Grip best boy
2d unit cam
Addl photog
Still photog
ART DIRECTOR
Art dir
FILM EDITORS
Editorial consultant
Asst ed
Asst ed
Asst ed
Asst ed
Ending mont
SET DECORATOR
COSTUMES
SOUND
Sd mix, Trans/Audio Inc.
VISUAL EFFECTS
Anim titles
Spec eff
Asst spec eff
Opticals by
MAKEUP
Makeup and hair
PRODUCTION MISC
Casting dir
Scr supv
Loc coord
Prod office coord
Asst to Brian De Palma
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod consultant
Prod consultant
ANIMATION
Anim
Anim caricaturist
COLOR PERSONNEL
Col by
DETAILS
Alternate Title:
The Maestro
Release Date:
16 May 1980
Premiere Information:
Edinburgh Film Festival: 28 Aug 1979; New York opening: 16 May 1980 at the Little Carnegie; Los Angeles opening: 31 Oct 1980 at Tiffany Theater
Production Date:
1978-1979
Copyright Info
Claimant
Date
Copyright Number
S L C Films Company
13 April 1981
PA99850
Physical Properties:
Sound
Color
Lenses/Prints
Lenses and Panaflex camera by Panavision®
Duration(in mins):
90
MPAA Rating:
PG
Country:
United States
Language:
English
SYNOPSIS

A film instructor and self-help coach, known as “the Maestro,” instructs a workshop titled, “Star Therapy,” teaching others how to be the hero of their lives by starring in their own films. During class, the Maestro presents a case study about a former student, Denis Byrd, who tried to break into stardom and become his own life’s leading man. The summer before Denis enters college, his mother is suicidal after realizing that her husband, Dr. Byrd, is a philanderer. Denis attempts to calm her, but she prefers to be comforted by her oldest and favorite son, James Byrd. After earning fame in California for his philosophy about spartan living, James returns home and teaches a summer college course on the subject, titled Spartanetics 101, for male students only. However, Denis has doubts about his brother’s “unusual” ascetic beliefs. One evening, James prepares to introduce the family to his girl friend, Kristina, whom he has been rehabilitating through spartan habits. Formerly, Kristina was an impulsive eater and led a promiscuous life that included an erotic stage act with a rabbit hand puppet, named Bunny. Before arriving, James instructs Kristina that the dinner is her initial test, and she should prove her newfound discipline by resisting food. At the first sight of his brother’s attractive girl friend, Denis is infatuated. During the meal, James announces that he and Kristina are going to be married, and Mrs. Byrd immediately plans the engagement party. When Kristina eats a piece of beef by mistake and appears to choke, James saves her. Denis watches with jealousy, longing to be the ...

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A film instructor and self-help coach, known as “the Maestro,” instructs a workshop titled, “Star Therapy,” teaching others how to be the hero of their lives by starring in their own films. During class, the Maestro presents a case study about a former student, Denis Byrd, who tried to break into stardom and become his own life’s leading man. The summer before Denis enters college, his mother is suicidal after realizing that her husband, Dr. Byrd, is a philanderer. Denis attempts to calm her, but she prefers to be comforted by her oldest and favorite son, James Byrd. After earning fame in California for his philosophy about spartan living, James returns home and teaches a summer college course on the subject, titled Spartanetics 101, for male students only. However, Denis has doubts about his brother’s “unusual” ascetic beliefs. One evening, James prepares to introduce the family to his girl friend, Kristina, whom he has been rehabilitating through spartan habits. Formerly, Kristina was an impulsive eater and led a promiscuous life that included an erotic stage act with a rabbit hand puppet, named Bunny. Before arriving, James instructs Kristina that the dinner is her initial test, and she should prove her newfound discipline by resisting food. At the first sight of his brother’s attractive girl friend, Denis is infatuated. During the meal, James announces that he and Kristina are going to be married, and Mrs. Byrd immediately plans the engagement party. When Kristina eats a piece of beef by mistake and appears to choke, James saves her. Denis watches with jealousy, longing to be the hero of the family. The next day, Denis offers to help his mother prepare for a divorce. At an attorney’s office, he discovers that marital infidelity should be captured with pictures to ensure a better settlement. For three weeks, he sits in a tree with a view of his father’s medical practice and spies on Dr. Byrd and his Swedish nurse as they frolic in the office at night. However, he is never able to capture an incriminating photograph. As Denis becomes bored with the project, the Maestro appears in the tree, diagnosing Denis as “a peeping Tom” and “a bit player.” The Maestro offers to help and gives Denis his business card. Meanwhile, Kristina carefully prepares a picnic of organic food for James and his class to take on a hike. However, James destroys the lunch and screams that his students must forage for food in nature. Afterward, Denis consoles Kristina by taking her to a fast food restaurant, where she delights in eating a hamburger. When Kristina returns to the Byrd residence that evening, James smells the forbidden meal on her fingers and declares that the engagement will be cancelled unless she passes a series of temptation tests. Meanwhile, during the first treatment with the Maestro, Denis is instructed to make a film about his life and cast himself as the star. After the Maestro screens the rough cut, he concludes that the footage is boring and encourages Denis to find a story in his life that will sell tickets. Denis decides to capture his father’s infidelity on film. Elsewhere, Kristina passes the first four tests of her “temptation marathon” by not giving in to alcohol, smoking, drugs. and junk food. For the final challenge, resisting sex, she is instructed to appear at the hangout of a motorcycle gang in seductive attire. Denis overhears the plan and follows Kristina to the hangout. When one of the gang members threatens to assault Kristina, Denis rescues her. As soon as Kristina is out of harm’s way, Denis argues that she should not change herself to satisfy James’s deranged principles, but Kristina still wants to marry James and disregards the advice. At the Byrd residence, James writes notes to his students, inviting them to the campsite at midnight. One of the notes is blown by a gust of wind and accidently lands on Kristina’s pillow. Later that evening, Kristina finds the invitation and believes that James wants to reconcile with her after she passed the temptation challenges. When she arrives at the campsite, she sees James teaching the young men about sex by having them practice with each other. Kristina perceives their activity as homosexual behavior, and runs back to the house upset. Meanwhile, Denis persuades a security guard to let him break into the medical building, and he catches his father on film seducing a nurse. Back at the house, Denis’s “grandma” sets up her own home movie camera for the next day’s engagement party and borrows extra film from Denis. That night, Denis finds Kristina distraught and arguing with Bunny, the rabbit hand puppet. Kristina asks Denis to kiss her, and they make love. As the engagement party begins the next day, Kristina swallows a handful of Mrs. Byrd’s sleeping pills and becomes possessed by the rabbit puppet. She distributes publicity photographs of her explicit stage act at the Pussycat Lounge to party guests. While James denounces Kristina in front of everyone, Denis leads her to Dr. Byrd’s office for medical care. Before Dr. Byrd pumps her stomach, he orders Denis to wait outside. However, Denis is distrustful of his womanizing father, so he keeps an eye on Kristina from the tree near the window. After the procedure, Dr. Byrd guides the frail young woman to the entrance of the building. In the meantime, James arrives, sees Kristina with his father, and aims a gun at her. Fleeing into the street, Kristina is hit by an ambulance and presumed dead. Denis, who falls from the tree and knocks his head, is unable to save her. After recovering from the incident, Denis packs for his first year of college and says goodbye to his family at the train station. Later, at the Byrd residence, the family cries while they watch grandma’s home movie of Kristina’s strange behavior at the party. Suddenly, the reel cuts to Denis’ footage of his father having sex with a nurse, giving Mrs. Byrd the evidence she needs. Waiting at the station alone, Denis acknowledges that the Maestro was right, he is “an extra in his own life.” Unexpectedly, Kristina appears, explaining that she survived the accident after the ambulance rushed her to the hospital. Happily reunited, Kristina and Denis take the trip to college together.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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