Tough Guy (1936)

75-77 mins | Drama | 24 January 1936

Producer:

Harry Rapf

Cinematographer:

Leonard Smith

Editor:

James E. Newcom

Production Designer:

Cedric Gibbons

Production Company:

Metro-Goldwyn-Mayer Corp.
Full page view
HISTORY

The picture's working title was The Getaway. Robert Greig and Lewis Stone, who were listed in the HR production charts and MPH's "In the Cutting Room," were not in the completed film. Other actors who were listed in pre-release sources whose participation in the completed film cannot be confirmed include, Robert Livingstone and Joan Miller. A HR news item noted that "Flash" a famous police dog in silent films was to be in the cast, however, he may have been replaced by Rin Tin Tin, Jr., who played "Duke" in the film. According to a news item in DV, some exteriors were shot in Big Tujunga Canyon in Southern California. ...

More Less

The picture's working title was The Getaway. Robert Greig and Lewis Stone, who were listed in the HR production charts and MPH's "In the Cutting Room," were not in the completed film. Other actors who were listed in pre-release sources whose participation in the completed film cannot be confirmed include, Robert Livingstone and Joan Miller. A HR news item noted that "Flash" a famous police dog in silent films was to be in the cast, however, he may have been replaced by Rin Tin Tin, Jr., who played "Duke" in the film. According to a news item in DV, some exteriors were shot in Big Tujunga Canyon in Southern California.

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
6 Nov 1935
p. 1
Daily Variety
15 Nov 1935
p. 10
Daily Variety
30 Nov 1935
p. 1
Daily Variety
25 Jan 1936
p. 3
Film Daily
14 Mar 1936
p. 7
Hollywood Reporter
28 Oct 1935
p. 6
Hollywood Reporter
30 Oct 1935
p. 10
Hollywood Reporter
4 Nov 1935
pp. 13-14
Hollywood Reporter
11 Nov 1935
p. 10
Hollywood Reporter
2 Dec 1935
p. 6
Hollywood Reporter
25 Jan 1936
p. 3
Motion Picture Daily
27 Jan 1936
p. 10
Motion Picture Herald
30 Nov 1935
p. 30
Motion Picture Herald
8 Feb 1936
p. 58
New York Times
14 Mar 1936
p. 3
Variety
28 Mar 1936
p. 29
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
Prod
WRITERS
Orig story and scr
Orig story and scr
PHOTOGRAPHY
Photog
ART DIRECTORS
Art dir
Paul Crawley
Art dir assoc
Art dir assoc
FILM EDITOR
Film ed
MUSIC
Mus score
SOUND
Rec dir
DETAILS
Alternate Title:
The Getaway
Release Date:
24 January 1936
Production Date:
6 Nov 1935--3 Jan 1936
Copyright Info
Claimant
Date
Copyright Number
Metro-Goldwyn-Mayer Corp.
24 January 1936
LP6109
Physical Properties:
Sound
Western Electric Sound System
Black and White
Duration(in mins):
75-77
Length(in reels):
8
Country:
United States
PCA No:
1851
Passed by NBR:
Yes
SYNOPSIS

When Frederick Vincent Jr. runs away from home because his father doesn't like his dog Duke, the police think that he will return very soon, but Mr. Vincent is worried. Freddie hops into the back of a truck that night, unknown to its driver, gang leader Joe Calerno. After Joe commits a robbery, he discovers Freddie and throws Duke from the truck, but Duke quietly jumps back in and follows them to Joe's hideout where Freddie is a prisoner. When Joe orders his cohort Tony to kill Freddie, they discover that he has escaped, so the men drive off, except for Joe, who sees Freddie hiding on the roof and shoots, wounding Duke. Later taking pity on Duke, Joe takes him and the boy with him as he eludes the pursuing police, then takes him to a nearby veterinarian. When police arrive at the vacant hideout, they find Duke's collar and realize that the gang has Freddie. Meanwhile, Joe has taken the doctor and Freddie with him in the vet's van, but by the time the police realize what has happened, Joe has stolen another car and has taken only Freddie and Duke with him. Driving into the mountains, Joe desperately tries to elude the pursuing police and crashes his car, then escapes on foot, carrying the weak Duke. Joe now feels a fondness for the boy and his dog, so he tries to send Freddie away, but the boy won't go, preferring staying in the woods with Joe to returning to Vincent. Because Joe doesn't want to be accused of kidnapping, he tries to insist, but Freddie threatens to inform on ...

More Less

When Frederick Vincent Jr. runs away from home because his father doesn't like his dog Duke, the police think that he will return very soon, but Mr. Vincent is worried. Freddie hops into the back of a truck that night, unknown to its driver, gang leader Joe Calerno. After Joe commits a robbery, he discovers Freddie and throws Duke from the truck, but Duke quietly jumps back in and follows them to Joe's hideout where Freddie is a prisoner. When Joe orders his cohort Tony to kill Freddie, they discover that he has escaped, so the men drive off, except for Joe, who sees Freddie hiding on the roof and shoots, wounding Duke. Later taking pity on Duke, Joe takes him and the boy with him as he eludes the pursuing police, then takes him to a nearby veterinarian. When police arrive at the vacant hideout, they find Duke's collar and realize that the gang has Freddie. Meanwhile, Joe has taken the doctor and Freddie with him in the vet's van, but by the time the police realize what has happened, Joe has stolen another car and has taken only Freddie and Duke with him. Driving into the mountains, Joe desperately tries to elude the pursuing police and crashes his car, then escapes on foot, carrying the weak Duke. Joe now feels a fondness for the boy and his dog, so he tries to send Freddie away, but the boy won't go, preferring staying in the woods with Joe to returning to Vincent. Because Joe doesn't want to be accused of kidnapping, he tries to insist, but Freddie threatens to inform on him if Joe sends him back. Ten days later, the police ask Vincent to offer a $50,000 reward for Freddie, hoping that some of Joe's old gang will find him and turn him in. Freddie and Joe, who are having a great time camping out in the mountains, are unaware of the reward and are surprised when Tony and the others, who have secretly been followed by the police, arrive. When the gang takes Freddy, Duke follows and attacks one of them, Chi, who tells Joe where they went. Before Joe can chase them, though, the police apprehend him. Duke follows Tony's car and jumps on the roof, unknown to the gang. At their hideout, Duke sees Freddie, then goes for help and is found by the police. Despite the fact that Vincent believes Joe's story of devotion to the boy, the chief will not risk setting him free to find Freddie. When Duke turns up at the station and goes to Joe, Joe fakes a heart attack and, with Duke's help, escapes. Unknown to Joe and Vincent, the chief was allowing the ploy to work so that the gang wouldn't realize that the police were in on Joe's rescue scheme. That night, when Joe and Duke find Freddie in the gang's hideout, an abandoned tugboat, they don't know that the police are nearby. Joe gets the drop on the gang and escapes with Freddie, but Tony catches up with them, and in a struggle, shoots Joe. Duke then holds Tony at bay until the police arrive. As Joe dies in Freddie's arms, he tells Vincent what a swell kid he has.

Less

GENRE
Genre:
Sub-genre:
Youth, Crime


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

The Terminator

A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>

The Long Haul

Onscreen credits contain the following written acknowlegment: "The producer gratefully acknowleges the assistance and facilities made availabe to the producer by Leyland Motors Limited." Tom Morahan's onscreen credit reads ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.