AFI CATALOG OF FEATURE FILMS

THE FIRST 100 YEARS 1893–1993

Movie Title

In Love and War (1996)

PG-13 | 115 mins | Biography, Drama, Romance | 1996

THIS TITLE IS OUTSIDE THE AFI CATALOG OF FEATURE FILMS (1893-1993)
You may also like these titles from the AFI Catalog of Feature Films, the most authoritative documentation of the First 100 Years of American filmmaking.

Cast:

Sandra Bullock, Chris O'Donnell, Mackenzie Astin [ More ]

Director:

Richard Attenborough

Writers:

Allan Scott, Clancy Sigal, Anna Hamilton Phelan, Dimitri Villard

Producers:

Dimitri Villard, Richard Attenborough, Chris Kenny

Cinematographer:

Roger Pratt

Editor:

Lesley Walker

Production Designer:

Stuart Craig

Production Company:

New Line Production
Full page view
SOURCE CITATIONS
SOURCE
DATE
PAGE
Los Angeles Times
18 Dec 1996
p. 1
New York Times
24 Jan 1997
p. 5
Variety
23 Dec 1996
pp. 41-42
CAST
NAME
CREDITED AS
CREDIT
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
New Line Production
DISTRIBUTION COMPANY
New Line Cinema
NAME
CREDITED AS
CREDIT
DIRECTOR
Richard Attenborough
Dir
PHOTOGRAPHY
Roger Pratt
Dir of photog
ART DIRECTOR
Stuart Craig
Prod des
FILM EDITOR
Lesley Walker
Film ed
MUSIC
George Fenton
Mus comp
SOURCES
LITERARY
Based on the book Hemingway in Love and War: The Lost Diary of Agnes von Kurowsky, Her Letters and Correspondence of Ernest Hemingway edited by Henry Serrano Villard and James Nagel (Boston, 1989).
LITERARY SOURCE AUTHORS
James Nagel
Henry Serrano Villard
DETAILS
Release Date:
1996
Premiere Information:
Los Angeles opening: 18 Dec 1996; New York opening: week of 24 Jan 1997
Production Date:

Copyright Info
Claimant
Date
Copyright Number
New Line Productions, Inc.
21 February 1997
PA814033
Physical Properties:
Sound
Color
Duration(in mins):
115
MPAA Rating:
PG-13
Country:
United States
Language:
English
GENRE
Genres:
Biography, Drama, Romance
Sub-genre:
Historical, World War I


Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award
DONATE
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.