Stars over Broadway (1935)

89-90 mins | Drama | 23 November 1935

Director:

William Keighley

Cinematographer:

George Barnes

Editor:

Bert L'Orle

Production Designer:

Carl Jules Weyl

Production Company:

Warner Bros. Pictures, Inc.
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HISTORY

The film's working title was Radio Jamboree. Although copyright records list the copyright claimant as Warner Bros. Pictures, Inc., the onscreen copyright statement lists the claimant as The Vitaphone Corp. Var notes that this was the motion picture debut of radio stars James Melton and Jane Froman. MPH notes that parts of the film are set in Jack Dempsey's Cafe in New York City. Modern sources note that a production number featuring a forest of moveable silver trees was planned, but was cancelled when the budget was cut because the drawing power of the stars was doubted. ...

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The film's working title was Radio Jamboree. Although copyright records list the copyright claimant as Warner Bros. Pictures, Inc., the onscreen copyright statement lists the claimant as The Vitaphone Corp. Var notes that this was the motion picture debut of radio stars James Melton and Jane Froman. MPH notes that parts of the film are set in Jack Dempsey's Cafe in New York City. Modern sources note that a production number featuring a forest of moveable silver trees was planned, but was cancelled when the budget was cut because the drawing power of the stars was doubted.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
5 Aug 1935
p. 3
Daily Variety
8 Aug 1935
p. 7
Film Daily
5 Nov 1935
p. 7
Hollywood Reporter
31 Oct 1935
p. 3
Motion Picture Daily
29 Oct 1935
p. 5
Motion Picture Herald
28 Oct 1935
p. 341
Motion Picture Herald
9 Nov 1935
p. 61
New York Times
14 Nov 1935
p. 17
Variety
20 Nov 1935
p. 16
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCERS
Exec prod
Exec prod
WRITERS
Patsy Flick
Addl dial
Abem Finkle
Contr wrt
Contr to scr const
PHOTOGRAPHY
Photog
ART DIRECTOR
Art dir
FILM EDITOR
Bert L'Orle
Ed
COSTUMES
Gowns
MUSIC
Orch arr
DANCE
Numbers staged and dir by
Numbers staged and dir by
SOURCES
LITERARY
Based on the short story "Thin Air" by Mildred Cram in Hearst's International-Cosmopolitan (Nov 1934).
LITERARY SOURCE AUTHOR
SONGS
"Celeste Aïda" from the opera Aïda , music by Giuseppe Verdi, libretto by A. Ghislanzoni; "Broadway Cinderella," "Where Am I?" "At Your Service, Madame" and "You Let Me Down," music and lyrics by Harry Warren and Al Dubin; "Carry Me Back to the Lone Prairie," music and lyrics by Carson J. Robison.
SONGWRITERS/COMPOSERS
+ −
DETAILS
Alternate Title:
Radio Jamboree
Release Date:
23 November 1935
Production Date:
began 9 Aug 1935
Copyright Info
Claimant
Date
Copyright Number
Warner Bros. Pictures, Inc.
20 December 1935
LP 6006
Physical Properties:
Sound
Black and White
Duration(in mins):
89-90
Length(in reels):
10
Country:
United States
PCA No:
1553
SYNOPSIS

Al McGillevray, a failed theatrical manager, is about to commit suicide when he hears Jan King, the hotel porter, singing and offers to make him an opera star. After Jan agrees, Al takes a series of odd jobs to pay for his singing lessons, and his teacher, Minotti, arranges an audition at the Metropolitan Opera. Jan is well received, but when Al learns that he will need another five years of study before he will be ready to go on stage, he takes Jan to the radio stations, intending to make him a crooner instead. At an amateur hour competition they meet Nora Wyman, another singer. She begs Al to manage her as well, but he tries to discourage her, saying she is too nice for a career in show business. Jan auditions at a noisy club where he becomes an immediate success and meets another successful singer, Joan Garrett, who helps him get more work. Although Al would like Jan to study opera again now that they have enough money, he is having too much fun as a crooner. As he becomes more popular, Jan starts to drink and is late for his shows, then misses one completely and is fired. Al finally succumbs to Nora's wishes and allows Minotti to hear her sing. Although Minotti thinks she has a good voice, Al persuades him to tell her she does not. Nora is devastated by the news and walks in front of a car. In the hospital, Al tells Nora what he has done, confessing that he lied because he loves her. After he leaves her, he spends the last ...

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Al McGillevray, a failed theatrical manager, is about to commit suicide when he hears Jan King, the hotel porter, singing and offers to make him an opera star. After Jan agrees, Al takes a series of odd jobs to pay for his singing lessons, and his teacher, Minotti, arranges an audition at the Metropolitan Opera. Jan is well received, but when Al learns that he will need another five years of study before he will be ready to go on stage, he takes Jan to the radio stations, intending to make him a crooner instead. At an amateur hour competition they meet Nora Wyman, another singer. She begs Al to manage her as well, but he tries to discourage her, saying she is too nice for a career in show business. Jan auditions at a noisy club where he becomes an immediate success and meets another successful singer, Joan Garrett, who helps him get more work. Although Al would like Jan to study opera again now that they have enough money, he is having too much fun as a crooner. As he becomes more popular, Jan starts to drink and is late for his shows, then misses one completely and is fired. Al finally succumbs to Nora's wishes and allows Minotti to hear her sing. Although Minotti thinks she has a good voice, Al persuades him to tell her she does not. Nora is devastated by the news and walks in front of a car. In the hospital, Al tells Nora what he has done, confessing that he lied because he loves her. After he leaves her, he spends the last of his money to send Minotti and Jan to Italy to save Jan's voice. Sometime later, Al visits Jan backstage at his opera debut and Nora is there too. Jan has learned about Al's generosity and wants him to manage him again. Nora tells Al that she has decided her singing is not important, and all she wants is to be his wife.

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GENRE
Genre:
Sub-genre:
with songs


Subject
Subject (Major):

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.