AFI CATALOG OF FEATURE FILMS

THE FIRST 100 YEARS 1893–1993

Movie Title

The Longest Yard (2005)

PG-13 | 114 mins | Comedy | 2005

THIS TITLE IS OUTSIDE THE AFI CATALOG OF FEATURE FILMS (1893-1993)
You may also like these titles from the AFI Catalog of Feature Films, the most authoritative documentation of the First 100 Years of American filmmaking.

Cast:

Adam Sandler, Chris Rock, James Cromwell [ More ]

Director:

Peter Segal

Writer:

Sheldon Turner

Producer:

Jack Giarraputo

Cinematographer:

Dean Semler

Editor:

Jeff Gourson

Production Designer:

Perry Andelin Blake

Production Companies:

Happy Madison , MTV Films, Callahan Filmworks
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SOURCE CITATIONS
SOURCE
DATE
PAGE
Los Angeles Times
27 May 2005
p. 1
New York Times
27 May 2005
p. 14
Variety
23 May 2005
p. 31
CAST
NAME
CREDITED AS
CREDIT
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANIES
Paramount Pictures
Columbia Pictures
NAME
CREDITED AS
CREDIT
DIRECTOR
Peter Segal
Dir
PRODUCER
Jack Giarraputo
Prod
WRITER
Sheldon Turner
Scr
PHOTOGRAPHY
Dean Semler
Dir of photog
ART DIRECTOR
Perry Andelin Blake
Prod des
FILM EDITOR
Jeff Gourson
Film ed
MUSIC
Teddy Castellucci
Mus
SOURCES
LITERARY
Based on the film The Longest Yard written by Tracy Keenan Wynn (Long Road Productions, 1974).
LITERARY SOURCE AUTHOR
Tracy Keenan Wynn
DETAILS
Release Date:
2005
Premiere Information:
Los Angeles and New York openings: 27 May 2005
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Paramount Pictures Corporation, Columbia Pictures Industries, Inc.
27 May 2005
PA1271517
Physical Properties:
Sound
Color
Duration(in mins):
114
MPAA Rating:
PG-13
Country:
United States
Language:
English
GENRE
Genre:
Comedy
Sub-genre:
Sports


Subject
Subject (Major):
Football

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award
DONATE
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.