Secrets of the Underground (1942)

69-70 mins | Drama | 18 December 1942

Director:

William Morgan

Cinematographer:

Ernest Miller

Editor:

Arthur Roberts

Production Designer:

Russell Kimball

Production Company:

Republic Pictures Corp.
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HISTORY

The working titles of this film were Mr. District Attorney, Mr. District Attorney Does His Bit and The Corpse Came C.O.D. An 8 Jul 1942 HR news item noted that Grant Garrett was working on the film's screenplay, but the extent of his contribution to the completed film has not been confirmed. The picture was originally intended to be part of Republic's "Mr. District Attorney" series, based on the Phillips H. Lord radio series of the same name, of which only two films were completed. The studio "official billing sheet," located in the file on the film in the MPAA/PCA Collection at the AMPAS Library, originally stated that the picture was based on the Phillips H. Lord radio program, "Mr. District Attorney." Attached to the sheet was a letter from the studio to the PCA notifying them that the credit was not going to be included in the released film. For additional information about films based on the radio series, please consult the Series Index and see the entry above for Mr. District Attorney (1941). ...

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The working titles of this film were Mr. District Attorney, Mr. District Attorney Does His Bit and The Corpse Came C.O.D. An 8 Jul 1942 HR news item noted that Grant Garrett was working on the film's screenplay, but the extent of his contribution to the completed film has not been confirmed. The picture was originally intended to be part of Republic's "Mr. District Attorney" series, based on the Phillips H. Lord radio series of the same name, of which only two films were completed. The studio "official billing sheet," located in the file on the film in the MPAA/PCA Collection at the AMPAS Library, originally stated that the picture was based on the Phillips H. Lord radio program, "Mr. District Attorney." Attached to the sheet was a letter from the studio to the PCA notifying them that the credit was not going to be included in the released film. For additional information about films based on the radio series, please consult the Series Index and see the entry above for Mr. District Attorney (1941).

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
20 Feb 1943
---
Daily Variety
11 Feb 1943
p. 3
Film Daily
18 Feb 1943
p. 8
Hollywood Reporter
14 May 1942
p. 10
Hollywood Reporter
18 May 1942
p. 2
Hollywood Reporter
8 Jul 1942
p. 4
Hollywood Reporter
9 Sep 1942
p. 5
Hollywood Reporter
11 Sep 1942
p. 9
Hollywood Reporter
16 Sep 1942
p. 6
Hollywood Reporter
18 Sep 1942
p. 7
Hollywood Reporter
11 Feb 1943
p. 3
Motion Picture Daily
13 Feb 1943
---
Motion Picture Herald
13 Feb 1943
---
Motion Picture Herald Product Digest
14 Nov 1943
p. 1009
Motion Picture Herald Product Digest
13 Feb 1943
p. 1159
Variety
10 Feb 1943
p. 18
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Philip Ford
Asst dir
PRODUCER
Assoc prod
WRITERS
Geoffrey Homes
Scr
Geoffrey Homes
Orig story
PHOTOGRAPHY
Photog
ART DIRECTOR
Art dir
FILM EDITOR
Film ed
SET DECORATOR
Set dec
COSTUMES
MUSIC
Mus dir
DETAILS
Alternate Titles:
Mr. District Attorney
Mr. District Attorney Does His Bit
The Corpse Came C.O.D.
Release Date:
18 December 1942
Production Date:
began 9 Sep 1942
Copyright Info
Claimant
Date
Copyright Number
Republic Pictures Corp.
18 December 1942
LP11796
Physical Properties:
Sound
RCA Sound System
Black and White
Duration(in mins):
69-70
Length(in feet):
6,380
Length(in reels):
7
Country:
United States
PCA No:
8835
Passed by NBR:
Yes
SYNOPSIS

French artist Paul Panois is being held captive in America by a gang of Nazi sympathizers who are forcing him to create counterfeit U.S. war tax stamps. When Panois learns that his daughter Marianne, whom the group was holding hostage in Paris, has escaped on an ocean liner bound for America, he also escapes and notifies the district attorney's office that he will give them valuable information if they ensure his daughter's safety. District Attorney Winton sends his assistant, P. Cadwallader Jones, who is known as Jonesy, to meet Marianne when her boat lands. Panois has sent Marianne a claim check for a trunk containing the counterfeiting plates, but when Jonesy and Marianne try to claim it, they discover that the station attendant, Oscar Mayberry, has sent it to be auctioned by the Women's Defense Corps because it was not claimed within thirty days. Jonesy and Marianne attend the auction, but upon opening the trunk, discover Panois' body instead of the plates. Jonesy's problems are complicated by his reporter girl friend, Terry Parker, who is not only jealous of his attentions to Marianne but upset because he did not give her the scoop on the Panois murder. Jonesy, who is promoted to district attorney after Winton joins the FBI, tries to keep Oscar away from Terry so that she does not reveal his identity, as Oscar can identify Joe Martin, one of the gang. His efforts fail, however, and Terry's snooping inadvertantly leads Joe to Oscar, who is then killed. Terry suspects Mrs. Perkins, the leader of the Women's Defense Corps, of being involved in the gang, and while she questions ...

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French artist Paul Panois is being held captive in America by a gang of Nazi sympathizers who are forcing him to create counterfeit U.S. war tax stamps. When Panois learns that his daughter Marianne, whom the group was holding hostage in Paris, has escaped on an ocean liner bound for America, he also escapes and notifies the district attorney's office that he will give them valuable information if they ensure his daughter's safety. District Attorney Winton sends his assistant, P. Cadwallader Jones, who is known as Jonesy, to meet Marianne when her boat lands. Panois has sent Marianne a claim check for a trunk containing the counterfeiting plates, but when Jonesy and Marianne try to claim it, they discover that the station attendant, Oscar Mayberry, has sent it to be auctioned by the Women's Defense Corps because it was not claimed within thirty days. Jonesy and Marianne attend the auction, but upon opening the trunk, discover Panois' body instead of the plates. Jonesy's problems are complicated by his reporter girl friend, Terry Parker, who is not only jealous of his attentions to Marianne but upset because he did not give her the scoop on the Panois murder. Jonesy, who is promoted to district attorney after Winton joins the FBI, tries to keep Oscar away from Terry so that she does not reveal his identity, as Oscar can identify Joe Martin, one of the gang. His efforts fail, however, and Terry's snooping inadvertantly leads Joe to Oscar, who is then killed. Terry suspects Mrs. Perkins, the leader of the Women's Defense Corps, of being involved in the gang, and while she questions her, she is shot at by Maxie Schmidt, another member of the gang. Maxie is killed by Dave Cleary, one of Jonesy's investigators, and is implicated in Panois' death. Suspicious now of couturier Maurice Vaughn, who is friends with Mrs. Perkins, Terry gets Marianne a job in his shop to spy on him. Marianne recognizes Joe from Oscar's description of him and realizes that Vaughn is the secret leader of the gang. Vaughn knocks her out, and after wrapping her in bandages, puts her in the display window until he can take her away after the shop closes. When Terry comes by to see Marianne, she takes a picture of the window, and after Marianne is declared missing, Terry recognizes her in the picture despite the bandages obscuring her face. With the aid of Mrs. Perkins and her corps, Terry traces Vaughn to the dairy where Panois was being held, and where Marianne is now held. Terry is captured by Vaughn, who explains that counterfeiting the war stamps is part of a campaign to disillusion Americans and make them mistrust their government. A series of clues leads Jonesy to the dairy, and while he and Joe fight, the women round up the rest of the gang. Jonesy frees Terry and Marianne before they are crushed by a load of grain in a silo, then reconciles with Terry on the ride back to town.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.