Ruthless People (1986)

R | 94 mins | Comedy | 27 June 1986

Writer:

Dale Launer

Producer:

Michael Peyser

Cinematographer:

Jan DeBont

Editor:

Gib Jaffe

Production Designer:

Donald Woodruff
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HISTORY

The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Christopher Graham Rhodes, a student at Georgia Institute of Technology, with Vinicius Navarro as academic advisor.
Various contemporary publications, including NYT on 27 Jun 1986, state the plot of Ruthless People was modeled on the 1910 short story "Ransom of Red Chief," by O. Henry. The two pieces portray a rich man who refuses to pay ransom for a kidnapping of a family member, but O. Henry is not credited and no connection is made clear in the film itself.
       Ruthless People is writer Dale Launer's first feature film production. In an interview from the 15 Jun 1986 issue of California Living, Launer reported the script was first sold to director Howard Zieff at Columbia Pictures. After being extensively rewritten, the script went unused for several years because a film with a similar plot, Mickey, was under development at Paramount and had Diane Keaton attached to the project. In 1984, however, when Jeffrey Katzenberg left Paramount to become CEO at Disney, he sought out Ruthless People because Paramount still owned Mickey. Launer was surprised to hear that Madonna had expressed interest in playing the role of Barbara Stone, and, due to her popularity, Disney was eager to cast her despite the fact that the character would have to be rewritten to fit her personality. When Madonna dropped out of the project soon after she became involved with it, Bette Midler was asked to reconsider the role ...

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The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Christopher Graham Rhodes, a student at Georgia Institute of Technology, with Vinicius Navarro as academic advisor.
Various contemporary publications, including NYT on 27 Jun 1986, state the plot of Ruthless People was modeled on the 1910 short story "Ransom of Red Chief," by O. Henry. The two pieces portray a rich man who refuses to pay ransom for a kidnapping of a family member, but O. Henry is not credited and no connection is made clear in the film itself.
       Ruthless People is writer Dale Launer's first feature film production. In an interview from the 15 Jun 1986 issue of California Living, Launer reported the script was first sold to director Howard Zieff at Columbia Pictures. After being extensively rewritten, the script went unused for several years because a film with a similar plot, Mickey, was under development at Paramount and had Diane Keaton attached to the project. In 1984, however, when Jeffrey Katzenberg left Paramount to become CEO at Disney, he sought out Ruthless People because Paramount still owned Mickey. Launer was surprised to hear that Madonna had expressed interest in playing the role of Barbara Stone, and, due to her popularity, Disney was eager to cast her despite the fact that the character would have to be rewritten to fit her personality. When Madonna dropped out of the project soon after she became involved with it, Bette Midler was asked to reconsider the role and, after initially turning it down, she accepted through the enticement of a new offer. Joan Rivers, whom Launer imagined in the role of Barbara as he wrote it, was offered the part two years previous to the film's development at Disney, and although she expressed renewed interest in playing the part at this time, Midler had just proven her box-office success with Down and Out in Beverly Hills (1986) and her production company had an on-going deal with Disney. California Living also reports that Jack Nicholson was considered to play Sam Stone, but he was not offered the role after Disney concluded that his $4 million salary would put the film over its $13 million budget. Before production started, Launer claimed he went through eight additional drafts of the script, eventually settling on a version very close to the original.
       According to a 26 Jun 1986 WSJ review, Ruthless People began shooting six months before its release. As reported in the Jul 1986 issue of AmCin, it was shot in eleven weeks and eighty percent of the action took place indoors. In the article, director of photography, Jan DeBont, states that "the film is not shot in a comedy style" and describes that the lack of close-up shots typical of comedies was an intentional move to highlight the indoor environments. To accommodate camera movement in several indoor scenes, a replica of the Kessler household was built on a Disney soundstage.
       Although unusual for co-stars, Midler and DeVito only share one scene near the end of the film. Ruthless People was actor Bill Pullman's first feature film; his first starring role would come the following year, in Spaceballs (1987, see entry).
       The film's three directors previously worked together on several movies, including Airplane! (1980, see entry). The 27 Jun 1986 NYT review described their direction as "enthusiastic" but compared Ruthless People unfavorably to Airplane.
       Critical reception for Ruthless People was largely positive. Box opened their Aug 1986 review with the message "it's been a long, grim summer, but along comes 'Ruthless People' to assure us that movies can still be funny and clever." Var commented in its 25 Jun 1986 review that "the film is not uproarious from beginning to end, but it is constantly amusing, and is so satisfying because it is loaded with plot." However, the 26 Jun 1986 WSJ review was critical on this point, stating that "like many movies these days, 'Ruthless People' is overplotted and underdeveloped."
       he end credits scroll includes humorous entries.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
American Cinematographer
Jul 1986
p. 28-35
Box Office
Aug 1986
p. 81
California Living
15 Jun 1986
---
Hollywood Reporter
23 Jun 1986
p. 3, 13
Los Angeles Times
27 Jun 1986
p. 1, 25
New Yorker
14 Jul 1986
---
New York Times
27 Jun 1986
p. 3
Variety
25 Jun 1986
p. 32
WSJ
26 Jun 1986
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
a Wagner-Lancaster production
a Zucker Abrahams Zucker film
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
2d asst dir
2d 2d asst dir
PRODUCERS
Exec prod
Exec prod
Exec prod
WRITER
PHOTOGRAPHY
Jan DeBont
Dir of photog
Cam op
1st asst cam
2d asst cam
Best boy
Best pitcher
Key grip
Grip best boy
Dolly grip
Still photog
Arriflex cams supplied by
ART DIRECTORS
Visual consultant
Art dir
Asst to Lilly Kilvert
FILM EDITORS
Film ed
1st asst ed
2d asst ed
Apprentice film ed
Apprentice film ed
Negative cutter
SET DECORATORS
Set dec
Prop master
Asst prop master
Lead man
Const coord
Const foreman
Paint foreman
Standby painter
Fairways
COSTUMES
Cost des
Cost supv
Prods' ward by
MUSIC
Orig score
Mus supv
Champion Entertainment Organization, Inc.
Asst mus ed
Mus mixer
SOUND
Supv sd ed
Supv sd ed
Sd ed
Sd ed
Sd ed
Asst sd ed
Apprentice sd ed
Sd mixer
Boom op
Utility sd
Utility infielder
ADR supv ed
ADR ed
Asst ADR ed
Re-rec mixer
Re-rec mixer
Re-rec mixer
Dolby stereo consultant
VISUAL EFFECTS
Spec eff coord
Spec eff
End titles & opticals
MAKEUP
Make-up artist
Hair stylist
PRODUCTION MISC
Casting
Casting assoc
Extra casting
Scr supv
Prod auditor
Prod coord
Unit pub
Asst to Bette Midler
Prod staff
Prod staff
Prod staff
Prod staff
Prod staff
Transportation coord
Transportation capt
Special projects
Muffy & Adolph furnished by
ANIMATION
Anim seq prod by
SOURCES
SONGS
"Ruthless People Theme Song," performed by Mick Jagger, written by Daryl Hall, Dave Stewart and Mick Jagger; "Modern Woman," written and performed by Billy Joel; "Waiting To See You," performed by Dan Hartman, written by Dan Hartman and Charlie Midnight; "Give Me the Reason," performed by Luther Vandross, written by Luther Vandross and Nat Adderley, Jr.; "Dance Champion," performed by Kool & The Gang, written by Ronald Bell, James Taylor and Kool & The Gang; "Stand on It," written and performed by Bruce Springsteen; "Wherever I Lay My Hat (That's My Home)," performed by Paul Young, written by Marvin Gaye, Barrett Strong and Norman Whitfield; "No Say in It," written and performed by The Machinations; "Don't You Want My Love," performed by Nicole, written by A. Nova.
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
27 June 1986
Premiere Information:
Los Angeles and New York openings: 27 Jun 1986
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Touchstone Films, a.a.d.o. the Walt Disney Company
25 June 1986
PA289102
Physical Properties:
Sound
Dolby Stereo in selected theatres
Color
De Luxe®
Duration(in mins):
94
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
28177
SYNOPSIS

Sam Stone, a middle-aged businessman, tells his mistress, Carol, that he married his wife Barbara for her inheritance, believing her rich father would die any minute. Barbara’s father, however, ended up living and Sam eventually made his own fortune in the fashion industry. Despite his financial success, Sam feels entitled to Barbara’s family inheritance because he has suffered through years of marriage to a woman he despises. He regrets that his strategy to knock Barbara out with chloroform and throw her off a cliff is not more violent. With great excitement, and the contrived approval of Carol, he heads home to execute his plan. In his outlandishly decorated post-modern mansion, Sam is outraged to find that Barbara is not there. Further annoyed by the presence of Barbara’s toy poodle, Sam chases the dog outside and hurls the bottle of chloroform at it. Sam then receives a phone call informing him that his wife has been kidnapped and will be killed if he deviates from the kidnapper's instructions. Delighted at this unexpected turn of events, Sam proceeds to violate as many of the instructions as possible, alerting the police and media. Meanwhile, Ken and Sandy Kessler, the young couple who kidnapped Barbara, lock her in their basement, despite a struggle. Disparagingly mocking their duck-faced masks and the odor of their basement, Barbara contends that Sam worships her and will get her back by any means necessary. Later, Ken and Sandy see a news report about the kidnapping. When Sandy expresses regret, Ken reminds her that Sam made millions by stealing her spandex miniskirt invention. Ken tells her that they ...

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Sam Stone, a middle-aged businessman, tells his mistress, Carol, that he married his wife Barbara for her inheritance, believing her rich father would die any minute. Barbara’s father, however, ended up living and Sam eventually made his own fortune in the fashion industry. Despite his financial success, Sam feels entitled to Barbara’s family inheritance because he has suffered through years of marriage to a woman he despises. He regrets that his strategy to knock Barbara out with chloroform and throw her off a cliff is not more violent. With great excitement, and the contrived approval of Carol, he heads home to execute his plan. In his outlandishly decorated post-modern mansion, Sam is outraged to find that Barbara is not there. Further annoyed by the presence of Barbara’s toy poodle, Sam chases the dog outside and hurls the bottle of chloroform at it. Sam then receives a phone call informing him that his wife has been kidnapped and will be killed if he deviates from the kidnapper's instructions. Delighted at this unexpected turn of events, Sam proceeds to violate as many of the instructions as possible, alerting the police and media. Meanwhile, Ken and Sandy Kessler, the young couple who kidnapped Barbara, lock her in their basement, despite a struggle. Disparagingly mocking their duck-faced masks and the odor of their basement, Barbara contends that Sam worships her and will get her back by any means necessary. Later, Ken and Sandy see a news report about the kidnapping. When Sandy expresses regret, Ken reminds her that Sam made millions by stealing her spandex miniskirt invention. Ken tells her that they must be ruthless to get what they deserve. Meanwhile, Carol conspires with her dimwitted boyfriend, Earl, to blackmail Sam for the murder of his wife. She sends Earl with a camcorder to a deserted bridge by the Hollywood Sign where Sam has planned to dispose of Barbara's body. Back at the Stone residence, the police investigate, and Sam feigns grief. That evening, Earl records a loud sexual interlude between a man and a prostitute that he mistakes for Sam murdering Barbara. Earl returns to Carol's house, recounts the events of the assumed murder, and gives her the tape. However, Carol doesn't watch enough of it to verify its contents. At that moment, Sam shows up at Carol’s, and Earl hides in the bathroom. Sam gloats about the kidnapping, but Carol believes the kidnap story to be an alibi to cover Sam’s murder of Barbara. At the Kessler household, Barbara's escape attempt is thwarted, but the couple is caught without their masks and their anonymity is compromised. Back in the basement, Barbara discovers an exercise show on television and begins a work out regimen. Ken attempts to meet Sam to collect the ransom, but is surprised when Sam does not show up. When he calls Sam to reschedule, Sam is uncooperative and seems perturbed that the kidnappers have not followed through with their threats to kill Barbara. Carol anonymously mails Sam a copy of Earl's video, but, after viewing it, Sam assumes that it is from Carol, and calls to thank her for the pornography. Carol interprets the call as a threat on her life, and hides in Earl's trailer. She decides that for her own protection, Earl must make another copy of the tape for the police. When Sam misses a second ransom meeting, Ken calls him again. This time, Sam openly refuses to pay and Ken lowers their ransom. Later, Sam's hopes are raised when the police ask him to identify a body, but he has to hide his frustration when he discovers the corpse is not his wife. The police commissioner, Chief Benton, receives Earl’s tape and is shocked to see himself in the video. He interprets Carol's demand of Sam’s arrest as a form of blackmail and heads to the Stone residence. Attempting to incriminate Sam, Chief Benton plants a bottle of cyanide in Sam’s desk. However, he is interrupted by two of his own patrolmen, who have discovered Sam’s chloroform bottle and photographs of Sam with Carol, providing plenty of evidence to arrest him for the kidnapping. Meanwhile, in another phone conversation with Ken, Sam dares him to kill Barbara. Upon realizing that she has lost twenty pounds, Barbara excitedly tries on dresses designed by Sandy and learns that the Kesslers kidnapped her because of Sam’s exploits. When she is told that Sam has refused to pay the ransom, she redirects her rage at him. Acting on their new evidence, police place Sam under arrest, but he quickly makes bail. Ken returns home from work to find that Sandy has freed Barbara and panics, even though Sandy reassures him that Barbara is now on their side and has promised to make her a rising star in high fashion. A policeman then shows up at the Kessler home, but he is looking for the “Bedroom Killer,” a local serial killer on the loose. Meanwhile, the knife-wielding killer ducks into the Kessler's house to hide. When Barbara returns to the Kessler’s house, the Bedroom Killer is confronted by Ken, Sandy, and Barbara, and falls down the basement steps to his death. Barbara, armed with news headlines that report Sam’s kidnapping story is a hoax and feature a photograph of Sam and Carol in a lover’s embrace, decides to help the Kesslers take Sam down by revealing all of his assets. When Sam returns home, he receives another call from the Kesslers. This time, Sam, who now needs his wife back to clear his name, agrees to pay a reduced ransom. The Kesslers, however, now demand millions of dollars based on Barbara's assessment of Sam's net worth. Upon finding out about Sam’s release, Carol calls Chief Benton. The Chief begs her not to make the tape public and Carol becomes suspicious about its contents. She and Earl play the tape on the display televisions at the electronics shop where Ken works and come to the conclusion that Barbara was, in fact, kidnapped, while shoppers, including Chief Benton’s wife, look on. After failing to convince the police of the same fact, Sam decides to actually pay the ransom. He withdraws over $2 million from the bank, then reveals the meeting location in a phone conversation with Carol. Ken shows up at the rendezvous in a clown mask, takes the suitcase with the money, and is promptly confronted by the police. He threatens everyone at the scene with a walkie-talkie, saying that if disturbed, he will order his conspirators to kill Barbara. The police decide to let Ken leave, but Sam refuses to go along with their orders and takes the case back from Ken at gunpoint. Sam is forced by the police to return the case to Ken and back off, at which point Earl arrives to take the money. The police threaten Earl this time, and Ken is finally able to drive away with the money. Ken is followed by squad cars and, when cornered at the Santa Monica Pier, he appears to commit suicide by driving his car off the end of the pier into the ocean. Soon after, the police pull a body wearing a clown mask out of the water, and it turns out to be the Bedroom Killer. Assuming the money washed out to sea, Sam is still happy because he assumes that Barbara has finally been killed. Barbara then turns up at the pier, identifies the serial killer to the police as her kidnapper and insists that he acted alone. When the police are looking away, Barbara pushes Sam off the pier in retaliation for his offenses. Ken surfaces at a nearby beach with the money. Barbara soon meets up with the Kesslers and the three celebrate their perfectly executed plan.

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Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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