3:10 to Yuma (2007)

R | 122 mins | Western | 2007

THIS TITLE IS OUTSIDE THE AFI CATALOG OF FEATURE FILMS (1893-1993)
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SOURCE CITATIONS
SOURCE
DATE
PAGE
Los Angeles Times
7 Sep 2007
p. 1.
New York Times
7 Sep 2007
p. 8.
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANIES
PRODUCTION TEXT
A Film by James Mangold
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
2d unit dir
Unit prod mgr
1st asst dir
1st asst dir, 2d unit
2d asst dir
2d asst dir, 2d unit
2d 2d asst dir
Addl 2d asst dir
PRODUCERS
Exec prod
Exec prod
Exec prod
Assoc prod
Assoc prod
Seamstress
PHOTOGRAPHY
Dir of photog
Dir of photog, 2d unit
"A" cam op/Steadicam
"A" cam op, 2d unit
"A" cam 1st asst
"A" cam 1st asst, 2d unit
"A" cam 2d asst
"A" cam 2d asst, 2d unit
Cam loader
Cam loader, 2d unit
"B" cam op
"B" cam 1st asst
"B" cam 1st asst, 2d unit
"B" cam 2d asst
"B" cam 2d asst, 2d unit
"C" cam op
"C" cam 1st asst
"C" cam 1st asst, 2d unit
Cam intern
Cam intern
Gaffer
Gaffer, 2d unit
Best boy elec
Elec, Los Angeles unit
Elec, Los Angeles unit
Elec, Los Angeles unit
Elec, Los Angeles unit
Elec, Los Angeles unit
Elec, Los Angeles unit
Elec, Los Angeles unit
Rigging gaffer
Rigging elec best boy
Rigging elec
Rigging elec
Rigging elec
Key grip
Key grip, 2d unit
Best boy grip
Best boy grip, 2d unit
"A" cam dolly grip
"B" cam dolly grip
Grip - 2d unit
Grip, Los Angeles unit
Grip, Los Angeles unit
Grip, Los Angeles unit
Grip, Los Angeles unit
Key rigging grip
Best boy rigging grip
Rigging grip
Rigging grip
Video assist - 2d unit
Video assist
Video asst
Still photog
Still photog, Los Angeles unit
ART DIRECTORS
Prod des
Asst art dir
Asst art dir
Storyboard artist
Graphic des
Art dept coord
Art dept asst
Art dept intern
FILM EDITORS
1st asst ed/VFX ed
Asst ed/Post coord
Addl editing
SET DECORATORS
Set dec
Set des
Set des
Set des
Prop master
1st asst props
2d asst props
Leadman
Gang boss
Gang boss
Set dresser
Set dresser
Set dresser
Set dresser
On set dresser
Draper asst
Set dec coord
Const coord
Const co-coord
Lead painter
Paint foreman
Stand-by painter
Propmaker foreman
Propmaker foreman
Propmaker foreman
Propmaker foreman
Propmaker foreman
Propmaker foreman
Tool foreman
Sign writer
Stand-by carpenter
Const auditor
Greens coord
Greens foreman
Greens gangboss
Stand-by greensman
Stand-by greensman, Los Angeles unit
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Set prod asst
COSTUMES
Cost des
Cost supv
Asst cost des
Key cost
Key set cost
Set cost to Ben Wade
Set cost
Set cost
Set cost
Set cost
Cutter/Fitter/Pattern maker
Tailor
Head ager/Dyer
Ager/Dyer
Seamstress
Seamstress
Cost des asst
Cost dept PA
MUSIC
Score cond by, 20th Century Fox
Orch by, 20th Century Fox
Orch, 20th Century Fox
Orch, 20th Century Fox
Orch by, 20th Century Fox
Score co-prod, 20th Century Fox
Score rec and mixed by, 20th Century Fox
Pro Tools rec, 20th Century Fox
Score rec at, 20th Century Fox
Orchestral contractor, 20th Century Fox
Asst orchestral contractor, 20th Century Fox
Orch leader, 20th Century Fox
Score mus ed, 20th Century Fox
SOUND
Supv sd ed/Des
Sd eff ed/Temp mus ed
Sd mixer
Sd mixer
Prod sd mixer
Sd mixer, Los Angeles unit
Boom op
Cable guy
Cable guy, Los Angeles unit
Post prod sd services provided by
1st asst sd ed, 20th Century Fox
Dial ed, 20th Century Fox
Foley supv, 20th Century Fox
Foley ed, 20th Century Fox
Foley ed, 20th Century Fox
Foley mixer, 20th Century Fox
Foley artist, 20th Century Fox
Foley artist, 20th Century Fox
Foley artist, 20th Century Fox
Addl SFX ed, 20th Century Fox
SFX field rec, 20th Century Fox
Stage rec, 20th Century Fox
Re-rec eng, 20th Century Fox
VISUAL EFFECTS
SPFX make-up artist
Spec eff coord
Spec eff shop foreman
Spec eff on-set foreman
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Visual eff supv, Digital Backlot
Visual eff supv, Digital Backlot
Visual eff prod, Digital Backlot
Lead compositor, Digital Backlot
Compositor, Digital Backlot
3D artist, Digital Backlot
3D artist, Digital Backlot
3D artist, Digital Backlot
Digital artist, Digital Backlot
Visual eff by
Visual eff supv, Custom Film Effects
Visual eff prod, Custom Film Effects
Digital art dir, Custom Film Effects
Digital compositor/Coord, Custom Film Effects
Digital compositor, Custom Film Effects
Digital compositor, Custom Film Effects
Digital compositor, Custom Film Effects
Digital compositor, Custom Film Effects
Digital compositor, Custom Film Effects
Digital compositor, Custom Film Effects
Digital compositor, Custom Film Effects
Digital compositor, Custom Film Effects
Title des
MAKEUP
Dept head hair
Hairstylist to Ben Wade
Key hairstylist
Key hairstylist, Los Angeles unit
Hairstylist
Hairstylist
Dept head make-up
Make-up artist to Ben Wade
Key make-up artist
Make-up artist
Make-up artist
PRODUCTION MISC
Casting
Casting
Casting (New Mexico casting)
Casting assoc (New Mexico casting)
Casting assoc
Extra's casting
Extra's casting assoc
Voice casting by
Voice casting by
Voice casting by
Voice casting by
Voice casting by
Voice casting by
Voice casting by
Voice casting by
Voice casting by
Voice casting by
Voice casting by
Voice casting by
Voice casting by
Voice casting by
Scr supv
Historical researcher
Prod coord
Prod coord, Los Angeles unit
Asst prod coord
Asst prod coord
Prod secy
Prod secy, Los Angeles unit
Prod secy, Los Angeles unit
Office prod asst
Office prod asst
Set prod asst, 2d unit
Asst to J. Mangold
Asst to C. Konrad
Asst to S. Besser
Asst to Ben Wade
Asst to K. Rodger
Asst to K. Rodger
Dialect coach to Ben Wade
Loc mgr
Key asst loc mgr
Key asst loc mgr
Key asst loc mgr
Asst loc mgr
Train coord
Dailies & HD telecine by
Fotokem dailies coord
Head wrangler
Trainer
Wrangler
Wrangler
Wrangler
Wrangler
Animal trainer
Key armorer
Armorer supv
Armorer
Armorer
Prod accountant
1st asst accountant
2d asst accountant
2d asst accountant
Accounting clerk
Prod attorney
Post prod accountant
Prod asst
Prod asst
Prod asst
Prod asst
Transportation coord
Transportation capt
Transportation co-capt
Transportation dispatcher
Driver to J. Mangold/C. Konrad
Driver to Ben Wade
Driver to Ben Wade, Los Angeles unit
Driver to C. Bale
Driver to P. Fonda
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Driver
Caterer, Los Angeles unit
Caterer, Los Angeles unit
Chef, Los Angeles unit
Asst chef
Asst chef
Craft services
Craft services
Craft service, Los Angeles unit
Asst craft services
Asst craft services
Asst craft service, Los Angeles unit
Key medic
Medic
Set medic, Los Angeles unit
Studio teacher
Studio teacher
For Relativity Media
For Relativity Media
For Relativity Media
For Relativity Media
Prod financing provided by
Completion guaranty provided by
Worldwide sales agent
STAND INS
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunt coord
Asst stunt coord
Stand-in for Ben Wade
Stand-in for C. Bale
COLOR PERSONNEL
Digital intermediate by
DI colorist, Modern Videofilm, Inc.
DI project supv, Modern Videofilm, Inc.
DI project mgr, Modern Videofilm, Inc.
IQ artist, Modern Videofilm, Inc.
IQ assist, Modern Videofilm, Inc.
Inferno artist, Modern Videofilm, Inc.
Inferno artist, Modern Videofilm, Inc.
DI scanning, Modern Videofilm, Inc.
Digital imaging, Modern Videofilm, Inc.
Digital imaging, Modern Videofilm, Inc.
DI film ed, Modern Videofilm, Inc.
MVF VP feature post, Modern Videofilm, Inc.
HD telecine colorist
Fotokem film col timer
SOURCES
LITERARY
Based on the short story "Three Ten to Yuma" by Elmore Leonard in Dime Western Magazine (Mar 1953).
DETAILS
Release Date:
2007
Premiere Information:
Los Angeles and New York openings: 7 Sep 2007
Copyright Claimant:
Yuma, Inc.
Copyright Date:
7 September 2007
Copyright Number:
PA1355347
Physical Properties:
Sound
dts; SDDS; Dolby Digital in selected theatres
Color
Lenses/Prints
Filmed with Panavision cameras & lenses; Filmed and released on Fujifilm
Duration(in mins):
122
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
43654
Passed by NBR:
No
GENRE
Genre:


Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.