Saving Private Ryan (1998)

R | 169-170 mins | Drama | 24 July 1998

THIS TITLE IS OUTSIDE THE AFI CATALOG OF FEATURE FILMS (1893-1993)
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HISTORY

Saving Private Ryan was ranked 71st on AFI's 2007 100 Years...100 Movies-10th Anniversary Edition list of the greatest American films; 8th on AFI's 2008 10 Top 10 list of the greatest American epics; and 45th on AFI's 2001 100 Years...100 Thrills list of the 100 most thrilling American films of all time. ...

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Saving Private Ryan was ranked 71st on AFI's 2007 100 Years...100 Movies-10th Anniversary Edition list of the greatest American films; 8th on AFI's 2008 10 Top 10 list of the greatest American epics; and 45th on AFI's 2001 100 Years...100 Thrills list of the 100 most thrilling American films of all time.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Los Angeles Times
24 Jul 1998
p. 1
New York Times
24 Jul 1998
Section V, p. 1
Variety
24 Jul 1998
---
CAST
NAME
CREDITED AS
CREDIT
Soldiers on the beach:
[and]
+
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXT
A Steven Spielberg Film
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr, Irish unit
1st asst dir
2d asst dir
2d asst dir, Irish unit
2d 2d asst dir
3d asst dir
3d asst dir
3d asst dir, Irish unit
3d asst dir, Irish unit
3d asst dir, Irish unit
PRODUCERS
Prod
Co-prod
Assoc prod/Prod mgr
Assoc prod
WRITER
PHOTOGRAPHY
Dir of photog
Cam op
Cam op, Irish unit
1st asst cam
1st asst cam
1st asst cam
1st asst cam, Irish unit
1st asst cam, Irish unit
2d asst cam
2d asst cam
2d asst cam, Irish unit
2d asst cam, Irish unit
Clapper/Loader
Cam trainee
Cam trainee
Video assist op
Video asst
Chief lighting tech
Chief lighting tech, Irish unit
Rigging chief lighting tech
Best boy
Best boy
Elec
Elec, Irish unit
Elec, Irish unit
Key grip
Best boy grip
Crane grip
"B" cam dolly grip
Grip, Irish unit
Still photog
Prod and distributed on
ART DIRECTORS
Prod des
Supv art dir
Art dir
Art dir
Art dir
Art dir
Standby art dir
Asst art dir
Illustrator
Illustrator
Art dept coord
Art dept asst
Art dept asst
Art dept asst
Graphic artist
Draughtsman
Draughtsman
Draughtsman
Jr. draughtsman
Jr. draughtsman
FILM EDITORS
Film ed
1st asst ed
1st asst ed
Asst ed
Asst ed
Asst ed
Asst ed
Apprentice ed
Post prod assoc
Negative cutter
Edited on the
SET DECORATORS
Prop master
Supv standby props
Standby props
Chargehand props
Chargehand dressing props
Prop storage
Props
Props
Props, Irish unit
Props, Irish unit
Props, Irish unit
Webbing supv
Webbing props
Webbing props
Prod buyer
Asst set dresser
Asst set dresser
Model maker
Const coord
Asst const coord
Const buyer
Const mgr, Irish unit
Const mgr, Irish unit
Supv carpenter
Supv carpenter
Supv carpenter
Chargehand carpenter
Chargehand carpenter
Chargehand carpenter
Wood machinist
Wood machinist
Storesman
H.O.D. plasterer
Supv plasterer
Supv plasterer
Chargehand plasterer
Chargehand plasterer labourer
H.O.D. painter
Supv painter
H.O.D. stagehand
Chargehand/Stagehand
H.O.D. rigger
Supv rigger
Chargehand rigger
Welder fabricator
Asst welder
Plant eng
Plant eng
Standby rigger
Standby carpenter
Standby painter
Standby plasterer
Standby stagehand
Sign writer, Irish unit
COSTUMES
Cost des
Cost supv
Cost supv, Irish unit
Asst cost des
Military cost
Cost dept key
Ward master
Crowd ward master
Key set cost
Set cost
Set cost
Cost
Key cost breakdown
Cost breakdown
Cost breakdown
Cost breakdown
Key cost spec eff/Stunts
Cost spec eff/Stunts
Workroom head
Seamstress
L.A. key cost
Cost coord
Cost prod asst
Cost prod asst
Cost asst, Irish unit
Cost asst, Irish unit
Cost asst, Irish unit
Cost asst, Irish unit
Cost asst, Irish unit
Cost asst, Irish unit
Cost asst, Irish unit
MUSIC
Mus ed
Asst mus ed
Score performed by members of the
And by the, Score performed by members of the
Orchestral personnel mgr
Horn solos
Trumpet solos
Trumpet solos
Rec and mixed by
Score rec at
Scoring consultant
Mus preparation
Exec in charge of music
SOUND
Sd des
Sd mixer
Boom op
Cable op
Supv sd ed
Re-rec mixer
Re-rec mixer
Re-rec mixer
Post prod sd services provided by
a division of Lucas Digital Limited, Marin County, California
Eff ed
Eff ed
Eff ed
Dial ed
Ewa Sztompke Oatfield
Dial ed
Foley ed
Asst sd des
Supv sd asst
Supv sd asst
Asst eff ed
Asst eff ed
Asst dial ed
Asst foley ed
Sd intern
Machine room supv
Mix tech
Machine room op
Sd transfer supv
Digital transfer
Digital transfer
Video services
John Torrijos
Video services
ADR supv
ADR mixer
ADR rec
Foley artist
Foley artist
Foley mixer
Foley rec
Re-rec
Re-rec
ADR group coord
Addl re-rec services
VISUAL EFFECTS
Spec eff supv
Spec eff floor supv
Spec eff workshop supv
Lead sr. spec eff tech
Lead sr. spec eff tech
Lead sr. spec eff tech
Lead sr. spec eff tech
Lead sr. spec eff tech
Sr. spec eff tech
Sr. spec eff tech
Sr. spec eff tech
Sr. spec eff tech
Sr. spec eff tech
Sr. spec eff tech
Sr. spec eff tech
Sr. spec eff tech
Sr. spec eff tech
Sr spec eff tech, Irish unit
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Dave Miller
Spec eff tech
Spec eff tech, Irish unit
Spec eff tech, Irish unit
Spec eff tech, Irish unit
Spec eff buyer
Spec eff coord
Spec eff asst buyer
Prosthetics supv
Prosthetics des
Moldmaking supv
Head sculptor
Prosthetic crew
Prosthetic crew
Prosthetic crew
Prosthetic crew
Prosthetic crew
Prosthetic crew
Prosthetic crew
Prosthetic crew
Prosthetic crew
Prosthetic crew
Corpse and animal eff des
Corpse and animal eff des
Corpse and animal eff des
Sr sculptor
Sr sculptor
Sr sculptor
Sr sculptor
Sr sculptor
Sr sculptor
Sr sculptor
Sr sculptor
Tech
Tech
Tech
Tech
Tech
Spec visual eff by
a division of Lucas Digital Limited, Marin County, California
Visual eff supv, ILM
Visual eff co-supv, ILM
Visual eff prod, ILM
Assoc visual eff prod, ILM
Visual eff art dir, ILM
Col timing supv, ILM
CG seq supv, ILM
Sabre supv, ILM
CG artist, ILM
CG artist, ILM
CG artist, ILM
CG artist, ILM
CG artist, ILM
CG artist, ILM
CG artist, ILM
CG artist, ILM
CG artist, ILM
Sabre artist, ILM
Sabre artist, ILM
Digital matte artist, ILM
Visual eff prod coord, ILM
Visual eff ed, ILM
Scanning supv, ILM
Visual eff cam op, ILM
Visual eff cam asst, ILM
Lead eff tech, ILM
Eff tech, ILM
Stage tech, ILM
Stage tech, ILM
Stage tech, ILM
Film scanning op, ILM
Negative line-up, ILM
Plate restoration, ILM
Digital prod, ILM
Digital prod, ILM
Digital prod, ILM
Digital prod, ILM
Digital technologies, ILM
Digital technologies, ILM
Visual eff prod asst, ILM
Titles & opticals
MAKEUP
Key makeup artist
Key 2d makeup artist
Mr. Hanks' makeup artist
Makeup artist
Makeup artist
Makeup artist, Irish unit
Makeup artist, Irish unit
Trainee makeup
Chief hairstylist
Hairstylist
Hairstylist, Irish unit
Asst hairstylist, Irish unit
PRODUCTION MISC
Casting
U.K. casting by
Casting asst-U.K.
Casting asst-L.A.
Casting asst-L.A.
Sr military adv
Military adv
Armourer
Asst armourer
Asst armourer
Asst armourer
Prod controller
Supv prod accountant
Prod accountant
Prod accountant, Irish unit
Financial representative
Asst prod accountant
Asst prod accountant
Asst prod accountant, Irish unit
Asst prod accountant, Irish unit
Accounting asst
Accounting asst
Accounting asst
Post prod accountant
Prod coord
Prod coord, Irish unit
Asst prod coord
Asst prod coord
Asst prod coord
Asst prod coord, Irish unit
Martin Cohen
Post prod exec, Irish unit
Post prod supv, Irish unit
Post prod coord, Irish unit
Unit pub
Loc mgr
Loc mgr
Loc mgr, Irish unit
Asst loc mgr
Asst loc mgr
Asst loc mgr
Asst loc mgr, Irish unit
Asst loc mgr, Irish unit
Asst to Mr. Spielberg
Asst to Mr. Spielberg
Asst to Mr. Spielberg-L.A.
Asst to Mr. Spielberg-L.A.
Asst to Mr. Bryce
Asst to Ms. Curtis
Asst to Mr. Hanks
Prod assoc
Prod asst
Prod asst
Prod asst
Prod asst
Prod office asst, Irish unit
Prod office asst, Irish unit
Prod office asst, Irish unit
Prod office asst, Irish unit
Prod office asst, Irish unit
Transportation coord
Transportation capt
Mr. Spielberg's driver
Mr. Hanks' driver
Mr. Bryce's driver
Unit driver
Unit driver
Unit driver
Unit driver
Unit driver
Unit driver
Unit driver
Picture vehicles by
Picture vehicle coord
Mechanic
Mechanic
Mechanic
Mechanic
Mechanic
Mechanic
Catering services provided by
Catering mgr
Head chef
Head chef
Asst chef
Asst chef
Nurse, Irish unit
Fire safety officer
Fireman
Marine coord, Irish unit
Marine safety, Irish unit
Marine rigger, Irish unit
Marine rigger, Irish unit
Shipwright, Irish unit
Marine eng, Irish unit
Marine eng, Irish unit
Landing craft coord, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Steve Richards
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
Landing craft crew, Irish unit
STAND INS
Stunt coord
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Peter Miles
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
COLOR PERSONNEL
Col timer
SOURCES
MUSIC
"Solitude," written by Duke Ellington, Irving Mills & Eddie DeLange.
SONGS
"Tu Es Partout," written by Edith Piaf & Marguerite Monnot, performed by Edith Piaf, courtesy of Mercury Records, France, by arrangement with PolyGram Film & TV Music; "C'Était une Histoire D'Amour," written by Henri Contet & Jean Jal, performed by Edith Piaf, courtesy of Mercury Records, France, by arrangement with PolyGram Film & TV Music.
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
24 July 1998
Production Date:

Copyright Info
Claimant
Date
Copyright Number
DreamWorks, LLC
3 August 1998
PA894340
Paramount Pictures Corp.
3 August 1998
PA894340
Amblin Entertainment, Inc.
3 August 1998
PA894340
Physical Properties:
Sound
Dolby Digital; dts Digital Sound; SDDS Sony Dynamic Digital Sound in selected theatres
Color
Lenses/Prints
Filmed with Panavision cameras & lenses; Prints by Technicolor®
Duration(in mins):
169-170
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
35942
SYNOPSIS

In Normandy, France, an elderly veteran visits a World War II memorial and cemetery with his family, and cries at a gravesite. Decades earlier, on June 6, 1944, U.S. soldiers participate in the invasion of Normandy. Under heavy German gunfire, droves of American troops fall to their deaths on Omaha Beach. U.S. Captain John H. Miller and some of his battalion survive the ordeal. Soon after, at U.S. War Department headquarters in Washington, D.C., General Marshall gets the news that three brothers in a family of four sons have died in combat; and that the remaining brother, James Ryan, is currently stationed in Normandy with the 101st Airborne Division. Marshall orders for Private Ryan to be brought home safe to his family. Capt. Miller receives the order and selects seven men to accompany him on the rescue mission. The team includes Sergeant Horvath; Private Reiben; Private Caparzo; Private Mellish; Private Jackson; T/4 Medic Wade; and Corporal Upham, an interpreter. They meet up with the 101st Division in Neuville, France, where they locate a Private James Ryan; however, he is not the Ryan with three brothers. In the meantime, Private Caparzo is shot and killed by a German sniper. Private Jackson retaliates by killing the sniper. Miller is told by a group of soldiers moving through the area that the correct Private Ryan is stationed at a bridge in the French town of Ramelle. On the way there, Miller and his men discover two dead bodies of U.S. paratroopers near a radar site, and locate a German machine gun position. Miller chooses to engage the Germans, putting his company at risk. The ensuing skirmish leaves Wade dead. They succeed, ...

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In Normandy, France, an elderly veteran visits a World War II memorial and cemetery with his family, and cries at a gravesite. Decades earlier, on June 6, 1944, U.S. soldiers participate in the invasion of Normandy. Under heavy German gunfire, droves of American troops fall to their deaths on Omaha Beach. U.S. Captain John H. Miller and some of his battalion survive the ordeal. Soon after, at U.S. War Department headquarters in Washington, D.C., General Marshall gets the news that three brothers in a family of four sons have died in combat; and that the remaining brother, James Ryan, is currently stationed in Normandy with the 101st Airborne Division. Marshall orders for Private Ryan to be brought home safe to his family. Capt. Miller receives the order and selects seven men to accompany him on the rescue mission. The team includes Sergeant Horvath; Private Reiben; Private Caparzo; Private Mellish; Private Jackson; T/4 Medic Wade; and Corporal Upham, an interpreter. They meet up with the 101st Division in Neuville, France, where they locate a Private James Ryan; however, he is not the Ryan with three brothers. In the meantime, Private Caparzo is shot and killed by a German sniper. Private Jackson retaliates by killing the sniper. Miller is told by a group of soldiers moving through the area that the correct Private Ryan is stationed at a bridge in the French town of Ramelle. On the way there, Miller and his men discover two dead bodies of U.S. paratroopers near a radar site, and locate a German machine gun position. Miller chooses to engage the Germans, putting his company at risk. The ensuing skirmish leaves Wade dead. They succeed, however, and take a remaining German soldier as their prisoner. Cpl. Upham speaks to the German and convinces Miller to let him go. Private Reiben disapproves and threatens to leave, but Miller regains his confidence with a personal confession. He reveals his work as a school teacher back home, and openly regrets how many lives he has taken. While he does not actually care about Private Ryan, he wants badly to complete the mission as he hopes it will earn all of them a return home. Miller and his men continue to Ramelle, where they find Private Ryan making preparations for an impending attack on the bridge he’s been defending. Although he is devastated by the news about his brothers, he is adamant to keep fighting alongside his men. Miller agrees to join forces with Ryan’s paratrooper unit, and helps orchestrate an ambush. The ensuing fight ends in many casualties, including Privates Jackson and Mellish, and Sergeant Horvath. Capt. Miller is shot by the same German soldier he freed in Neuville. Cpl. Upham, who had advocated for the man, kills the German in retaliation. As an American plane and more ground units show up, the Germans retreat. A dying Miller is surrounded by Privates Reiben and Ryan. With his last words, he tells Ryan, “Earn this.” Back in the present, the elderly man at the memorial is Private Ryan, and the grave he visits belongs to Capt. Miller. Ryan asks his wife if his life was worthy of Miller’s sacrifice, and she assures him that it was. As he leaves, Ryan gives a heartfelt salute to Miller’s tombstone.

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GENRE
Genre:
Sub-genre:
World War II


Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.