To Live and Die in L.A. (1985)

R | 116 mins | Drama | 1 November 1985

Full page view
HISTORY

The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Gabe Fremuth, a student at Emerson College, with Eric Schaefer as academic advisor.
A 20 Apr 1984 news item in Publisher’s Weekly announced that director-writer William Friedkin paid $15,000 of a $150,000 option to writer Gerald Petievich for rights to his novel To Live and Die in L.A.. Friedkin co-wrote the screenplay with Petievich, who was a U.S. Secret Service agent. According to LAT on 27 Oct 1985, Friedkin was drawn to the novel because the Secret Service had not been the subject of many Hollywood films and because he appreciated the story’s authenticity. Friedkin told LAT that he sought to maintain the novel’s realism by shooting on location and casting stage actor William L. Petersen in the role of “Richard Chance” instead of a Hollywood celebrity. According to the article, the novel did not include a car chase scene, but Friedkin felt compelled to follow up the acclaimed automobile pursuit in his film The French Connection (1971, see entry) with an even more ambitious action sequence.
              According to HR production charts on18 Dec 1984, production began 26 Nov 1984 in Los Angeles.
              As reported in various contemporary sources, including DV on 25 Jul 1984 and Var on 1 Aug 1984, To Live and Die in L.A. was the first film produced by SLM, Productions, Ltd. According to producer and SLM CEO

More Less

The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Gabe Fremuth, a student at Emerson College, with Eric Schaefer as academic advisor.
A 20 Apr 1984 news item in Publisher’s Weekly announced that director-writer William Friedkin paid $15,000 of a $150,000 option to writer Gerald Petievich for rights to his novel To Live and Die in L.A.. Friedkin co-wrote the screenplay with Petievich, who was a U.S. Secret Service agent. According to LAT on 27 Oct 1985, Friedkin was drawn to the novel because the Secret Service had not been the subject of many Hollywood films and because he appreciated the story’s authenticity. Friedkin told LAT that he sought to maintain the novel’s realism by shooting on location and casting stage actor William L. Petersen in the role of “Richard Chance” instead of a Hollywood celebrity. According to the article, the novel did not include a car chase scene, but Friedkin felt compelled to follow up the acclaimed automobile pursuit in his film The French Connection (1971, see entry) with an even more ambitious action sequence.
              According to HR production charts on18 Dec 1984, production began 26 Nov 1984 in Los Angeles.
              As reported in various contemporary sources, including DV on 25 Jul 1984 and Var on 1 Aug 1984, To Live and Die in L.A. was the first film produced by SLM, Productions, Ltd. According to producer and SLM CEO Irving H. Levin, the film was budgeted for $8 million and was set to begin production in late Sep 1984. The production represented a shared partnership between Friedkin and SLM although the financing was derived entirely from SLM. At the time of the articles’ publication, SLM had been open only two weeks and no deal had been set for the film’s distribution. On 28 Nov 1984, Var reported that Friedkin had negotiated to direct a second film for SLM after wrapping To Live and Die in L.A.. The film, Judgment Day, written by Pete Hamill and set to star Gregory Peck, was never made. According to Gregory Peck: A Biography (2002), Peck sued SLM for breach of contract after Friedkin withdrew from the project. The producers settled with Peck out of court. A LAHExam news item on 23 Apr 1985 reported that negotiations for an SLM partnership with Twentieth Century Fox ended and the film would instead be co-produced and distributed by MGM/UA. According to a 4 Dec 1985 Var news item, New Century Productions, LTD., SLM’s parent corporation, anticipated a $1.6 million loss from the production of the film after its release.
       According to LAT, the British band, Wang Chung, was personally selected by Friedkin for the score. Friedkin stated in the article that he gave them the script before starting production and, later, various unedited scenes, to assist their work. The film represented their first movie soundtrack.
       On 20 Feb 1986, DV reported that Friedkin sued LAT for $15 million, claiming that he was libeled in a 30 Nov 1985 interview with actor Willem Dafoe, who starred in the film as counterfeiter “Eric Masters.” LAT refused to print a retraction to Dafoe’s comments that he was not disturbed by the general violence in the film, but rather Friedkin’s interest in “latent homosexual violence.” The outcome of the lawsuit is undetermined.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
Aug 1985
---
Box Office
Jan 1988
---
Daily Variety
25 Jul 1984
p. 1, 14
Daily Variety
28 Oct 1985
p. 2
Daily Variety
20 Feb 1986
---
Hollywood Reporter
18 Dec 1984
---
Hollywood Reporter
30 Aug 1985
---
Hollywood Reporter
28 Oct 1985
p. 3, 21
LAHExam
23 Apr 1985
---
Los Angeles Times
27 Jul 1984
---
Los Angeles Times
27 Oct 1985
---
Los Angeles Times
1 Nov 1985
p. 4
New York Times
1 Nov 1985
p. 18
New York Times
17 Nov 1985
---
Publisher's Weekly
20 Apr 1984
---
Variety
1 Aug 1984
p. 7
Variety
28 Nov 1984
---
Variety
20 Feb 1985
p. 3, 32
Variety
30 Oct 1985
p. 16
Variety
4 Dec 1985
---
Washington Post
31 Aug 1985
p. 3
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXT
An Irving H. Levin Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
2d unit dir
Unit prod mgr
1st asst dir
2d asst dir
PRODUCERS
Exec prod
Co-prod
PHOTOGRAPHY
Dir of photog
2d unit photog
Chief lighting tech
Best boy elec
Key grip
Best boy grip
ART DIRECTORS
Prod des
Art dir
Masters' paintings by
FILM EDITORS
Supv film ed
Film ed
Addl editing by
Asst film ed
Asst film ed
Asst film ed
Donah Bassett
Negative cutter
SET DECORATORS
Set dec
Const coord
Carpenter
Carpenter
William Jones
Carpenter
Carpenter
COSTUMES
Linda Bass
Cost des
Cost supv
Menswear furnished by
Sherman Oaks, CA
MUSIC
Mus comp and performed by
SOUND
Rerec mixer
Rerec mixer
Rerec mixer
Rerec by
Sd eff ed
Sd eff ed
Sd eff ed
Dial rerec by
Dolby consultant
VISUAL EFFECTS
Spec eff
Opt eff by
DANCE
Dancer
Dancer
Dancer
MAKEUP
Head make-up artist
Hair stylist
PRODUCTION MISC
Casting
Casting assoc
Extra casting
Consultant
Consultant
Prod coord
Transportation coord
Transportation capt
Transportation capt
Asst to William Friedkin
Asst to William Friedkin
Asst to the prods
Prison institutional coord
Prison tech adv
Post prod auditor
Completion guarantee provided by
Christian Dior bed linens by
Payroll services provided by
Lab consultant
STAND INS
Stunt coord, Fight seqs
Stunt coord, Driving & chase seqs
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Justin DeRosa
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Charly Marie Morgan
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Ronald Rondell
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
COLOR PERSONNEL
Col timer
Col timer
SOURCES
LITERARY
Based on the novel To Live and Die in L.A. by Gerald Petievich (New York, 1984).
LITERARY SOURCE AUTHOR
SONGS
"Cold Day in Hell," performed by Otis Rush, courtesy of Delmark Records; "Lookin' Good," by Samuel Maghett, performed by Magic Sam, courtesy of Delmark Records; "Good Morning School Girl," performed by Junior Wells, courtesy of Delmark Records; "Laudy! Laudy!," performed by Junior Wells, courtesy of Delmark Records; "Independent Intavenshan," performed by Linton Kwesi Johnson, courtesy of Island Records; "Uphill Climb to the Bottom," performed by Walter Jackson; "L.A. L.A.," lyrics by Jerry Leiber, music by Jed Leiber, performed by AM-FM; "Wait," performed by Wang Chung, courtesy of Geffen Records; "Dance Hall Days," by Darren Costin, Nick Feldman and Jack Hues, performed by Wang Chung, produced by Chris Hughes and Ross Collum, courtesy of Geffen Records; "Wake Up, Stop Dreaming," by Nick Feldman and Jack Hues, performed by Wang Chung, produced by Wang Chung, assisted by David Motion, courtesy of Geffen Records; "To Live and Die in L.A.," by Jack Hues, performed by Wang Chung, produced by Tony Swain & Steve Jolley, courtesy of Geffen Records; "Lullaby," performed by Wang Chung, produced by Wang Chung, courtesy of Geffen Records; "The Conductor Wore Black," by Anthony Preston Kinman and Harold J. Kinman, Jr., performed by Rank & File, courtesy of Slash Records/Warner Bros. Records, Inc.; "Rank & File," by Anthony Preston Kinman and Alejandro Escovedo, performed by Rank & File, courtesy of Slash Records/Warner Bros. Records, Inc.; "Red Rose," performed by The Blasters, courtesy of Slash Records/Warner Bros. Records, Inc.; "Coyote," by Anthony Preston Kinman and Harold J. Kinman, Jr., performed by Rank & File, courtesy of Slash Records/Warner Bros. Records, Inc.
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
1 November 1985
Premiere Information:
Los Angeles and New York openings: 1 Nov 1985
Production Date:

Physical Properties:
Sound
Dolby Stereo in selected theatres
Color
Lenses/Prints
Prints by Technicolor®
Duration(in mins):
116
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
27848
SYNOPSIS

In Los Angeles, President Ronald Reagan’s motorcade arrives at the Beverly Hilton Hotel. During the President’s speech, Secret Service agent Richard Chance discovers a terrorist on the roof of the hotel, strapped with explosives. As Richard tries to talk him down, his partner, Jimmy Hart, climbs the side of the building and pulls the suicide bomber off the roof, causing the terrorist to explode in the air. Sometime later, Richard jumps from a San Pedro bridge attached to a safety line then drinks beer with his colleagues and gives Jimmy a fishing rod as a retirement gift. Before Jimmy leaves, Richard insists that Jimmy include him on a stakeout the following day, but Jimmy says that he has only three days left at work and wants to go alone. Meanwhile, counterfeiter and artist, Eric “Rick” Masters, prints thousands of $20 bills at a remote desert warehouse. When Jimmy arrives and finds evidence of Masters’ counterfeiting in the dumpster, he is shot dead. Two days later, Richard and a team of agents raid the warehouse, but find only a washing machine. Outside, Richard notices a pool of blood beneath the dumpster and discovers Jimmy’s body. Mourning the loss of Jimmy at his beachfront apartment, Richard is visited by a colleague from the warehouse raid, John Vukovich. Richard threatens to bring Masters down by any means necessary and John offers to be his new partner. A week later, at an airport stakeout, Richard and John arrest Carl Cody, one of Masters’ operatives, after he uses counterfeit money to pay for his ticket. Visiting Cody in prison, Masters tells him that his lawyer, Bob ...

More Less

In Los Angeles, President Ronald Reagan’s motorcade arrives at the Beverly Hilton Hotel. During the President’s speech, Secret Service agent Richard Chance discovers a terrorist on the roof of the hotel, strapped with explosives. As Richard tries to talk him down, his partner, Jimmy Hart, climbs the side of the building and pulls the suicide bomber off the roof, causing the terrorist to explode in the air. Sometime later, Richard jumps from a San Pedro bridge attached to a safety line then drinks beer with his colleagues and gives Jimmy a fishing rod as a retirement gift. Before Jimmy leaves, Richard insists that Jimmy include him on a stakeout the following day, but Jimmy says that he has only three days left at work and wants to go alone. Meanwhile, counterfeiter and artist, Eric “Rick” Masters, prints thousands of $20 bills at a remote desert warehouse. When Jimmy arrives and finds evidence of Masters’ counterfeiting in the dumpster, he is shot dead. Two days later, Richard and a team of agents raid the warehouse, but find only a washing machine. Outside, Richard notices a pool of blood beneath the dumpster and discovers Jimmy’s body. Mourning the loss of Jimmy at his beachfront apartment, Richard is visited by a colleague from the warehouse raid, John Vukovich. Richard threatens to bring Masters down by any means necessary and John offers to be his new partner. A week later, at an airport stakeout, Richard and John arrest Carl Cody, one of Masters’ operatives, after he uses counterfeit money to pay for his ticket. Visiting Cody in prison, Masters tells him that his lawyer, Bob Grimes, will reduce his sentence, but inquires why Cody’s last delivery of cash to Max Waxman was never received. Cody denies Waxman’s claim that he postponed a delivery just before he was detained at the airport, and threatens to kill Waxman when he is released. Later, Masters meets with Grimes about reducing Cody’s sentence and expresses concern that Cody will expose his operation to the police if he stays in prison. Meanwhile, Richard’s girlfriend, Ruth Lanier, who works for him as an informant, tells him about Waxman. Backstage at a club, Masters tells his dancer girlfriend, Bianca Torres, that Waxman has double-crossed them and she offers to help. As Richard and John keep surveillance on Waxman’s office, they observe Bianca make a delivery. Inside, Bianca acquiesces to Waxman’s seduction, but leaves the door open for Masters, who interrupts their escapade and forces Waxman to open the safe and return his cash. After a brief struggle, Masters shoots Waxman dead. Although Richard and Jimmy sleep through the murder, they enter Waxman’s office with the police and Richard finds a code book with dates, dollar amounts and the initials “R. M.” Despite Jimmy’s warning that he is tampering with police evidence, Richard keeps the journal. Later, after Richard and Ruth make love, she asks to receive payment for leading him to Waxman. When he tells her that she won’t get paid without an arrest, she predicts that her job as an informant will end her life. Before Richard leaves Ruth reports that a Chinese man will soon be arriving from San Francisco to purchase $50,000 in stolen diamonds. Richard claims that he is only interested in counterfeit money and threatens to revoke her parole if she stops providing him with information about the Masters case. While John follows a lead to Masters’s studio, Masters meets with local dealer, Jeff Rice, at a basketball court and agrees to pay him $75,000 to have Cody killed in prison. When the hit fails, Richard interrogates Cody, but Cody refuses to betray Masters. Meanwhile, Masters puts a gun in Rice’s mouth, demands his money back and burns the cash. After convincing Judge Filo Cedillo to release Cody so he can assist with the bust, Richard forces Cody to guide him to Masters’s print shop, but on the way, Cody asks to see his sick daughter in the hospital. As Richard removes Cody’s handcuffs before they enter the hospital room, Cody attacks Richard and escapes. Meanwhile, John meets with Grimes at a bar. Grimes complains about having Masters as a client and agrees to set him up at a meeting with the agents. Richard and John pose as moneylenders from a bank in the Cayman Islands and meet Masters at a gym, asking for a million dollars in counterfeit bills. When Richard explains that they have a client who wants to launder bonds to avoid taxes, Masters demands $30,000 in cash upfront. Unable to produce decoy money from their department for the bust, Richard proposes to John that they covertly intercept the diamond deal Ruth told him about and seize $50,000, but John refuses. Richard blackmails Ruth with prison time to help him with the heist, but when Richard captures Thomas Ling at Union Station, John picks them up in the getaway car. Followed from the station by two men, Richard and John hold Ling at gunpoint. They discover a phone book in his briefcase and cash in a concealed money belt when shots are fired from above, killing Ling. After losing their stalkers in a car chase, Richard and John realize they are being pursued by a large team of cars and armed accomplices. John drives up a freeway off ramp and swerves through oncoming traffic to escape. Later, at an office briefing, Richard and John learn that Ling was an undercover FBI agent. While Richard delivers the cash to Masters, John consults with Grimes about his legal options and learns his only defense is to plead guilty and turn in Richard. Grimes agrees to represent John for $50,000, but John refuses to betray his partner. Meanwhile, Richard collects Cody from his girlfriend’s apartment. Later, Richard and John meet Masters at the gym to complete the deal, but as they make the arrest, Master’s bodyguard shoots Richard in the forehead and Richard returns fire. Leaving his dead partner behind, John returns to Masters’s studio and discovers that Masters set fire to the warehouse. Sitting cross-legged among the flames, Masters asks John why he did not accept Grimes’s deal. Masters beats John, covers him with shredded counterfeit bills and attempts to set him on fire, but John shoots him and Masters becomes engulfed in the flames of his own torch. Some time later, John visits Ruth to collect the remaining $20,000 from their heist. Accusing her of knowing that Ling was an FBI agent and setting them up, John tells Ruth that she is now working for him.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>

Citizen Kane

This film's end credits begin with the statement, “Most of the principal actors in Citizen Kane are new to motion pictures. The Mercury Theatre is proud ... >>

King Kong

The working titles of this film were The Eighth Wonder, The Beast and Kong. In the opening credits, the cast list is ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.