Hook
(1991)
PG | 142 mins | Adventure, Fantasy | 11 December 1991
Director:
Steven SpielbergWriters:
Jim V. Hart, Malia Scotch MarmoProducers:
Kathleen Kennedy, Frank Marshall, Gerald R. MolenCinematographer:
Dean CundeyEditor:
Michael KahnProduction Designer:
Norman GarwoodProduction Company:
Amblin EntertainmentAn item in the 27 Jan 1992 People magazine noted that Nick Castle helped develop a script for TriStar Pictures in 1988, which was the basis for Hook. Castle was set to direct the film, but was removed from the project when Steven Spielberg came aboard. The article stated that Castle was then assigned to direct Sleepless in Seattle (1993, see entry) as a “payback,” but the project was eventually assumed by Nora Ephron. Castle receives a co-screen story credit on Hook. Although the 18 Feb 1991Var stated that playwright Tom Stoppard was “about to be brought in to do rewrites," Stoppard was not credited in the final film.
The 7 Aug 1990 DV announced Hook would be going into production with Spielberg directing in the fall of 1990 or the first quarter of 1991, depending on the availability of principal actors Robin Williams and Dustin Hoffman.
A 16 Jul 1991 HR production chart indicated that principal photography began 19 Feb 1991. While the 29 Jul 1991 Var suggested that filming was originally scheduled to conclude in late Jul, the schedule was extended into mid or late Aug, which delayed Dustin Hoffman’s ability to report for retakes on Billy Bathgate (1991, see entry). Costs were estimated to be $50 million.
In all, the film was in production for 116 shooting days, according to production notes in AMPAS library files. Production got underway on a sound stage at Culver Studios, in Culver City, CA, where the London sequences were filmed. The company ...
An item in the 27 Jan 1992 People magazine noted that Nick Castle helped develop a script for TriStar Pictures in 1988, which was the basis for Hook. Castle was set to direct the film, but was removed from the project when Steven Spielberg came aboard. The article stated that Castle was then assigned to direct Sleepless in Seattle (1993, see entry) as a “payback,” but the project was eventually assumed by Nora Ephron. Castle receives a co-screen story credit on Hook. Although the 18 Feb 1991Var stated that playwright Tom Stoppard was “about to be brought in to do rewrites," Stoppard was not credited in the final film.
The 7 Aug 1990 DV announced Hook would be going into production with Spielberg directing in the fall of 1990 or the first quarter of 1991, depending on the availability of principal actors Robin Williams and Dustin Hoffman.
A 16 Jul 1991 HR production chart indicated that principal photography began 19 Feb 1991. While the 29 Jul 1991 Var suggested that filming was originally scheduled to conclude in late Jul, the schedule was extended into mid or late Aug, which delayed Dustin Hoffman’s ability to report for retakes on Billy Bathgate (1991, see entry). Costs were estimated to be $50 million.
In all, the film was in production for 116 shooting days, according to production notes in AMPAS library files. Production got underway on a sound stage at Culver Studios, in Culver City, CA, where the London sequences were filmed. The company then moved to Sony Pictures Studio's Stage 30, which housed thee Neverland playground and the Lost Boys’ home. Filming then alternated Neverland tree houses and the Great Cabin of Captain Hook sets on Stages 10 and 12; then to Stage 27, where the Jolly Roger pirate ship and the surrounding Pirate Wharf were constructed; and finally to Stage 15, which housed the Pirate Town set. Although production notes state that Robin Williams and Dustin Hoffman “performed many of their own stunts,” stunt doubles Keith Campbell and Keith Tellez performed “the more complex or dangerous movements.”
Liz Smith’s column in the 3 Jul 1991 LAT noted that Glenn Close was one of a number of stars “roped in” by Spielberg to play a cameo role as a pirate. Other cameo performers were said to include Bruce Willis, Quincy Jones, and Michael Jackson.
Although the 18 Jun 1991 DV quoted Steven Spielberg as saying, “We are working for free. I mean free—no guarantees, just points,” the 29 Nov 1990 HR had reported that talent agreements with Spielberg, Williams, and Hoffman burdened the film with “first dollar” deals that would put thirty to forty percent of the film’s gross rentals in the participants’ pockets before TriStar received a penny.
The 11 Sep 1991 HR stated that despite earlier rumors of a delayed release, Hook was set to open 11 Dec 1991. As noted in the 6 Nov 1991 DV, the world premiere was scheduled to take place in Los Angeles, CA, on 8 Dec 1991, as a benefit for the Great Ormond Street Children’s Hospital and the Peter Pan Children’s Fund.
Critical reaction to the film was mixed, and although Sony Pictures executives were quoted as being “thrilled” by the early box-office returns, an article in the 16 Dec 1991 DV carried the headline: "‘HOOK’ BOW FAILS TO WOW." The story reported that the film took in $14.2 million on 2,197 screens its opening weekend. Although the initial rollout was not as successful as anticipated, by 26 May 1992 Hook had grossed $119 million domestically and $112 internationally according to DV. The 20 Jul 1992 HR noted that the film has passed $250 million in box-office receipts.
During the Christmas season, high-powered corporate lawyer Peter Banning, his wife, Moira, and twelve-year-old son Jack watch a school production of J. M. Barrie’s play, Peter Pan, in which his daughter, Maggie, appears as “Wendy.” During the performance, Banning answers a call on his cellular telephone from a co-worker asking him to attend an impromptu morning meeting. Peter protests, as he is set to leave for London, England, with his family, where an orphans’ hospital will be dedicating a new wing to his “Granny,” Wendy Angela Darling. He finally relents, but Jack reminds his dad that he has already promised to attend his final “Santa Series” baseball game. The next morning, Peter sends an aide to videotape Jack’s game while his employees joke with him about his fear of flying. When Jack realizes his father is not in the stands, he strikes out, causing his team to lose. Once Peter finally arrives, Jack’s game is long over. Onboard the airplane, the flight runs into turbulence above the Atlantic Ocean, and Peter is less than pleased when Maggie shows him a drawing Jack made of their plane crashing, with all in the family except Peter parachuting to safety. At his wife’s urging, Peter talks to Jack and promises to attend six of his games next season. In London, the Bannings arrive at Granny Wendy’s home. Because it has been ten years since Peter’s last visit, she reminds him they all must observe the only house rule: “No growing up.” That night, Peter returns to the bedroom ...
During the Christmas season, high-powered corporate lawyer Peter Banning, his wife, Moira, and twelve-year-old son Jack watch a school production of J. M. Barrie’s play, Peter Pan, in which his daughter, Maggie, appears as “Wendy.” During the performance, Banning answers a call on his cellular telephone from a co-worker asking him to attend an impromptu morning meeting. Peter protests, as he is set to leave for London, England, with his family, where an orphans’ hospital will be dedicating a new wing to his “Granny,” Wendy Angela Darling. He finally relents, but Jack reminds his dad that he has already promised to attend his final “Santa Series” baseball game. The next morning, Peter sends an aide to videotape Jack’s game while his employees joke with him about his fear of flying. When Jack realizes his father is not in the stands, he strikes out, causing his team to lose. Once Peter finally arrives, Jack’s game is long over. Onboard the airplane, the flight runs into turbulence above the Atlantic Ocean, and Peter is less than pleased when Maggie shows him a drawing Jack made of their plane crashing, with all in the family except Peter parachuting to safety. At his wife’s urging, Peter talks to Jack and promises to attend six of his games next season. In London, the Bannings arrive at Granny Wendy’s home. Because it has been ten years since Peter’s last visit, she reminds him they all must observe the only house rule: “No growing up.” That night, Peter returns to the bedroom where he slept as a boy, but his reverie is broken by another call from his co-worker. When the children continue to pester him during the call, Peter loses his temper and demands Moira take them out of the room. When the phone rings again, she rips it from his grasp and throws it out the window into the snow, admonishing her husband for missing the brief time in life when their children will actually want them to be around. Later, Peter and Moira escort Granny Wendy to the dedication banquet, leaving the children at home. Addressing the attendees in a heartfelt speech, Peter reflects on his upbringing with Granny Wendy, who cared for him before he found adoptive parents. When they return home, the Bannings discover Maggie and Jack have been kidnapped and taken to the mythical world of Neverland by the evil Captain Hook. Pouring himself a stiff drink, Peter returns to his childhood nursery and goes out onto the balcony. Suddenly, a fairy sprite named Tinkerbell flies inside and urges Peter to follow her. To her disappointment, however, Peter insists he has grown up and does not believe in fairies. Having no other choice, Tinkerbell knocks him unconscious, wraps him in a blanket, and carries him to Neverland herself. Shortly after arriving on the magical island, Peter disguises himself as a pirate and sneaks aboard Captain Hook’s ship just as Hook’s first mate, Smee, introduces their nefarious, one-handed leader to the crew. The captain announces that he has the children in his possession, and intends to kill Peter, his former adversary, when he comes to their rescue. When Jack and Maggie are hauled onto the deck, Peter reveals his identity and clumsily fails to save them. Pirates drag Peter to the presence of Captain Hook, but he has trouble convincing the captain that he is Hook’s onetime opponent, Peter Pan. Hook has the children raised high above the deck in a rope net and promises to release them when Peter flies up and touches them. Because Peter does not know how to fly, he climbs the mast in attempt to fulfill his part of the bargain. As he crawls out on a yardarm to reach his children, he slips and nearly falls. Hook decides to call off his war with Pan and do away with Peter as well as the children, but Tinkerbell intervenes, promising to get Peter into shape within a week. She taunts Hook for appearing cowardly, and he quickly agrees to the deal. To train, Peter arrives at the treehouse occupied by Tinkerbell and his former friends, the rambunctious Lost Boys, who ridicule him for growing old and gaining weight. Meanwhile, Smee convinces Hook to act in such a way that Peter’s children will come to hate their father and love the pirate, thus forcing Peter to fight to regain their affection. The Lost Boys, in turn, tease Peter until he remembers how to use his imagination. Rufio, the boys’ current leader, becomes jealous of Peter’s newfound popularity and throws a coconut at Peter’s head. Regaining his youthful reflexes, Peter grabs a sword and slices the coconut in half before it strikes him. Eventually, he begins to remember his past life as Peter Pan. That night, the soft ticking of Jack’s pocket watch triggers traumatic memories for Hook as he continues to live in fear of the crocodile that chewed off his hand after he forced it to swallow an alarm clock. Just before he is about to gut Jack with his hook, Smee reminds the captain that he killed the crocodile years before. Hook takes Jack to a clock shop where all the merchandise has already been broken. When one clock starts to tick, Smee and Hook encourage Jack to smash the clocks himself, for all the times his father broke his promises. To win the boy’s affection, Hook arranges a baseball game and cheers Jack when he scores a home run. Peter watches from behind the stands, and becomes upset that his son has developed an attachment to the evil pirate. Back at the treehouse, Peter determines he needs to relearn how to fly. Although initially unsuccessful, Jack’s home run ball plummets back down to Earth and strikes Peter on the head. When he revives, he sees the reflection of the boy he once was — Peter Pan — looking back at him in a shallow pond. Snatching the baseball from the water, Peter sees Pan’s shadow, which leads him to the underground house he built with the Lost Boys for Wendy Darling. Memories suddenly flood back to Peter: After running away as an orphan, he was rescued by Tinkerbell, who brought him to Neverland, where children remain the same age forever. Eventually, he grew to miss his mother, but returned home and discovered he had been long forgotten. He visited other homes and got to know Wendy and her brothers, John and Michael. After their frequent adventures, he returned every year until Wendy became old and forgot how to fly. One night, elderly Wendy introduced Peter to her own sleeping granddaughter, Moira. Peter gave her a kiss, which began his journey to adulthood. Ultimately, Peter decided to stay with Wendy and grow up because he wanted to be a father, and the happy thought that he now has children of his own lifts him off the ground. The power of flight restored, Peter returns to Hook’s ship. Jack does not initially recognize his father, but as the battle begins, he realizes how much Peter truly loves him. With Peter in danger of losing the fight, the Lost Boys come to his aid. As Rufio prepares to duel, Captain Hook knocks the boy’s sword from his hand and stabs him through the heart. With his dying breath, Rufio wishes he had a father like Peter. Overhearing the boy’s wish, Jack has a change of heart and tells Peter he wants to go home. Peter turns his back on his adversary to retrieve Jack and Maggie, but Hook promises to track them down wherever they go. Peter returns to fight. As he hones his hook on a sharpening stone, the pirate captain berates Peter, telling him that his adventure is only a dream, and when he wakes up he will be the same tired, middle-aged businessman he was before. The Lost Boys believe in Peter, however, and Peter takes the pirate’s sword. As he returns the weapon, Hook slices Peter’s wrist with the sharpened hook. Peter promises to end the fight just as the Lost Boys arrive with several ticking and ringing clocks. In Hook’s panic, Peter knocks off the Pirate’s hat and wig, revealing him to be an old, balding man. He threatens to kill Hook, but instead decides to exile him from Neverland. As the Bannings walk away, Hook attempts to revive the fight. Tinkerbell distracts him, and he embeds his infernal appendage into a giant crocodile statue in the town square. The statue topples over, trapping the captain between its jaws. Peter celebrates with the Lost Boys, but realizes he must return to the real world. Peter, Jack, and Maggie fly off with Tinkerbell leading the way. Back in London, Moira is asleep in her chair in the nursery keeping vigil. The children return, and when she awakens, they have been tucked safely into their beds. Peter lands in the snowy lawn next to his discarded cell phone and climbs the drainpipe to the nursery balcony. A changed man, he tosses his phone out the window to concentrate on his family. Granny Wendy greets him with "Hello, boy," as she did so many years ago, and they share a tearful embrace.
TOP SEARCHES
Two O'Clock Courage
A HR production chart places June Duprez and Gavin Muir in the cast, but their appearance in the final film has not been confirmed. This picture ... >>
The Symbol of the Unconquered
This Black independent film was shot in Fort Lee, NJ, under the working title The Wilderness Trail. A 6 Nov 1920 Moving Picture World item ... >>
Fletch
On 26 Nov 1974, DV announced that King-Hitzig Productions had acquired film rights to Gregory Mcdonald’s 1974 novel, Fletch. At that time, Mcdonald was ... >>
Raiders of the Lost Ark
According to production notes in AMPAS library files, filmmaker George Lucas conceived Raiders of the Lost Ark as a story called “The Adventures of Indiana Smith” in ... >>
The Vampire
The 31 Jul 1915 Motion Picture News announced the upcoming production as the sixth from Popular Plays and Players, Inc., to be released through Metro Pictures Corp. ... >>
