Busting (1974)

R | 91-92 mins | Drama | 1974

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HISTORY

According to production notes from AMPAS library files, the film was shot entirely on location in Los Angeles, CA and Pasadena, CA. It marked writer-director Peter Hyams’s first theatrical feature film as a director. As noted in a 26 Mar 1973 LAT article, producers Robert Chartoff and Irwin Winkler asked Hyams to develop a story about a vice squad and offered him the opportunity to direct after seeing his work on television programs.
       A 26 Feb 1973 DV news item announced that actor Ron Leibman had been signed to co-star with Elliot Gould in the film, but on 2 Mar 1973, DV reported that Leibman left the production due to “irreconcilable artistic differences.”
       DV announced in a 15 Jan 1973 news item that the American Film Institute had partnered with the Academy of Motion Pictures Arts and Sciences to place its fellows in production internship positions and Donald Paonessa was assigned to Busting. He is not credited in the film.
       The character played by actor Logan Ramsey is called “Dr. Bickman” in the film, but appears as “Dr. Berman” in the credits.
       Principal photography was first reported on 2 Mar 1973 in HR production charts, and the final notice of production was 6 Apr 1973.
       A 3 Mar 1974 article in NYT reported that homosexual activists were protesting the violent and stereotypical depiction of gay men in the film’s scene of a gay bar bust and its derogatory references to homosexuality in the dialogue. In a letter to the NYT editor published 17 Mar 1974, Hyams argued that the ...

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According to production notes from AMPAS library files, the film was shot entirely on location in Los Angeles, CA and Pasadena, CA. It marked writer-director Peter Hyams’s first theatrical feature film as a director. As noted in a 26 Mar 1973 LAT article, producers Robert Chartoff and Irwin Winkler asked Hyams to develop a story about a vice squad and offered him the opportunity to direct after seeing his work on television programs.
       A 26 Feb 1973 DV news item announced that actor Ron Leibman had been signed to co-star with Elliot Gould in the film, but on 2 Mar 1973, DV reported that Leibman left the production due to “irreconcilable artistic differences.”
       DV announced in a 15 Jan 1973 news item that the American Film Institute had partnered with the Academy of Motion Pictures Arts and Sciences to place its fellows in production internship positions and Donald Paonessa was assigned to Busting. He is not credited in the film.
       The character played by actor Logan Ramsey is called “Dr. Bickman” in the film, but appears as “Dr. Berman” in the credits.
       Principal photography was first reported on 2 Mar 1973 in HR production charts, and the final notice of production was 6 Apr 1973.
       A 3 Mar 1974 article in NYT reported that homosexual activists were protesting the violent and stereotypical depiction of gay men in the film’s scene of a gay bar bust and its derogatory references to homosexuality in the dialogue. In a letter to the NYT editor published 17 Mar 1974, Hyams argued that the actors in the scene were gay, themselves, and they were not coached to portray stereotypes. The bar location was an authentic gay establishment, and the scene in the film depicted an actual incident. Hyams stated that the law enforcement’s attitude toward homosexuals, although unsympathetic, was consistent with real life circumstances and did not reflect his personal bias. He also said that his intention was not to uphold the actions of his characters as correct, but rather to show them as complex and flawed.
       The film ends with a freeze frame of detective “Michael Keneely” as he holds “Carl Rizzo” at gunpoint. Voiceover dialogue portrays Keneely in a future interview at an employment bureau. When he is asked why he left the police department, he says he “needed a change.”
       The film was released to generally negative reviews. Critics condemned the plot for being formulaic and described the characters as unsympathetic. The 25 Jan 1974 HR review noted that the police officer protagonists “casually violate everyone’s civil rights and never give their illegal actions a moment’s thought.” However, reviews in NYT on 28 Feb 1974 and Time on 25 May 1974 found the characters appealing and ironic.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
4 Mar 1974
p. 4668
Daily Variety
15 Jan 1973
---
Daily Variety
26 Feb 1973
---
Daily Variety
2 Mar 1973
---
Daily Variety
23 Jan 1974
---
Daily Variety
25 Jan 1974
p. 3, 6
Hollywood Reporter
2 Mar 1973
p. 15
Hollywood Reporter
6 Apr 1973
p. 16
Hollywood Reporter
25 Jan 1974
p. 3, 14
LAHExam
8 Feb 1974
---
Los Angeles Times
26 Mar 1973
p. 1, 15
Los Angeles Times
6 Feb 1974
Section IV, p. 1
Motion Picture Herald Product Digest
13 Feb 1974
p. 75
New York Times
28 Feb 1974
p. 33
New York Times
3 Mar 1974
p. 11
New York Times
17 Mar 1974
---
Time
25 Mar 1974
p. 72
Variety
30 Jan 1974
p. 13
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
1st asst dir
2d asst dir
PRODUCERS
Assoc prod
WRITER
PHOTOGRAPHY
Dir of photog
Asst cam
Stunt gaffer
Key grip
Dolly grip
Still man
Photog equip by
FILM EDITORS
Film ed
Asst ed
SET DECORATORS
Set dec
Prop master
COSTUMES
MUSIC
Post-prod mus editing by
SOUND
Sd mixer
Post-prod sd editing by
VISUAL EFFECTS
Spec eff
Titles and opticals by
MAKEUP
Makeup
PRODUCTION MISC
Exec in charge of prod
Casting
Prod assoc
Scr supv
Transportation capt
Craft service
DETAILS
Release Date:
1974
Premiere Information:
Los Angeles opening: 6 Feb 1974; New York opening: 27 Feb 1974
Production Date:
early Mar--early Apr 1973
Copyright Info
Claimant
Date
Copyright Number
United Artists Corp.
15 November 1974
LP43134
Physical Properties:
Sound
Color
De Luxe
Duration(in mins):
91-92
MPAA Rating:
R
Country:
United States
Language:
English
SYNOPSIS

A prostitute named Jackie pays an office visit to her client, a dentist, and police detectives Michael Keneely and Patrick Farrel blackmail the man into helping them bust her. Later, Keneely goes to Jackie’s apartment, claiming to be the doctor’s friend, but she suspects him of being a cop and is vague about her services. However, she takes him to her bedroom, where he arrests her and demands her “trick book.” Back at the police station, Keneely discovers the names of several fellow officers in Jackie’s book and the partners are called into Sgt. Kenefick’s office. Kenefick received a tip that Keneely arrested Jackie by entrapment and the detectives have no evidence to uphold a conviction. Frustrated by the partners’ exploits, Kenefick reassigns them to bust a gay bar that stays open after hours. That night, Keneely and Farrel go to the bar undercover as lovers, but when a man tries to cut in on their dance, a fight ensues. Police officers arrive to arrest the patrons as Keneely nurses a bite on his leg. When Keneely tries to retrieve Jackie’s book back at the station, he is given a decoy with blank pages. Sometime later in court, Mr. Crosby, a lawyer, defends the drag queens who were arrested at the bar and claims the police violated their civil rights, but the judge is unsympathetic. Afterwards, Jackie’s lawyer, Mr. Weldman, questions Keneely about her arrest, and when the detective reluctantly admits she did not verbally agree to exchange sex for money, the case is dismissed. Later, Keneely attempts to bust a prostitution ring in a pornographic bookstore. ...

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A prostitute named Jackie pays an office visit to her client, a dentist, and police detectives Michael Keneely and Patrick Farrel blackmail the man into helping them bust her. Later, Keneely goes to Jackie’s apartment, claiming to be the doctor’s friend, but she suspects him of being a cop and is vague about her services. However, she takes him to her bedroom, where he arrests her and demands her “trick book.” Back at the police station, Keneely discovers the names of several fellow officers in Jackie’s book and the partners are called into Sgt. Kenefick’s office. Kenefick received a tip that Keneely arrested Jackie by entrapment and the detectives have no evidence to uphold a conviction. Frustrated by the partners’ exploits, Kenefick reassigns them to bust a gay bar that stays open after hours. That night, Keneely and Farrel go to the bar undercover as lovers, but when a man tries to cut in on their dance, a fight ensues. Police officers arrive to arrest the patrons as Keneely nurses a bite on his leg. When Keneely tries to retrieve Jackie’s book back at the station, he is given a decoy with blank pages. Sometime later in court, Mr. Crosby, a lawyer, defends the drag queens who were arrested at the bar and claims the police violated their civil rights, but the judge is unsympathetic. Afterwards, Jackie’s lawyer, Mr. Weldman, questions Keneely about her arrest, and when the detective reluctantly admits she did not verbally agree to exchange sex for money, the case is dismissed. Later, Keneely attempts to bust a prostitution ring in a pornographic bookstore. After coaxing the masseuse into offering sex, Keneely arrests her and accuses the salesclerk, Marvin, of dealing heroin. When Marvin calls his boss, Carl Rizzo, Keneely hits him with the telephone receiver and threatens to bring down their operation. Even though Keneely and Farrel are unable to get a search warrant from Sgt. Kenefick, they break into an apartment they believe is connected with Rizzo. After finding heroine in a baby powder container, they fire their guns at three dealers and chase the men outside. The dealers return fire in a busy marketplace and a woman is shot. As the crowd crouches down, Keneely kills one of the men while the others take a woman hostage and escape. The officers chase them to an apartment building and call for backup. Keneely and Farrel kill another felon but the officers outside fail to apprehend the remaining dealer. Back at the police station, Kenefick reprimands the partners for their unauthorized bust and reports that Mr. Weldman bailed Marvin and the prostitute out not long after their arrest. Later, Keneely and Farrel commiserate that Rizzo is both the city’s criminal kingpin and a force of corruption in the police department. They track Rizzo down at a boxing gym and threaten to defeat him. That evening, Keneely and Farrel go to Rizzo’s strip club and scare away patrons by announcing they are from the vice squad. They follow Rizzo home and fall asleep in their car. At a boxing match, the partners see Rizzo with the escaped drug dealer and when they give Rizzo another warning, he ridicules them. Outside, Keneely negotiates with a prostitute, but when he returns to her apartment, he is beaten by one of Rizzo’s men. Returning to the car, Keneely finds Farrel bloody and unconscious. Sgt. Kenefick splits the partners up and claims that his superiors are pressuring him to fire them. He warns them to stop pursuing Rizzo. However, the detectives spend their weekend back on the case and follow Rizzo on his family outings. At Rizzo’s birthday celebration, Keneely and Farrel set fire to his car. The following day, an ambulance arrives at Rizzo’s mansion. Although the detectives are told Rizzo had a heart attack, they recall that Rizzo used his heart condition as an alibi on the night of his last drug connection and race to the hospital. From the waiting room, the detectives observe a sequence of flower deliveries to Rizzo’s room and Farrel comments that visitors leave with the potted plants. He calls the hospital florist and discovers they have not sent any orders to Rizzo. Keneely and Farrel break into Rizzo’s room and find heroine in the flowerpots, but Rizzo’s bouncer holds a nurse at gunpoint and the men flee the hospital in a stolen ambulance. Keneely and Farrel give chase through the streets of downtown Los Angeles in another ambulance and after the vehicles crash, they hold Rizzo at gunpoint. Rizzo goads Keneely, claiming that he’ll soon be back in action.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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