Freebie and the Bean (1974)

R | 112-113 mins | Comedy | 1974

Director:

Richard Rush

Producer:

Richard Rush

Cinematographer:

Laszlo Kovacs

Production Designer:

Hilyard Brown

Production Company:

Warner Bros., Inc.
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HISTORY

A 24 Apr 1973 DV news item stated that executive producer Floyd Mutrux sold the original script for Freebie and the Bean to Warner Bros., Inc. for nearly $200,000. Robert Kaufman later revised the script, and, after arbitrations conducted by the Writer’s Guild, received sole screenwriter credit, with Mutrux retaining credit as writer of the story. In a 3 Jun 1973 LAT article by Mary Murphy, director Richard Rush commented that the film was originally a drama with no humor, but, weeks before the shoot, Rush, Kaufman, and lead actors Alan Arkin and James Caan met for “improvisational sessions” in which they explored a more comedic approach to the characters’ relationship. As a result, Freebie and the Bean became an action-comedy.
       According to the 3 Jun 1973 LAT article, the eleven-week shoot on location in San Francisco, CA, was frequently delayed by rain. Arkin and Caan felt that Rush unwisely prioritized stunts over the relationship between their characters, and the co-stars both made threats to quit the production. Acknowledging the difficulty of the shoot, Rush explained that the film contained “four major chase scenes and over 100 car crashes,” and was comprised of mostly short scenes which required the cast and crew to frequently change locations throughout the day. In a 16 Dec 1974 LAHExam article, Rush recalled a harrowing experience in which the lead actors, along with Rush and cinematographer Laszlo Kovacs, were stuck on a construction elevator at the top of a skyscraper in progress. Caan, in particular, was afraid of heights, and the men had to jump out of the elevator onto the floor ...

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A 24 Apr 1973 DV news item stated that executive producer Floyd Mutrux sold the original script for Freebie and the Bean to Warner Bros., Inc. for nearly $200,000. Robert Kaufman later revised the script, and, after arbitrations conducted by the Writer’s Guild, received sole screenwriter credit, with Mutrux retaining credit as writer of the story. In a 3 Jun 1973 LAT article by Mary Murphy, director Richard Rush commented that the film was originally a drama with no humor, but, weeks before the shoot, Rush, Kaufman, and lead actors Alan Arkin and James Caan met for “improvisational sessions” in which they explored a more comedic approach to the characters’ relationship. As a result, Freebie and the Bean became an action-comedy.
       According to the 3 Jun 1973 LAT article, the eleven-week shoot on location in San Francisco, CA, was frequently delayed by rain. Arkin and Caan felt that Rush unwisely prioritized stunts over the relationship between their characters, and the co-stars both made threats to quit the production. Acknowledging the difficulty of the shoot, Rush explained that the film contained “four major chase scenes and over 100 car crashes,” and was comprised of mostly short scenes which required the cast and crew to frequently change locations throughout the day. In a 16 Dec 1974 LAHExam article, Rush recalled a harrowing experience in which the lead actors, along with Rush and cinematographer Laszlo Kovacs, were stuck on a construction elevator at the top of a skyscraper in progress. Caan, in particular, was afraid of heights, and the men had to jump out of the elevator onto the floor below them and descend the building’s sixty-five floors on foot. At the film’s wrap party, Arkin told Murphy of LAT that he had no perspective on the film, saying he hadn’t received any days off “in two weeks.” Arkin later commented in a 23 Dec 1974 People news item that he only acted in the film because he needed a paycheck, but felt that Freebie and the Bean was “absolute garbage.”
       A 3 Feb 1975 Box article described the sizeable marketing campaign launched by Warner Bros. to promote the film’s release, which included tie-ins with Montesa motorcycles, Bell & Howell, and almost 2,000 fast-food restaurants. In Los Angeles, the Westwood Chamber of Commerce partnered with Warner Bros. on a “Freebie Meter Maid” campaign in which meter maids added coins to expired meters during busy shopping hours and left Freebie and the Bean promotional fliers on cars’ windshields. A 2 Jun 1975 Box news item reported that the 1975 Don Belding Awards gave “first prize for the best outdoor painted bulletin” to Warner Bros. for a Freebie and the Bean advertisement recreating the scene in which the detectives’ car crashes into an apartment building. An actual car punctured through the film’s billboard, and its front wheels were electrically powered to keep spinning.
       Upon its release, several critics found fault with the film’s emphasis on action over story and its humorous treatment of the racial slurs doled out by Caan’s character. In a 26 Dec 1974 NYT review, Vincent Canby remarked, “You finally get the feeling that a car directed the picture – it’s as sensitive as a door knob and as witty as a bumper sticker.”
       A 19 Nov 1976 HR news brief stated that representatives for Arkin and Caan were expected to meet with Warner Bros. in the upcoming days to discuss a sequel in which the actors reprised the roles with Arkin directing.
       A television pilot based on the film was announced in a 26 Feb 1980 HR news brief, with shooting planned in San Francisco and Los Angeles, CA. The show, also titled Freebie and the Bean, ran on CBS, 6 Dec 1980—17 Jan 1981, with Tom Mason starring as “Det. Sgt. Tim Walker,” based on Caan’s character, “Freebie,” and Hector Elizondo as “Det. Sgt. Dan Delgado,” based on Arkin’s character, “Bean.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
2 Dec 1974
p. 4740
Box Office
3 Feb 1975
p. 13
Box Office
2 Jun 1975
---
Daily Variety
20 Mar 1973
---
Daily Variety
24 Apr 1973
---
Hollywood Reporter
14 Nov 1974
p. 3
Hollywood Reporter
19 Nov 1976
---
Hollywood Reporter
26 Feb 1980
---
LAHExam
16 Dec 1974
Section B, pp. 2-3
LAHExam
20 Dec 1974
---
LAHExam
24 Dec 1974
---
Los Angeles Times
3 Jun 1973
Section Q, p. 22, 29
Los Angeles Times
25 Dec 1974
Section IV, pp. 24-25
Los Angeles Times
26 Dec 1974
Section IV, p. 23
The London Sunday Telegraph
5 Jan 1975
---
The Sunday Times (London)
5 Jan 1975
---
Motion Picture Herald Product Digest
15 Jan 1975
p. 64
New York Times
26 Dec 1974
p. 59
New York Times
20 Jan 1975
Section II, p. 1
Newsweek
13 Jan 1975
p. 71
People
23 Dec 1974
---
Time
20 Jan 1975
p. 3
Variety
13 Nov 1974
p. 6
CAST
NAME
CREDITED AS
CREDIT

PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXT
A Richard Rush production
NAME
CREDITED AS
CREDIT
DIRECTORS
2d unit dir
Unit prod mgr
1st asst dir
2d asst dir
PRODUCERS
Exec prod
Assoc prod
WRITERS
Story
PHOTOGRAPHY
Dir of photog
Cam op
Asst cam
Asst cam
Elec gaffer
Key grip
Dolly grip
Best boy
Generator op
Still photog
ART DIRECTOR
Art dir
FILM EDITORS
Film ed
Asst ed
Asst ed
SET DECORATORS
Ruby Levitt
Set dec
Propmaster
Asst propman
Leadman
Const coord
Painter
COSTUMES
Ward
MUSIC
SOUND
Post prod sd
Sd eff
Sd eff
Mikeman
VISUAL EFFECTS
Spec eff
Spec eff
Spec eff
Spec eff
Title des
MAKEUP
Hairstylist
PRODUCTION MISC
Prod asst
Scr supv
Prod equip provided by
Burbank, California
Secy to prod-dir
Prod secy
Loc mgr
Asst dir trainee
Casting dir
San Francisco casting
Loc auditor
Timekeeper
First aid
Transportation gaffer
Generator driver
Van driver
Honeywagon driver
Insert car driver
Mechanic
STAND INS
Stunt coord
Stuntman
SOURCES
SONGS
Title theme "You and Me," by Dominic Frontiere, Bobby Hart and Danny Janssen; "Hard Core Man," by Dominic Frontiere, Bobby Hart and Danny Janssen; "When You Need Someone," music and lyrics by Dominic Frontiere, Bobby Hart and Danny Janssen.
DETAILS
Release Date:
1974
Premiere Information:
Los Angeles and New York openings: 25 Dec 1974
Production Date:
5 Feb--late Apr 1973 in San Francisco
Copyright Info
Claimant
Date
Copyright Number
Warner Bros., Inc.
21 December 1974
LP44002
Physical Properties:
Sound
Color
Technicolor
Widescreen/ratio
Panavision
Duration(in mins):
112-113
MPAA Rating:
R
Country:
United States
Language:
English
SYNOPSIS

In San Francisco, California, two police detectives, Freebie and Bean, pick through the contents of Red Meyers’ trash and find an incriminating receipt. When Freebie suggests they arrest Meyers, Bean says they must locate their witness, Motley, first. The detectives seek out Whitey, who is rumored to be involved in a criminal venture with Motley. On the way to a construction site where Whitey works, Freebie tells Bean they need to join the vice squad so they can make a lot of money and retire early, but Bean wants to become a lieutenant. Freebie accuses his partner of having low aspirations, blaming his heritage as a Mexican immigrant. At the construction site, Whitey denies any criminal activity but informs the detectives that Motley is out of town and will return Monday for a poker game. On the highway, Freebie and Bean answer a call over the police radio. Freebie drives recklessly as he exits the highway, and Bean puts on a helmet to protect himself. They join several police cars in a chase that ends when a stolen truck flips over, dumping a large supply of whiskey onto the street. Freebie and Bean notice the truck is affiliated with the construction company where Whitey works, and assume the driver is in cahoots with him and Motley. They later visit Whitey at home, beat him, and threaten his girlfriend until he finally speaks up, saying they are wasting their time going after Meyers because a contract killer has been hired out of Detroit, Michigan, to murder him by Monday. Soon after, Freebie and Bean follow Meyers while he walks his dog and discuss their plan to apprehend him. Without Motley, ...

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In San Francisco, California, two police detectives, Freebie and Bean, pick through the contents of Red Meyers’ trash and find an incriminating receipt. When Freebie suggests they arrest Meyers, Bean says they must locate their witness, Motley, first. The detectives seek out Whitey, who is rumored to be involved in a criminal venture with Motley. On the way to a construction site where Whitey works, Freebie tells Bean they need to join the vice squad so they can make a lot of money and retire early, but Bean wants to become a lieutenant. Freebie accuses his partner of having low aspirations, blaming his heritage as a Mexican immigrant. At the construction site, Whitey denies any criminal activity but informs the detectives that Motley is out of town and will return Monday for a poker game. On the highway, Freebie and Bean answer a call over the police radio. Freebie drives recklessly as he exits the highway, and Bean puts on a helmet to protect himself. They join several police cars in a chase that ends when a stolen truck flips over, dumping a large supply of whiskey onto the street. Freebie and Bean notice the truck is affiliated with the construction company where Whitey works, and assume the driver is in cahoots with him and Motley. They later visit Whitey at home, beat him, and threaten his girlfriend until he finally speaks up, saying they are wasting their time going after Meyers because a contract killer has been hired out of Detroit, Michigan, to murder him by Monday. Soon after, Freebie and Bean follow Meyers while he walks his dog and discuss their plan to apprehend him. Without Motley, they cannot detain Meyers for his actual crimes, so the detectives place him under arrest for “indecent exposure,” saying he unzipped his fly at the park. Meyers tries to pay them off, but Freebie and Bean take him into custody. At police headquarters, the District Attorney reprimands the detectives for apprehending Meyers, a well-connected, albeit corrupt businessman, on such a ridiculous charge. Freebie and Bean explain that they have an “airtight case” against Meyers and urgently needed to arrest him. They hand over the ledger found in Meyers’ garbage, but the District Attorney insists they produce a witness to corroborate their evidence. Freebie and Bean respond that their witness, Motley, will be available Monday. They also explain that an assassin has been hired to kill Meyers by Monday. The District Attorney instructs them to release Meyers and guard him against any hired killers until Motley returns. After Meyers’ release, Freebie and Bean follow his car. At a clothing shop, they argue over the worth of pricey dress shirts while Meyers shops. Later, while staking out a barbershop where Meyers receives a haircut, the detectives spot a car with Michigan plates. Guessing the contract killer from Detroit is inside, Freebie calls for police backup. On the sidewalk, they approach the suspect and beat him up, only to discover the man is an unarmed Cadillac salesman. Back in the car, Freebie spots a suspicious driver and follows him while Bean reports the license plate number. They discover the license plate is stolen and continue to chase the car through the streets of San Francisco, running into a Super Bowl parade, which temporarily slows them down. Speeding along a highway ramp, Freebie loses control of the steering wheel and drives off the ramp. Miraculously, the car flies through the window of a nearby building and lands inside an apartment. That evening, Freebie and his girlfriend enjoy a romantic dinner, but he changes the conversation when she suggests he move in. Later that night, the detectives stake out Meyers’ home. When Bean falls asleep, Freebie steals his gun and wakes him up, pretending that assassins are outside. Bean rushes out but returns to the car when he cannot find his gun. Realizing that his partner pranked him, Bean chases Freebie into a nearby park. After a playful scuffle, he tells Freebie that he suspects his wife of cheating on him with a neighbor whose dogs dig holes in their front yard. Freebie offers to take Bean home, promising that nothing will happen to Meyers at his house, which is heavily guarded. At home, Bean lies on the couch while his wife reprimands him for creating a mess. Although it’s 10:30pm, she leaves, allegedly going to a parents’ night at school. Later, Freebie and Bean go to a bowling alley in search of Michigan Phil, a contract killer from Detroit. They spot Phil, and, as he goes to the bathroom, load their guns and follow him inside. The detectives shoot multiple bullets through Phil’s stall door, killing him. Afterward, Freebie and Bean go to Motley’s apartment where they find his former roommate taking a bath and claiming Motley is not there. Driving away, Freebie sees Bean’s wife’s car at a motel parking lot. The detectives pull in, put a ‘no parking’ sign in front of her spot, and call a tow truck to take the car. The following day, Freebie and Bean drive past a crime in progress as a Texas brawler beats people in the lobby of a hotel. Freebie and Bean arrest him, and, on the way to a nearby precinct, the man heckles them. Bean insists Freebie stop the car. Outside, he undoes the man’s handcuffs and, pretending to fistfight him, uses a nightstick to beat him. Later, at a doctor’s office, Freebie and Bean wait while Meyers undergoes dental work. Broder, another patient, asks to see the dentist urgently and the receptionist allows him inside. Suspecting the man an assassin, Freebie follows him and fires shots. Broder reveals he is armed and crashes through the window onto a balcony. In the meantime, Freebie shoots another assassin, disguised as a dental hygienist. Freebie and Bean rush to a set of glass elevators and, boarding the elevator directly across from Broder’s, shoot at him through the glass. Outside, Broder rides away in a van, and Freebie and Bean drive after him. After Broder’s van collides with the detectives’ car multiple times, rendering it useless, Freebie commandeers a motorcycle, driving it over cars stopped in traffic. Broder’s van eventually flies off a bridge and crashes onto the street below. Freebie abandons the motorcycle atop the bridge and shoots at Broder from above, as Bean and other policemen arrive at the scene. Bean chases Broder’s cohort into the kitchen of a restaurant and shoots him. Freebie appears, telling Bean that Broder got away. Bean returns home and interrogates his wife about her supposed affair, but she provides him with believable excuses for each bit of evidence brought against her. Later that day, a female blackmailer holds Meyers at gunpoint inside his car and demands $200,000. Freebie and Bean follow Meyers and the blackmailer to his office, believing the woman is Meyers’ mistress. After she gets the money, the blackmailer requests to be dropped off by the football stadium where the Super Bowl is in progress. Meanwhile, Freebie and Bean get word that their witness, Motley, has been apprehended at the airport and they are free to arrest Meyers. The detectives stop Meyers’ car, but the blackmailer panics as Bean approaches and shoots him. Freebie tends to Bean as he sinks to the ground, and the blackmailer runs away. Freebie gives chase, following her into a ladies’ room inside the football stadium. There, he realizes the blackmailer is a transvestite, Motley’s ex-roommate, whom he met earlier. The transvestite takes a child hostage and shoots Freebie in the arm. After the child breaks free, the men fight, and Freebie shoots and kills the transvestite. The District Attorney and Freebie’s supervisor, Lieutenant Rosen, arrive at the stadium. They inform Freebie that Motley was killed on his way into town; therefore, the warrant for Meyers’ arrest was cancelled. Rosen convinces the District Attorney to let Freebie arrest Meyers without Motley. However, on his way to apprehend him, Freebie sees Meyers on a gurney, having died from a heart attack. The detective rides an elevator with the medic and Meyers’ grieving wife, Mildred. At the ambulance, Mildred accosts Lieutenant Rosen, blaming him for her husband’s death. Freebie looks on as it becomes apparent that Rosen was having an affair with Mildred. He confronts Rosen, who admits he coerced Mildred into throwing incriminating evidence into the trash, hoping Meyers would go to jail so he would be free to marry Mildred. Before the ambulance drives away, Freebie sees Bean on a gurney and assumes him dead. Upset, he rides in the back of the ambulance alongside his friend’s body. Bean mutters from under a blanket that he wants a taco. Realizing Bean is still alive, Freebie yells at him, angry that he pranked him. The men tussle, causing the ambulance to crash.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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