Rangers of Fortune (1940)

79 mins | Western | 27 September 1940

Director:

Sam Wood

Writer:

Frank Butler

Producer:

Dale Van Every

Cinematographer:

Theodore Sparkuhl

Editor:

Eda Warren

Production Designers:

Hans Dreier, Robert Usher

Production Company:

Paramount Pictures, Inc.
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HISTORY

According to studio publicity materials contained in the Production Files at the AMPAS Library, child actress Betty Brewer sang for pennies on the Hollywood streets until director Sam Wood discovered her and cast her in this film. The picture was shot on location in the Mojave Desert and around Victorville, CA. ...

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According to studio publicity materials contained in the Production Files at the AMPAS Library, child actress Betty Brewer sang for pennies on the Hollywood streets until director Sam Wood discovered her and cast her in this film. The picture was shot on location in the Mojave Desert and around Victorville, CA.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
5 Sep 1940
p. 3
Film Daily
19 Sep 1940
p. 7
Hollywood Reporter
1 Apr 1940
p. 2
Hollywood Reporter
20 Apr 1940
pp. 6-7
Hollywood Reporter
10 Jun 1940
p. 6
Hollywood Reporter
5 Sep 1940
p. 3
Motion Picture Daily
10 Sep 1940
p. 7
Motion Picture Herald
14 Sep 1940
p. 34
New York Times
19 Sep 1940
p. 27
Variety
11 Sep 1940
p. 14
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Dir
Asst dir
PRODUCERS
Exec prod
WRITER
Orig scr, Orig scr
PHOTOGRAPHY
Theodore Sparkuhl
Dir of photog
ART DIRECTORS
Art dir
Art dir
FILM EDITOR
MUSIC
SOUND
Sd rec
Sd rec
PRODUCTION MISC
Bus mgr
DETAILS
Release Date:
27 September 1940
Premiere Information:
New York opening: week of 19 Sep 1940
Production Date:
late Apr--mid Jun 1940
Copyright Info
Claimant
Date
Copyright Number
Paramount Pictures, Inc.
27 September 1940
LP9978
Physical Properties:
Sound
Western Electric Mirrophonic Recording
Black and White
Duration(in mins):
79
Country:
United States
PCA No:
6282
Passed by NBR:
Yes
SYNOPSIS

After escaping death at the hands of a Mexican army firing squad, Gil Farra, a renegade U.S. Army officer, George Bird, a slap happy ex-boxer, and Sierra, a handsome caballero, begin a long trek to the U.S. border. While stopping at a waterhole, they meet little Mary Elizabeth "Squib" Clayborn and her ailing grandfather, who have been driven from the town of Santa Marta for publishing the local newspaper. The trio decide to accompany Squib and her grandfather back to Santa Marta, where they see the eerily deserted Santa Marta hacienda looming over the town square. Inside, they meet the owner, Colonel Lewis Rebstock, who has just returned from Europe to live in the seclusion of his estate. When Clayborn is murdered, the trio decide to stay in town to help Squib. When another murder is committed, however, they are accused of the crime, and a clever Gil convinces their accusers that George is a famous lawman, thus prompting the townfolk to appoint him marshal of Santa Marta. The new marshal is soon called upon to keep the peace when renegade Tod Shelby rides into town and kills a man. Swinging into action, the threesome apprehend Shelby and his men and throw them in jail. That night, Gil, Sierra and George join Squib in celebrating her birthday. Also at the party are Mr. Prout, the newspaper publisher; Sharon McCloud, the pretty town shopkeeper; and Johnny Cash, a windmill builder whose efforts are continually being sabotaged. As Gil and Johnny vie for Sharon's attentions, Shelby kills his guard and escapes from jail. Gil and the others undertake a search for the ...

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After escaping death at the hands of a Mexican army firing squad, Gil Farra, a renegade U.S. Army officer, George Bird, a slap happy ex-boxer, and Sierra, a handsome caballero, begin a long trek to the U.S. border. While stopping at a waterhole, they meet little Mary Elizabeth "Squib" Clayborn and her ailing grandfather, who have been driven from the town of Santa Marta for publishing the local newspaper. The trio decide to accompany Squib and her grandfather back to Santa Marta, where they see the eerily deserted Santa Marta hacienda looming over the town square. Inside, they meet the owner, Colonel Lewis Rebstock, who has just returned from Europe to live in the seclusion of his estate. When Clayborn is murdered, the trio decide to stay in town to help Squib. When another murder is committed, however, they are accused of the crime, and a clever Gil convinces their accusers that George is a famous lawman, thus prompting the townfolk to appoint him marshal of Santa Marta. The new marshal is soon called upon to keep the peace when renegade Tod Shelby rides into town and kills a man. Swinging into action, the threesome apprehend Shelby and his men and throw them in jail. That night, Gil, Sierra and George join Squib in celebrating her birthday. Also at the party are Mr. Prout, the newspaper publisher; Sharon McCloud, the pretty town shopkeeper; and Johnny Cash, a windmill builder whose efforts are continually being sabotaged. As Gil and Johnny vie for Sharon's attentions, Shelby kills his guard and escapes from jail. Gil and the others undertake a search for the fugitives. Meanwhile, back at the newspaper office, Squib and Prout realize that Rebstock must be behind the lawlessness that has been plaguing the town. As they print an editorial denouncing him, Rebstock suddenly appears, shoots Squib and sets fire to the office. Rushing to the burning building, the trio find Squib's body with the editorial accusing Rebstock. They storm Rebstock's hacienda, where he admits to committing the crimes as a way of defending himself against the encroachment of settlers. In a pitched gun battle, the three eliminate Rebstock and his gang, thus restoring law and order to Santa Marta. After witnessing the marriage of Sharon and Johnny, Gil, Sierra and George ride off to California.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.