Willie Dynamite (1974)

R | 102 mins | Drama | 24 January 1974

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HISTORY

A 10 Oct 1972 HR news item announced that producers Richard D. Zanuck and David Brown purchased Ron Cutler’s original script in association with Universal Pictures for an undisclosed fee. According to a 6 Feb 1973 HR brief, director Gilbert Moses cast stage actor Roscoe Orman to make his feature film debut in the picture and principal photography was scheduled to begin 12 Feb 1973 in Los Angeles, CA. HR stated that interiors would be shot at Universal Studios sound stages and the picture marked the “first black feature film to deal with organized prostitution.” In 1974, the same year of Willie Dynamite’s release, Orman joined the cast of the successful children’s television show, Sesame Street, and became renowned for his role as “Gordon Robinson.” As noted in the 20 Dec 1973 HR review, Moses, who was a Broadway director, also made his feature film directorial debut with Willie Dynamite. Another member of New York City’s theater community, Robert Earl Jones, was announced as a recent addition to the cast in an 11 Apr 1973 DV news item. Neither Jones nor Pepe Hern, a character actor whose casting was reported in a 23 Feb 1973 DV announcement, were credited onscreen, but their names were included in a 1 May 1973 Call Bureau Cast Service bulletin included in the film’s AMPAS library production files. Theatrical actor Albert Hall, who was credited in the film, was reported as a new hire to the cast in DV on 15 Mar 1973. As noted in the ...

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A 10 Oct 1972 HR news item announced that producers Richard D. Zanuck and David Brown purchased Ron Cutler’s original script in association with Universal Pictures for an undisclosed fee. According to a 6 Feb 1973 HR brief, director Gilbert Moses cast stage actor Roscoe Orman to make his feature film debut in the picture and principal photography was scheduled to begin 12 Feb 1973 in Los Angeles, CA. HR stated that interiors would be shot at Universal Studios sound stages and the picture marked the “first black feature film to deal with organized prostitution.” In 1974, the same year of Willie Dynamite’s release, Orman joined the cast of the successful children’s television show, Sesame Street, and became renowned for his role as “Gordon Robinson.” As noted in the 20 Dec 1973 HR review, Moses, who was a Broadway director, also made his feature film directorial debut with Willie Dynamite. Another member of New York City’s theater community, Robert Earl Jones, was announced as a recent addition to the cast in an 11 Apr 1973 DV news item. Neither Jones nor Pepe Hern, a character actor whose casting was reported in a 23 Feb 1973 DV announcement, were credited onscreen, but their names were included in a 1 May 1973 Call Bureau Cast Service bulletin included in the film’s AMPAS library production files. Theatrical actor Albert Hall, who was credited in the film, was reported as a new hire to the cast in DV on 15 Mar 1973. As noted in the film’s 21 Jan 1974 Box review, co-starring actors Joyce Walker and Roger Robinson made their first feature film performances in Willie Dynamite. The role of "Sugar" is credited onscreen to Robert Lawson, but this may have been a mistake in the credits and the part was likely performed by Nathaniel (spelled "Nathanial") Taylor.
       On 8 Mar 1973, the production moved from Los Angeles to New York City for one week of exterior shooting, according to a DV news item published the same day. Although the film made its last appearance on HR production charts on 13 Apr 1973, the dates of the aforementioned DV casting announcements suggest that the production continued for some time after mid-Apr.
       According to a 30 Mar 1973 DV article, costumer Bernard Johnson, a New York City fashion designer, fabricated custom garments for real-life pimps and prostitutes and sold each piece at prices between $500 and $3,000. Johnson, who had never before designed costumes for a feature film, met Moses in 1971 when he was working on Moses’s Broadway play Ain’t Supposed to Die. One hundred costumes were designed for Willie Dynamite.
       An undated HR news item reported that the film made its world premiere at the Woods Theatre in Chicago, IL, and grossed nearly $8,000 more in the second week of its release than the first. In the fourteen days after Willie Dynamite opened, it earned $114,583 at the Woods Theatre, alone. Despite the film’s generally negative reviews, several critics, including LAT’s Kevin Thomas on 27 Mar 1974 and HR’s Alan R. Howard on 20 Dec 1973, praised Diana Sand’s performance as “Cora” and noted that it was her last role before her untimely death in 1973.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
21 Jan 1974
p. 4658
Daily Variety
23 Feb 1973
---
Daily Variety
8 Mar 1973
---
Daily Variety
15 Mar 1973
---
Daily Variety
30 Mar 1973
p. 28
Daily Variety
11 Apr 1973
---
Daily Variety
20 Dec 1973
---
Hollywood Reporter
10 Oct 1972
---
Hollywood Reporter
6 Feb 1973
---
Hollywood Reporter
16 Feb 1973
p. 11
Hollywood Reporter
13 Apr 1973
p. 13
Hollywood Reporter
20 Dec 1973
p. 3, 16
Los Angeles Times
27 Mar 1974
---
New York Times
24 Jan 1974
p. 45
Variety
26 Dec 1973
p. 14
CAST
NAME
CREDITED AS
CREDIT
Co-Starring
Co-Starring
Co-Starring
Co-Starring
Nathanial Taylor
Leslie McRay
+ −
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Doc Merman
Unit prod mgr
1st asst dir
2d asst dir
PRODUCERS
WRITERS
Story
PHOTOGRAPHY
Dir of photog
ART DIRECTOR
FILM EDITOR
Film ed
SET DECORATOR
Set dec
COSTUMES
MUSIC
Mus score
SOUND
Ronald Pierce
Sd
VISUAL EFFECTS
Titles & opt eff
PRODUCTION MISC
Cosmetics by
SOURCES
SONGS
"Willie D.," music by Gilbert Moses, J. J. Johnson, lyric by Gilbert Moses; "King Midas," music & lyric by Gilbert Moses; "Keep On Movin' On," music & lyric by Gilbert Moses, sung by Martha Reeves.
SONGWRITER/COMPOSER
DETAILS
Release Date:
24 January 1974
Premiere Information:
New York opening: 24 Jan 1974; Los Angeles opening: 27 Mar 1974
Production Date:
began 12 Feb 1973 in Los Angeles, CA
Copyright Info
Claimant
Date
Copyright Number
Universal Pictures
19 December 1973
LP43523
Physical Properties:
Sound
Westrex
Color
Color by Technicolor®
Duration(in mins):
102
MPAA Rating:
R
Country:
United States
Language:
English
SYNOPSIS

In New York City, a pimp named Willie Dynamite sends seven prostitutes to an international business convention but is displeased by the earnings of one of the ladies, Pashen, who returns late. Berating the girl, Willie says that he aims to be the “Number One” pimp in the city. Later, Willie attends a meeting of his fellow hustlers. A colleague named Bell complains that the police are cracking down on their industry and suggests that they organize against the law by dividing the city into separate territories. Although the other pimps agree, Willie argues that the “organization” would disrupt their competitive system of free-market capitalism. Returning home, Willie receives word that Pashen was arrested. Elsewhere in the city, a former model named Cora Williams wakes her lover, district attorney Robert Daniels, to send him home. Robert proposes marriage to Cora so they will no longer live apart, but Cora argues that his mother will never accept her line of work, which helps to protect young prostitutes from pimps by offering them modeling careers. Later, Cora approaches Pashen in prison and presents her with a job, but Pashen refuses, claiming that Willie will defend her in court and pay her more money. However, no one comes to Pashen’s aid during her hearing. Cora arranges with the judge to take custody of the girl if she pleads guilty, but Willie arrives at the last minute with a lawyer who posts Pashen’s bail. Outside the courtroom, Willie hits Pashen and mockingly offers work to Cora, who is fuming. Back at the prostitutes’ apartment, Willie announces that Pashen’s bail will come ...

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In New York City, a pimp named Willie Dynamite sends seven prostitutes to an international business convention but is displeased by the earnings of one of the ladies, Pashen, who returns late. Berating the girl, Willie says that he aims to be the “Number One” pimp in the city. Later, Willie attends a meeting of his fellow hustlers. A colleague named Bell complains that the police are cracking down on their industry and suggests that they organize against the law by dividing the city into separate territories. Although the other pimps agree, Willie argues that the “organization” would disrupt their competitive system of free-market capitalism. Returning home, Willie receives word that Pashen was arrested. Elsewhere in the city, a former model named Cora Williams wakes her lover, district attorney Robert Daniels, to send him home. Robert proposes marriage to Cora so they will no longer live apart, but Cora argues that his mother will never accept her line of work, which helps to protect young prostitutes from pimps by offering them modeling careers. Later, Cora approaches Pashen in prison and presents her with a job, but Pashen refuses, claiming that Willie will defend her in court and pay her more money. However, no one comes to Pashen’s aid during her hearing. Cora arranges with the judge to take custody of the girl if she pleads guilty, but Willie arrives at the last minute with a lawyer who posts Pashen’s bail. Outside the courtroom, Willie hits Pashen and mockingly offers work to Cora, who is fuming. Back at the prostitutes’ apartment, Willie announces that Pashen’s bail will come out of his other ladies’ wages and leaves in anger. Cora arrives at the apartment sometime later and unsuccessfully prompts the women to defy Willie by working for her, instead. Meanwhile, Willie is detained by police on suspicion of armed robbery but is released. When Willie heads to an impound to retrieve his towed Cadillac, two detectives named Celli and Pointer interrogate him about a prostitute who recently overdosed on drugs, but Willie claims his rights are being violated and gets away. Willie soon discovers that Pashen has been arrested again and is further enraged to learn from his lead prostitute, Honey, that Cora has propositioned the girls for work. Willie heads to Cora’s residence to threaten her but Cora, who describes herself as “a Ralph Nader for hookers,” declares war on Willie. Cora visits Pashen in jail and again offers her work, but Pashen is determined to stay with Willie. Later, while Willie visits his family pretending to be a successful band manager, Cora breaks into his apartment to review his Ledgers. When Willie returns, Cora smashes a vase over his back and escapes. Meanwhile, Willie’s ladies are arrested and his Cadillac is again towed away. As Willie guides his prostitutes out of jail, Cora watches and winks. At dinner with Robert that evening, Cora confesses that she broke into Willie’s apartment. The lawyer claims that she will be unable to use Willie’s bank records as evidence against him in court but offers to provide Willie’s financial information to another adversary. Sometime later, Willie is held at gunpoint by Bell and his henchman, but Willie overcomes them and returns to his prostitutes’ apartment, where he discovers one of Bell’s men trying to take control of his women. After forcing the man out of the apartment, Willie finds Pashen in his bedroom, begging for release from her job. Willie soothes the girl, saying that she is special, and she agrees to stay. That night at a convention of optometrists, Willie’s women find Bell’s prostitutes on Willie’s turf. Honey is killed defending her boss and the other ladies, including Pashen, are sent to prison. Later, at the bank, Willie discovers that his accounts have been frozen by the Internal Revenue Service for tax evasion and, as he drives away, he is followed by Celli and Pointer, who crash their vehicle. Although Pointer gives chase on foot through nearby tenements, Willie escapes. Returning to his prostitutes’ apartment, Willie finds his ladies have been released from jail. As Cora guides Pashen out of the apartment, she reveals an enormous knife gash across the girl’s face that was a result of her imprisonment. When Willie demands patronage from his other women, they walk away and Bell, their new hustler, shows up with his gun drawn. Bell’s henchmen beat Willie and leave. Willie then staggers home to find his apartment overturned and Pointer arrests the pimp for carrying a concealed weapon. The next day in court, Robert attempts to convict Willie, but his efforts are foiled by the judge, who releases the hustler on $20,000 bail and demands that Willie get a lawyer. Although Willie is set free and leaves, his honor is tarnished in the eyes of his mother and sister, who watch the hearing and are horrified to learn that Willie is a pimp. Cora consoles the women, but Willie’s mother suffers a collapse. When Willie returns home intoxicated, he finds Cora, who reports that his mother is dying in the hospital. Cora helps Willie compose himself and he visits his mother, begging for forgiveness. The woman dies and Willie storms away with Cora following. She invites him to her apartment, where she confesses the troubles of her past. When Willie says that Cora has inspired him to reform, she asks him to forgive her for her aggression toward him. Before leaving, Willie gives Cora an envelope of full of money to pay for surgery to repair Pashen’s face. Outside, Willie’s Cadillac is towed away yet again, but the former hustler resolves to let go of the past and walks away smiling.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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