Howard the Duck
(1986)
PG | 111 mins | Comedy, Science fiction | 1 August 1986
Cast:
Lea Thompson, Jeffrey Jones, Tim Robbins [ More ]Director:
Willard HuyckWriters:
Willard Huyck, Gloria KatzProducer:
Gloria KatzCinematographer:
Richard KlineEditors:
Michael Chandler, Sidney WolinskyProduction Designer:
Peter JamisonProduction Company:
Lucasfilm, Ltd.On 19 Jan 1981, HR announced that writer-producers Dennis Hackin and Neal Dobrofsky were preparing a screen adaptation of the Marvel comic Howard the Duck. The character was first created by writer Steve Gerber and graphic artist Val Mayerik in 1973, and evolved into a comic book by 1976. Hacklin and Dobrofsky had completed an early script as of Jan 1981, and Hacklin was planning to direct the picture for HTD Productions, on a budget of $8 million supplied by producers Peter Shanaberg, Morrie Eisenman, and Peter Cofrin. At that time, makeup artist Stan Winston had been hired to oversee the film’s $500,000 special effects budget. According to a 6 Aug 1986 HR interview with Morrie Eisenman, the filmmakers first acquired screen rights to Howard the Duck in 1980, and planned to model the human-duck character after “Yoda” from George Lucas’s Star Wars (1977, see entry).
However, the project remained in limbo over four years, until Lucasfilm, Ltd. and Universal Pictures partnered to take over the property, as announced in a 26 Aug 1985 DV article. Studio production notes in AMPAS library files explained that executive producer George Lucas, an avid comic book fan, was eager to make a movie version of Howard the Duck in the 1970s, and brought the story to the attention of his University of Southern California (USC) film school colleague Willard Huyck and his wife, Gloria Katz. At that time, the three had recently collaborated on the script for American Graffiti (1973, see entry), which marked Lucas’s first box-office success, and they ...
On 19 Jan 1981, HR announced that writer-producers Dennis Hackin and Neal Dobrofsky were preparing a screen adaptation of the Marvel comic Howard the Duck. The character was first created by writer Steve Gerber and graphic artist Val Mayerik in 1973, and evolved into a comic book by 1976. Hacklin and Dobrofsky had completed an early script as of Jan 1981, and Hacklin was planning to direct the picture for HTD Productions, on a budget of $8 million supplied by producers Peter Shanaberg, Morrie Eisenman, and Peter Cofrin. At that time, makeup artist Stan Winston had been hired to oversee the film’s $500,000 special effects budget. According to a 6 Aug 1986 HR interview with Morrie Eisenman, the filmmakers first acquired screen rights to Howard the Duck in 1980, and planned to model the human-duck character after “Yoda” from George Lucas’s Star Wars (1977, see entry).
However, the project remained in limbo over four years, until Lucasfilm, Ltd. and Universal Pictures partnered to take over the property, as announced in a 26 Aug 1985 DV article. Studio production notes in AMPAS library files explained that executive producer George Lucas, an avid comic book fan, was eager to make a movie version of Howard the Duck in the 1970s, and brought the story to the attention of his University of Southern California (USC) film school colleague Willard Huyck and his wife, Gloria Katz. At that time, the three had recently collaborated on the script for American Graffiti (1973, see entry), which marked Lucas’s first box-office success, and they went on to co-write the blockbuster Indiana Jones and the Temple of Doom (1984, see entry). Although Katz and Huyck wanted to option Howard the Duck in the mid-1970s, the property was already owned by Universal Television, a subsidiary of Universal Pictures and its parent company, MCA, which acquired Howard the Duck as part of a bigger Marvel Comics package that included The Incredible Hulk. When Universal’s ten-year contract with Marvel expired, and the Hacklin-Dobrofsky production failed to gain traction, Katz and Huyck optioned Howard the Duck and took the project to Universal Pictures. Frank Price, Chairman of MCA/Universal’s Motion Picture Group, was reportedly eager to spearhead a George Lucas production at the studio and gave the filmmakers a $20 million budget, with release planned for summer 1986. According to various contemporary sources, the final film cost $35 million.
Principal photography took place from 11 Nov 1985 to 27 Mar 1986 at thirty-two locations in and around San Francisco, CA, which stood in for Cleveland, OH. The filmmakers chose to shoot in Northern CA because of its proximity to Lucas’s post-production facilities – Industrial Light & Magic (ILM) in San Rafael, CA, and Sprocket Systems, later known as Skywalker Sound, in Nicasio, CA. Fifty sets were built for the production, including a seven-ton “Laser Spectroscope” constructed at Hunter’s Point Naval Shipyard in San Francisco, and “Joe Roma’s Cajun/Sushi Café,” built in a warehouse in Richmond, CA. The café exterior was erected at the Highway 12 and 121 merge in Napa Valley, CA. Second unit photography continued through Apr 1986, and on 21 Apr 1986, LADN reported that casting was underway for the voice of “Howard the Duck.”
As announced in a 10 Jun 1986 HR article, delays in post-production and special effects processing prompted Universal to cancel a 300-screen, nation-wide test preview that was scheduled for 14 Jun 1986. However, the studio was confident its $8 million marketing campaign would generate enough interest to secure an anticipated blockbuster status in ticket sales. The picture was well-received by a test audience in San Francisco on 12 Jul 1986, according to an 18 Jul 1986 HR column, but it opened on 1 Aug 1986 to negative reviews and poor box-office revenues. The film grossed $5 million its opening weekend at 1,554 theaters, and by 24 Aug 1986, Universal gave West Coast theater owners permission to run the picture as a double-feature in an effort to keep the film in distribution, as stated in a LAT news item published that day. The move to screen Howard the Duck as a part of a double-feature reduced Universal’s profits to twenty percent of its box-office receipts, far less than the sixty to seventy percent expected from a major film in its third week of release. One month later, a 17 Sep 1986 Var article announced that Howard the Duck grossed only $14,964,638, and Frank Price was forced to resign from his MCA/Universal chairmanship, even though he had two years remaining on his contract. The next day, an 18 Sep 1986 LAHExam column took issue with the Var report, claiming that MCA president Sidney Sheinberg was responsible for the failure of Howard the Duck, along with George Lucas, who had been given unlimited authority over the picture.
End credits state: “'Daffy Duck’ excerpts used with permission of Warner Bros., Inc., Daffy Duck’s voice by Mel Blanc.”
In outer space, the planet Duckworld is home to an advanced civilization of anthropomorphic ducks, including a city-dweller named Howard T. Duck. One evening, Howard’s apartment is pierced by an interstellar laser beam and he is propelled through the universe to Earth. Landing in Cleveland, Ohio, Howard finds himself outside a nightclub and suffers a series of attacks from inhospitable humans. However, he uses “quack-fu” martial arts skills to defend a young rock ‘n’ roll singer named Beverly Switzler, who is cornered by two aggressive admirers. Beverly is initially startled by Howard’s strange appearance, but she is enamored by his courage and invites him to her apartment. There, Howard explains that he recently abandoned his dream of becoming a musician and Beverly realizes they share similar ambitions. When Beverly suggests that Howard’s journey to Earth may have an unexpected and favorable outcome, since he has the chance to reinvent himself, Howard argues he is an outcast on Earth, and longs to return home. The next day, Beverly conceals Howard in a trash bag and escorts him to an appointment with her eccentric friend Phil Blumburtt, who works at the Natural History Museum. Phil, who aspires to be a world-famous scientist, delights in the opportunity to exploit Howard and is eager to uncover the mystery of his arrival on Earth, but Beverly and Howard are not impressed by Phil’s baseless theories, and are discouraged to learn he is a lowly janitor. Outraged by the ruse, Howard loses hope of finding a way home and ends his friendship with Beverly. He briefly finds work at a sex club spa, but is ...
In outer space, the planet Duckworld is home to an advanced civilization of anthropomorphic ducks, including a city-dweller named Howard T. Duck. One evening, Howard’s apartment is pierced by an interstellar laser beam and he is propelled through the universe to Earth. Landing in Cleveland, Ohio, Howard finds himself outside a nightclub and suffers a series of attacks from inhospitable humans. However, he uses “quack-fu” martial arts skills to defend a young rock ‘n’ roll singer named Beverly Switzler, who is cornered by two aggressive admirers. Beverly is initially startled by Howard’s strange appearance, but she is enamored by his courage and invites him to her apartment. There, Howard explains that he recently abandoned his dream of becoming a musician and Beverly realizes they share similar ambitions. When Beverly suggests that Howard’s journey to Earth may have an unexpected and favorable outcome, since he has the chance to reinvent himself, Howard argues he is an outcast on Earth, and longs to return home. The next day, Beverly conceals Howard in a trash bag and escorts him to an appointment with her eccentric friend Phil Blumburtt, who works at the Natural History Museum. Phil, who aspires to be a world-famous scientist, delights in the opportunity to exploit Howard and is eager to uncover the mystery of his arrival on Earth, but Beverly and Howard are not impressed by Phil’s baseless theories, and are discouraged to learn he is a lowly janitor. Outraged by the ruse, Howard loses hope of finding a way home and ends his friendship with Beverly. He briefly finds work at a sex club spa, but is fired for being obstinate and returns to the street, where he is ridiculed by unfriendly gawkers, and coveted by duck hunters. With nowhere to go, Howard returns to the nightclub where he met Beverly and watches her perform with her band, Cherry Bomb. When Beverly’s manager, “Ginger,” plans to withhold her pay as blackmail for sex, Howard fights him with “quack-fu” and retrieves Beverly’s earnings. Backstage, Howard is annoyed by Phil Blumburtt’s new pseudo-scientific discoveries and protests when the boy plucks one of his feathers for a research sample. Beverly takes Howard to her apartment, asks him to be her new manager, and propositions him for sex, but he worries about comingling with a human and shuns her advances. As Beverly kisses Howard’s beak, Phil arrives unannounced with two colleagues, a young man named Carter and his boss, Dr. Walter Jenning, who explains that he was testing a “laser spectroscope” the night Howard came to Earth. During a routine procedure, a mysterious force redirected the laser toward Duckworld, and Howard was accidentally extracted in the beam. Dr. Jenning proves his claim by procuring a feather that materialized in his laboratory the night of the transmission. He declares that the specimen is a genetic match with Howard’s sample feather, and adds that the nightclub where Howard “landed” is only a few miles away from the laboratory. When Howard suggests they reverse the laser to return him to Duckworld, Dr. Jenning warns they must perform the operation right away and goes back to the laboratory to prepare. Sometime later, Howard and Beverly arrive at the facility to discover the laser was already reactivated, and Dr. Jenning disappeared in the ensuing explosion. Chaos abounds, and police officers try to arrest Howard, but Beverly helps him escape. Reuniting with a disoriented Dr. Jenning, the friends speed away from the compound and police give chase. However, they break away from the pursuit and stop for a meal at “Joe Roma’s Cajun Sushi” diner. There, Dr. Jenning reveals that his laser spectroscope has been appropriated by a group of alien demons called the “Dark Overlords of the Universe.” Long ago, the evil creatures were sequestered in a region of outer space near Duckworld, but they saw a chance to escape on the night of Dr. Jenning’s experiment. Redirecting the laser toward their quarantine, the Dark Overlords hoped to transmit themselves to Earth and achieve world domination, but Howard unwittingly intercepted the beam. When the demons made a second attempt earlier that day, Dr. Jenning became possessed by one of the Dark Overlords. Speaking with the demon’s voice, Dr. Jenning declares he is on a mission to beam the remaining overlords to Earth, and Beverly’s body will host their evil spirits. Despite the severity of Dr. Jenning’s message, Howard and Beverly disregard his tale and believe he is still shaky from the explosion. However, the doctor becomes increasingly agitated, and his body begins to transform into a radioactive zombie. Meanwhile, diner patrons take an immediate disliking to Howard and deem him a threat to the community. As they attack Howard and steal Dr. Jenning’s laser spectroscope “code key,” Beverly startles the angry mob by declaring that Howard is her boyfriend. Dr. Jenning emits laser beams from his body to retrieve the key and abducts Beverly in a stolen truck. Although Howard escapes, he is helpless to save Beverly until he reunites with Phil, who arrives at the diner in the back of police car. The two flee on an electric glider aircraft and return to the laboratory, where Beverly is restrained under the laser spectroscope. Dr. Jenning, who is still possessed by the Dark Overlord, inserts his key into the device and programs it to transmit the remaining demons to Earth, but Howard interrupts the procedure by shooting him with a newfangled “neutron disintegrator gun.” As Dr. Jenning regains consciousness, he reports that the demon has been exorcised from his body and the friends celebrate their victory. However, an enormous, tentacled monster rises from the laboratory floor and activates the laser once and for all, giving Howard four minutes to save mankind from the remaining Dark Overlords. When the creature paralyzes Beverly and Phil in a static laser beam, Howard comes to their rescue and blasts the monster with the neutron disintegrator. Still, the laser spectroscope remains activated, and the surviving Dark Overlords will be beamed to Earth in just a few seconds. Beverly warns Howard that he will not be able to return home if he destroys the spectroscope, but he pulverizes the apparatus and rescues humanity from evil oppression. Howard adjusts to his new life and Beverly’s band thrives under his management. At a sold-out concert, Howard finally fulfills his dream of becoming a musician by joining Beverly onstage for a guitar solo, and he is cheered by an adoring crowd.
TOP SEARCHES
Gun Street
According to AMPAS Official Screen Credits records, Gun Street was based on the 1956 United Artists release Gun Brothers (see entry). Writing credits for ... >>
Rudy
The film begins with a title card reading, “The following is based on a true story,” and concludes with: “Since 1975, no other Notre Dame player has been carried ... >>
Shoes
The print viewed for this record was a restoration of filmmaker Lois Weber’s 1916 feature-length picture, Shoes, completed in 2010 by the Eye Filmmuseum, Netherlands, ... >>
Casablanca
In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: Warner ... >>
