You Belong to Me (1934)

66-67 mins | Drama | 8 September 1934

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HISTORY

The working title of the film was Honor Bright. The pressbook noted that Dickie Moore was originally cast as "Jimmy," but he was replaced by David Holt due to illness. The pressbook also provides the following information: LeRoy Prinz coached Helen Mack on her dance routine and Pauline Loretta, supervised by circus performer Gregory Novikoff, appeared on the overhead swing. Some scenes were filmed on location at the Black-Foxe Military Institute in Hollywood, and at the Mason Theatre in Los Angeles, CA. ...

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The working title of the film was Honor Bright. The pressbook noted that Dickie Moore was originally cast as "Jimmy," but he was replaced by David Holt due to illness. The pressbook also provides the following information: LeRoy Prinz coached Helen Mack on her dance routine and Pauline Loretta, supervised by circus performer Gregory Novikoff, appeared on the overhead swing. Some scenes were filmed on location at the Black-Foxe Military Institute in Hollywood, and at the Mason Theatre in Los Angeles, CA.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
20 Apr 1934
p. 2
Film Daily
13 Sep 1934
p. 6
Motion Picture Daily
10 Aug 1934
p. 16
Motion Picture Herald
22 Sep 1934
p. 43
New York Times
13 Sep 1934
p. 26
Variety
18 Sep 1934
p. 11
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
George Templeton
Asst dir
PRODUCERS
Exec prod
WRITERS
Lewis Foster
Contr spec seq
Contr spec seq
William Lipman
Contr to trmt
Contr to scr const
PHOTOGRAPHY
Photog
ART DIRECTORS
Art dir
Art dir
FILM EDITOR
SOUND
Harry D. Mills
Rec eng
STAND INS
Stand-in for David Holt
SOURCES
LITERARY
Based on the short story "Fifty-two Weeks for Florette" by Elizabeth Alexander in The Saturday Evening Post (13 Aug 1921).
LITERARY SOURCE AUTHOR
SONGS
"When He Comes Home to Me," words and music by Leo Robin and Sam Coslow; "I Ain't Gonna Carry No Torch," words and music by Sam Coslow.
SONGWRITER/COMPOSER
DETAILS
Alternate Title:
Honor Bright
Release Date:
8 September 1934
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Paramount Productions, Inc.
21 August 1934
LP4900
Physical Properties:
Sound
Western Electric Noiseless Recording
Black and White
Duration(in mins):
66-67
Length(in reels):
7
Country:
United States
PCA No:
128
Passed by NBR:
Yes
SYNOPSIS

When vaudeville performer Florette Faxon is left penniless with her six-year-old son Jimmy, she relies on the friendship of fellow performer Bud Hannigan to help her get a job. Bud is reluctant to become her partner, as he has proven to himself to be unreliable in relationships, but he tells her to call him whenever she needs help. While working in a beer garden, Florette meets Hap Stanley, an avaricious performer who marries her to get the rights to perform her show routine. Hap dislikes Jimmy and eventually convinces Florette to send him away to school. Both Jimmy and Florette are broken-up over being apart, but Jimmy pretends it is what he wants so Florette can be happy with Hap. Jimmy is miserable at the B.B. Military Academy, especially as there is no one with whom he can talk about show business. One night, immediately before a show, Hap tells Florette he is splitting up with her. Florette is completely brokenhearted, and during a romantic number in which she is sent sailing over the audience on a swing, she falls to her death. Hap barely manages to conceal his indifference to her death and adamantly refuses to take responsibility for her son. Bud steps in and after promising to take care of Jimmy, travels to give him the bad news on parents' day at the school. Bud finds Jimmy talking to singing star Bonnie Kay, who has come to perform at the school as a special favor. Jimmy discovers that Bonnie, and Bud, both of whom he admires, are married. Bud is unable to tell Jimmy the ...

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When vaudeville performer Florette Faxon is left penniless with her six-year-old son Jimmy, she relies on the friendship of fellow performer Bud Hannigan to help her get a job. Bud is reluctant to become her partner, as he has proven to himself to be unreliable in relationships, but he tells her to call him whenever she needs help. While working in a beer garden, Florette meets Hap Stanley, an avaricious performer who marries her to get the rights to perform her show routine. Hap dislikes Jimmy and eventually convinces Florette to send him away to school. Both Jimmy and Florette are broken-up over being apart, but Jimmy pretends it is what he wants so Florette can be happy with Hap. Jimmy is miserable at the B.B. Military Academy, especially as there is no one with whom he can talk about show business. One night, immediately before a show, Hap tells Florette he is splitting up with her. Florette is completely brokenhearted, and during a romantic number in which she is sent sailing over the audience on a swing, she falls to her death. Hap barely manages to conceal his indifference to her death and adamantly refuses to take responsibility for her son. Bud steps in and after promising to take care of Jimmy, travels to give him the bad news on parents' day at the school. Bud finds Jimmy talking to singing star Bonnie Kay, who has come to perform at the school as a special favor. Jimmy discovers that Bonnie, and Bud, both of whom he admires, are married. Bud is unable to tell Jimmy the truth about his mother and instead says she has been booked on a lengthy European tour. Jimmy is happy for her, but begins to cry at the thought of being left alone at the academy. Bonnie realizes that Bud left her years earlier because he was afraid that his selfishness and drinking would ruin her, and she and Bud reconcile and promise Jimmy that they plan to take him away from the school with them.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.