What Every Woman Knows (1934)

90 or 92 mins | Comedy-drama | 19 October 1934

Director:

Gregory La Cava

Cinematographer:

Charles Rosher

Editor:

Blanche Sewell

Production Designer:

Cedric Gibbons

Production Company:

Metro-Goldwyn-Mayer Corp.
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HISTORY

The title card on the viewed print reads: "Sir James Matthew Barrie's What Every Woman Knows." Helen Hayes appeared as "Maggie" in a successful 1926 Broadway revival of Barrie's play. According to an Aug 1933 HR news item, M-G-M paid Paramount $65,000 for the rights to the play. Although Boyd Irwin is credited in FD and Var as playing the role of "Tenterden," other sources, including the CBCS and NYT, credit William Stack in the part. According to a 7 Sep 1934 HR news item, La Cava put the film "back into production" on 6 Sep to shoot added scenes and re-takes. In a modern interview, Hayes states that, after a disappointing preview in the Huntington section of Los Angeles, director Gregory La Cava ordered the cast and crew back to the set for re-takes and threatened to put "every Joe Miller Scotch joke ever written" into the script. According to Hayes, the jokes were not actually used in the final film, but La Cava's attitudes contributed to Hayes's decision to abandon films and concentrate on her theater work. Modern sources also claim that M-G-M production head Irving Thalberg conducted a survey to determine whether the public wanted the film shot in period or modern dress. When the poll results indicated that the audience preferred modern dress, the costumes were designed accordingly. In 1917, Fred W. Durrant directed Hilda Trevelyan in a silent British version of Barrie's story, and in 1921, William C. de Mille directed Lois Wilson and Conrad Nagel in a Paramount production of the Barrie play (see ...

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The title card on the viewed print reads: "Sir James Matthew Barrie's What Every Woman Knows." Helen Hayes appeared as "Maggie" in a successful 1926 Broadway revival of Barrie's play. According to an Aug 1933 HR news item, M-G-M paid Paramount $65,000 for the rights to the play. Although Boyd Irwin is credited in FD and Var as playing the role of "Tenterden," other sources, including the CBCS and NYT, credit William Stack in the part. According to a 7 Sep 1934 HR news item, La Cava put the film "back into production" on 6 Sep to shoot added scenes and re-takes. In a modern interview, Hayes states that, after a disappointing preview in the Huntington section of Los Angeles, director Gregory La Cava ordered the cast and crew back to the set for re-takes and threatened to put "every Joe Miller Scotch joke ever written" into the script. According to Hayes, the jokes were not actually used in the final film, but La Cava's attitudes contributed to Hayes's decision to abandon films and concentrate on her theater work. Modern sources also claim that M-G-M production head Irving Thalberg conducted a survey to determine whether the public wanted the film shot in period or modern dress. When the poll results indicated that the audience preferred modern dress, the costumes were designed accordingly. In 1917, Fred W. Durrant directed Hilda Trevelyan in a silent British version of Barrie's story, and in 1921, William C. de Mille directed Lois Wilson and Conrad Nagel in a Paramount production of the Barrie play (see AFI Catalog of Feature Films, 1921-30; F2.6201). In the early 1940s, a radio version of the play, starring Helen Hayes, was broadcast on the weekly radio program Helen Hayes Theatre of the Air. A second radio broadcast was done on 2 Mar 1947 for the Theatre Guild of the Air program. The CBS television network broadcast a production of the play in Jan 1959, which starred Siobhan McKenna and James Donald and was directed by Robert Mulligan.

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PERSONAL & COMPANY INDEX CREDITS
HISTORY CREDITS
CREDIT TYPE
CREDIT
Personal note credit:
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
3 Oct 1934
p. 3
Film Daily
5 Oct 1934
p. 8
Hollywood Reporter
23 Aug 1933
p. 1
Hollywood Reporter
26 Jul 1934
p. 12
Hollywood Reporter
7 Sep 1934
p. 6
Hollywood Reporter
3 Oct 1934
p. 3
Motion Picture Daily
4 Oct 1934
p. 7
Motion Picture Herald
1 Sep 1934
p. 44
Motion Picture Herald
13 Oct 1934
p. 60
New York Times
27 Oct 1934
p. 20
Variety
30 Oct 1934
p. 16
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXT
A Gregory La Cava Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Les Selander
Asst dir
PRODUCER
Exec prod
WRITERS
James K. McGuinness
Scr
Contr to dial
PHOTOGRAPHY
ART DIRECTORS
Art dir
Lansing Holden
Art dir assoc
Art dir assoc
FILM EDITOR
Film ed
COSTUMES
Gowns
MUSIC
Mus score
SOUND
Rec dir
VISUAL EFFECTS
Spec eff
SOURCES
LITERARY
Based on the play What Every Woman Knows by James M. Barrie (London, 3 Sep 1908).
LITERARY SOURCE AUTHOR
SONGS
"Loch Lomond (By Yon Bonnie Brae)," Scottish traditional.
DETAILS
Alternate Title:
Sir James Matthew Barrie's What Every Woman Knows
Release Date:
19 October 1934
Production Date:
began 26 Jul 1934
Copyright Info
Claimant
Date
Copyright Number
Metro-Goldwyn-Mayer Corp.
18 October 1934
LP5044
Physical Properties:
Sound
Western Electric Sound System
Black and White
Duration(in mins):
90 or 92
Length(in reels):
9
Country:
United States
Language:
English
PCA No:
318
Passed by NBR:
Yes
SYNOPSIS

In the village of Kilburne, Scotland, twenty-six-year-old Maggie Wylie lives a spinster's life with her two bachelor brothers, James and David, and her widowed father Alick. One evening, after a town political meeting at which David is shouted down by John Shand, a poor but ambitious train station porter, the Wylies pretend to go to bed in order to catch an intruder who has been sneaking regularly into their home. To their surprise, the intruder turns out to be John, whose intention is not to steal from the Wylies, but to read the books in their parlor. Desperate to see their bright but plain sister married, James and David propose a plan to the somber young scholar: if the Wylies contribute £300 to John's education, he must marry Maggie in five years if she is still single. In spite of Maggie's age, the twenty-one-year-old John agrees to the deal, and a formal contract is signed. Five years later, as the now-educated John is preparing to fulfill his end of the bargain, he is asked to run for Parliament against an aristocratic incumbent. Out of respect to Maggie, John refuses the invitation, but Maggie, who has genuinely fallen in love with her fiancé, convinces him that their marriage can be postponed until after the election. After a difficult campaign, John wins the election, and he and Maggie marry and move to London. Soon after, John is befriended by Lady Sybil Tenterden, the attractive daughter of a Scottish party leader, who schools the lowborn Scot in aristocratic manners. Then while Maggie, who magnanimously had offered John a chance to back out of their deal, quietly ...

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In the village of Kilburne, Scotland, twenty-six-year-old Maggie Wylie lives a spinster's life with her two bachelor brothers, James and David, and her widowed father Alick. One evening, after a town political meeting at which David is shouted down by John Shand, a poor but ambitious train station porter, the Wylies pretend to go to bed in order to catch an intruder who has been sneaking regularly into their home. To their surprise, the intruder turns out to be John, whose intention is not to steal from the Wylies, but to read the books in their parlor. Desperate to see their bright but plain sister married, James and David propose a plan to the somber young scholar: if the Wylies contribute £300 to John's education, he must marry Maggie in five years if she is still single. In spite of Maggie's age, the twenty-one-year-old John agrees to the deal, and a formal contract is signed. Five years later, as the now-educated John is preparing to fulfill his end of the bargain, he is asked to run for Parliament against an aristocratic incumbent. Out of respect to Maggie, John refuses the invitation, but Maggie, who has genuinely fallen in love with her fiancé, convinces him that their marriage can be postponed until after the election. After a difficult campaign, John wins the election, and he and Maggie marry and move to London. Soon after, John is befriended by Lady Sybil Tenterden, the attractive daughter of a Scottish party leader, who schools the lowborn Scot in aristocratic manners. Then while Maggie, who magnanimously had offered John a chance to back out of their deal, quietly helps her husband's political career, John begins an affair with Sybil. When Maggie discovers John and Sybil together one day, she nobly offers to grant a divorce but suggests that, before John resigns his Parliament seat, he go to the country for a month to finish his book on the British gold standard. Maggie also arranges for Sybil to join John in the country, while she secretly goes to see Charles Venables, John's party's leader. Using the resignation letter that John had written in regards to his divorce, Maggie convinces Venables that John actually is resigning in protest of the country's stagnant economic policies. After John then is hailed as a political hero and is promised an important new post, Sybil admits to John that she has grown tired of their affair. Quietly relieved by Sybil's confession, John returns to his London home and is overjoyed to find Maggie waiting for him. After Maggie reveals to John that "what every woman knows" is that the success of men depends on the secret manipulations of their women, she cajoles her husband to laugh for the first time in his life.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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