Another Language (1933)

70,75 or 79 mins | Drama | 28 July 1933

Director:

Edward H. Griffith

Cinematographer:

Ray June

Editor:

Hugh Wynn

Production Designer:

Fredric Hope

Production Company:

Metro-Goldwyn-Mayer Corp.
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HISTORY

John Beal, Hal K. Dawson, Irene Cattell, Maidel Turner and Margaret Hamilton appeared in the Broadway production of Rose Franken's play and reprised the roles they played on the stage in this film. Beal and Hamilton made their screen debuts in the production. According to HR, Harvey Pierson, an extra in the film, received one hundred dollars in cash from director Edward Griffith for a suggestion he made in regards to the shooting of a particular scene. This film was Louise Closser Hale's last production. She died on 26 Jul 1933, two days before its general release. (Dinner at Eight, which Hale also appeared in, was shot previous to this film but was not released generally until early 1934.) Modern sources state that Helen Hayes replaced Norma Shearer in the lead after Shearer decided to stay at home and nurse her husband, Irving Thalberg, who had suffered a serious heart attack. According to a modern source, Frank Borzage was originally set to direct this film. ...

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John Beal, Hal K. Dawson, Irene Cattell, Maidel Turner and Margaret Hamilton appeared in the Broadway production of Rose Franken's play and reprised the roles they played on the stage in this film. Beal and Hamilton made their screen debuts in the production. According to HR, Harvey Pierson, an extra in the film, received one hundred dollars in cash from director Edward Griffith for a suggestion he made in regards to the shooting of a particular scene. This film was Louise Closser Hale's last production. She died on 26 Jul 1933, two days before its general release. (Dinner at Eight, which Hale also appeared in, was shot previous to this film but was not released generally until early 1934.) Modern sources state that Helen Hayes replaced Norma Shearer in the lead after Shearer decided to stay at home and nurse her husband, Irving Thalberg, who had suffered a serious heart attack. According to a modern source, Frank Borzage was originally set to direct this film.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
3 Jun 1933
p. 4
Film Daily
5 Aug 1933
p. 3
HF
3 Jun 1933
p. 7
Hollywood Reporter
24 May 1933
p. 4
Hollywood Reporter
29 May 1933
p. 1
Hollywood Reporter
16 Jun 1933
p. 2
Hollywood Reporter
14 Jul 1933
p. 3
International Photographer
1 Jul 1933
p. 28
International Photographer
1 Aug 1933
p. 34
Motion Picture Daily
4 Aug 1933
p. 2
Motion Picture Herald
5 Aug 1933
p. 38
New York Times
5 Aug 1933
p. 9
Variety
8 Aug 1933
p. 19
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Joe Newman
Asst dir
PRODUCER
Assoc prod
PHOTOGRAPHY
Photog
Cam op
Cam op
Asst cam
Asst cam
ART DIRECTOR
Art dir
FILM EDITORS
Film ed
Asst film ed
SET DECORATORS
Int dec
Chief props
COSTUMES
Gowns
SOUND
Rec dir
Rec eng
PRODUCTION MISC
Lou Roberts
Chief elec
Chief grip
Still photog
SOURCES
LITERARY
Based on the play Another Language by Rose Franken (New York, 25 Apr 1932), as produced by Arthur J. Beckhard.
LITERARY SOURCE AUTHORS
DETAILS
Release Date:
28 July 1933
Production Date:
began 24 May 1933
Copyright Info
Claimant
Date
Copyright Number
Metro-Goldwyn-Mayer Corp.
25 July 1933
LP4062
Physical Properties:
Sound
Western Electric Sound System
Black and White
Duration(in mins):
70,75 or 79
Length(in reels):
8
Country:
United States
SYNOPSIS

After they elope and honeymoon in Europe, Stella and Victor "Vicky" Hallam sail back to New York City, where Vicky's large family lives. Although Stella expresses immediate reservations about spending their first night back at Vicky's parents' home, Vicky insists that they must attend his mother's weekly Tuesday night get-together. At the dock, the delicate and artistically inclined Stella first encounters Vicky's brothers and their wives, including the crude jokester Walter and his plump, envious wife Grace. Then, at the old family home, she meets "Mom," the matriarch of the Hallam family who feigns fainting spells to get attention, and "Pop," Vicky's kind but meek father. Although she attempts to please Mom and the rest of Vicky's family, Stella faces petty criticism and snubbing from them and, as a result, avoids seeing them. After repeated excuses, however, Vicky, who is oblivious to his family's bullying, pressures Stella to attend that Tuesday night's dinner, and Stella reluctantly agrees. Because she wants to finish a bust of Vicky that she is sculpting in an art class, however, Stella causes them to show up late for the meal. Unable to endure Mom's criticisms about her "Bohemian" life style, Stella bristles with anger and retreats to the kitchen. Soon after, Jerry, Vicky's grown nephew, arrives at the house and is introduced to Stella. Struck by his young aunt, Jerry confides in her about his artistic ambitions, which already have been threatened by his domineering family, and asks to see her alone at another time. Instead, Stella invites the entire family to spend the next Tuesday night at her place, but tells Jerry that he may drop by ...

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After they elope and honeymoon in Europe, Stella and Victor "Vicky" Hallam sail back to New York City, where Vicky's large family lives. Although Stella expresses immediate reservations about spending their first night back at Vicky's parents' home, Vicky insists that they must attend his mother's weekly Tuesday night get-together. At the dock, the delicate and artistically inclined Stella first encounters Vicky's brothers and their wives, including the crude jokester Walter and his plump, envious wife Grace. Then, at the old family home, she meets "Mom," the matriarch of the Hallam family who feigns fainting spells to get attention, and "Pop," Vicky's kind but meek father. Although she attempts to please Mom and the rest of Vicky's family, Stella faces petty criticism and snubbing from them and, as a result, avoids seeing them. After repeated excuses, however, Vicky, who is oblivious to his family's bullying, pressures Stella to attend that Tuesday night's dinner, and Stella reluctantly agrees. Because she wants to finish a bust of Vicky that she is sculpting in an art class, however, Stella causes them to show up late for the meal. Unable to endure Mom's criticisms about her "Bohemian" life style, Stella bristles with anger and retreats to the kitchen. Soon after, Jerry, Vicky's grown nephew, arrives at the house and is introduced to Stella. Struck by his young aunt, Jerry confides in her about his artistic ambitions, which already have been threatened by his domineering family, and asks to see her alone at another time. Instead, Stella invites the entire family to spend the next Tuesday night at her place, but tells Jerry that he may drop by her home whenever he pleases. When Jerry does show up, Stella, who earlier was unable to talk Vicky into walking in the rain with her, agrees to go out with him. During the walk, Jerry confesses to Stella his romantic interest, but is soundly discouraged by her. At the next, much anticipated Tuesday dinner, Mom fakes weakness and takes to Vicky's bed, while the other Hallam women gossip about Stella behind her back. They then insist that Jerry, who earlier in the evening had been rejected by Stella, dance with and kiss his aunt, causing Stella to cringe with discomfort. Finally, Jerry hotly denounces his callous relatives, breaks Vicky's bust and storms out of the house. The dinner now ruined, the guests leave, and Vicky, who is still unaware of Jerry's feelings, rails against Stella. When Stella refuses to give in to her husband's demands that she apologize and obey him, Vicky leaves for his parents' home in a huff. Jerry then returns to Stella's and, after a full confession of love, kisses her and insists that she is as unhappy as he. The next morning, Stella goes to the Hallams' to tell Vicky that because his family "speaks another language," she is going away for a time to debate her future. While she goes upstairs to deal with Mom, Jerry's parents show up, distressed because Jerry failed to come home the previous night. When Jerry finally arrives, his parents confront him, and he admits that he is in love with a married woman. Eventually, Jerry reveals that it is Stella whom he loves, but to protect his wife, Vicky pretends that he knew about the infatuation from the start and that both he and Stella laughed about it. After Jerry storms away hurt, Stella reveals Vicky's lie to the Hallams and, while maintaining her innocence in the affair, leaves the house. To Stella's delight, Vicky defies his family and follows his wife into the rain.

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GENRE
Genre:
Sub-genre:
Domestic


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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