Dinner at Eight (1934)

110 or 113 mins | Comedy-drama | 12 January 1934

Director:

George Cukor

Cinematographer:

William Daniels

Editor:

Ben Lewis

Production Designers:

Hobe Erwin, Fredric Hope

Production Company:

Metro-Goldwyn-Mayer Corp.
Full page view
HISTORY

A Feb 1933 FD news item stated that Joseph M. Schenck bought the screen rights to George S. Kaufman and Edna Ferber's play and was planning to produce it as a United Artists release in Jun 1933. Dinner at Eight was the first film that producer David Selznick made at M-G-M. Having worked successfully with George Cukor at his previous studio, RKO, Selznick arranged for the director, who was still under contract at RKO, to be exchanged for Lionel Barrymore. FD notes that actor Lee Tracy was filming another M-G-M picture, The Nuisance , at the same time he was making this film.
       Reviewers commented on the raciness of the concluding line in the film, in which "Carlotta Vance," the character portrayed by Marie Dressler, responds to "Kitty's" passing remark that machinery is taking the place of every profession by saying, "Oh my dear, that's something you never need to worry about." The character of Carlotta was inspired by the popular stage and silent film actress Maxine Elliott, according to Elliott's 13 Mar 1940 NYT obituary. In 1934, Dinner at Eight was voted one of the year's ten best by FD 's annual poll of ... More Less

A Feb 1933 FD news item stated that Joseph M. Schenck bought the screen rights to George S. Kaufman and Edna Ferber's play and was planning to produce it as a United Artists release in Jun 1933. Dinner at Eight was the first film that producer David Selznick made at M-G-M. Having worked successfully with George Cukor at his previous studio, RKO, Selznick arranged for the director, who was still under contract at RKO, to be exchanged for Lionel Barrymore. FD notes that actor Lee Tracy was filming another M-G-M picture, The Nuisance , at the same time he was making this film.
       Reviewers commented on the raciness of the concluding line in the film, in which "Carlotta Vance," the character portrayed by Marie Dressler, responds to "Kitty's" passing remark that machinery is taking the place of every profession by saying, "Oh my dear, that's something you never need to worry about." The character of Carlotta was inspired by the popular stage and silent film actress Maxine Elliott, according to Elliott's 13 Mar 1940 NYT obituary. In 1934, Dinner at Eight was voted one of the year's ten best by FD 's annual poll of critics. More Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
21 Feb 33
p. 2.
Film Daily
29 Mar 33
p. 6.
Film Daily
17 May 33
p. 1, 4
Film Daily
29 Jun 33
p. 6.
Film Daily
25 Aug 33
p. 9.
HF
25 Mar 33
p. 8.
Hollywood Reporter
24 May 33
p. 3.
Hollywood Reporter
29 May 33
p. 3.
Motion Picture Daily
24 Aug 33
p. 4.
Motion Picture Herald
10 Jun 33
p. 36.
New York Times
20 Aug 33
p. 3.
New York Times
24 Aug 33
p. 18.
New York Times
3 Sep 33
p. 3.
Variety
29 Aug 33
p. 14.
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXT
David O. Selznick's Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PHOTOGRAPHY
ART DIRECTORS
Art dir
Art dir
FILM EDITOR
Film ed
COSTUMES
Gowns
MUSIC
Mus score
SOUND
Rec dir
Sd mixer
PRODUCTION MISC
General press agt
SOURCES
LITERARY
Based on the play Dinner at Eight by George S. Kaufman and Edna Ferber (New York, 22 Oct 1932), as produced by Sam H. Harris.
DETAILS
Release Date:
12 January 1934
Premiere Information:
New York opening: 23 Aug 1933; Columbus, Ohio, New Orleans and Denver premiere: 28 Dec 1933
Production Date:
late Mar--mid May 1933
Copyright Claimant:
Metro-Goldwyn-Mayer Corp.
Copyright Date:
1 October 1933
Copyright Number:
LP4191
Physical Properties:
Sound
Western Electric Sound System
Black and White
Duration(in mins):
110 or 113
Length(in reels):
11
Country:
United States
Passed by NBR:
Yes
SYNOPSIS

One week before her next society dinner, Millicent Jordan receives word that Lord and Lady Ferncliffe, whom she and her husband Oliver, a New York shipping magnate, had met in England the previous year, have accepted her invitation. Overjoyed by this social coup, Millicent is oblivious to Oliver's lack of enthusiasm about the dinner and her daughter Paula's preoccupation about the impending return of her fiancé, Ernest DeGraff, from Europe. While Millicent fusses about finding an "extra man" for her single female guest, former stage star Carlotta Vance, Oliver faces distressing news about his shipping business, which has been struck hard by the Depression. After Carlotta, a former lover of Oliver who resides in Europe, confesses to Oliver in his office that she is nearly broke and is interested in selling her stock in the Jordan Shipping Line, Oliver is visited by Dan Packard, a rough-talking, nouveau-riche mining magnate. Oliver confides in Dan about his financial struggles and asks him to take over some of his stocks until his business improves. With blustering hesitation, Dan agrees only to consider Oliver's proposition, then goes home to brag to his brassy, gold digger wife Kitty that the Jordan Line is a valuable asset that he is going to devour through crooked stock purchases. Unknown to Dan, however, Oliver has convinced Millicent to invite the Packards to her dinner, and the ill-mannered but socially ambitious Kitty eagerly has accepted. Although he at first refuses to go, Dan, who believes that he will soon be appointed to a Cabinet post, changes his mind about the dinner when he finds out that the Ferncliffes, the richest couple in England, ... +


One week before her next society dinner, Millicent Jordan receives word that Lord and Lady Ferncliffe, whom she and her husband Oliver, a New York shipping magnate, had met in England the previous year, have accepted her invitation. Overjoyed by this social coup, Millicent is oblivious to Oliver's lack of enthusiasm about the dinner and her daughter Paula's preoccupation about the impending return of her fiancé, Ernest DeGraff, from Europe. While Millicent fusses about finding an "extra man" for her single female guest, former stage star Carlotta Vance, Oliver faces distressing news about his shipping business, which has been struck hard by the Depression. After Carlotta, a former lover of Oliver who resides in Europe, confesses to Oliver in his office that she is nearly broke and is interested in selling her stock in the Jordan Shipping Line, Oliver is visited by Dan Packard, a rough-talking, nouveau-riche mining magnate. Oliver confides in Dan about his financial struggles and asks him to take over some of his stocks until his business improves. With blustering hesitation, Dan agrees only to consider Oliver's proposition, then goes home to brag to his brassy, gold digger wife Kitty that the Jordan Line is a valuable asset that he is going to devour through crooked stock purchases. Unknown to Dan, however, Oliver has convinced Millicent to invite the Packards to her dinner, and the ill-mannered but socially ambitious Kitty eagerly has accepted. Although he at first refuses to go, Dan, who believes that he will soon be appointed to a Cabinet post, changes his mind about the dinner when he finds out that the Ferncliffes, the richest couple in England, are also invited. Also unknown to Dan, one of Millicent's other guests, Dr. Wayne Talbot, has been having an affair with Kitty while pretending to be tending to her feigned illnesses. On the eve of her dinner, Millicent, still short an extra man, telephones Larry Renault, a washed-up silent movie star, and extends him a last-minute invitation, completely unaware that Paula is having a clandestine love affair with him. At Paula's urging, Larry, a three-time divorcé and hardened alcoholic, accepts the invitation, but advises the much younger Paula to forget about him and return to Ernest. After Paula stubbornly refuses to take Larry's admonitions seriously, she is seen leaving his room by Carlotta, who is residing at the same hotel. Later that evening, Larry is visited by his agent, Max Kane, who tells him that the stage play he was planning to star in has lost its orginal producer. Max breaks the news to Larry that the play's new producer, Jo Stengel, wants another actor in the lead but is willing to consider him in a bit part. Although crushed, Larry agrees to think about the offer, then desperately sends a bellboy to pawn a few of his possessions and buy a fresh bottle of alcohol. The next day, Talbot is discovered by his wife Lucy in a compromising telephone call with Kitty and confesses that, in spite of his love for her, he is addicted to women and needs help to overcome his weakness. Talbot then is rushed to see Oliver, who has come to the doctor's office with severe chest pains. Although Talbot tries to hide his prognosis of terminal thrombosis of the heart, Oliver wisely deduces the seriousness of his illness. When he returns home, the weakened Oliver tries to explain to Millicent his need for rest, but she is too hysterical to hear because, among other minor disasters, the Ferncliffes have cancelled and are on their way to Florida. Although anxious to tell Millicent about Larry, Paula, too, is turned away by her upset mother and faces the prospect of facing Ernest alone. At the Packards, meanwhile, Kitty reveals to Dan in a fit of anger that she is having an affair. When threatened with divorce, however, Kitty tells her husband that, if he wants his Cabinet appointment instead of a career-stopping revelation from her about his crooked dealings, he must back down from his takeover of Oliver's line and treat her with more respect. Just before he is to leave for the dinner, Larry is visited by Max and Stengel and drunkenly berates Stengel for insulting him with his paltry offer. After a frustrated Max denounces him for ruining his last career chance and the hotel management asks him to leave, Larry quietly turns on his gas fireplace and commits suicide. At the ill-fated dinner, Carlotta confides in private with Paula, who is just about to break her engagement with Ernest, about Larry's demise and counsels the young woman to stay with her fiancé. At the same time, Millicent learns from Talbot about Oliver's illness. Finally awakened to her selfishness, Millicent announces to Oliver that she is ready to make sacrifices for the family and be a more attentive wife. Then, as the beleagured guests are about to go in to dinner, Dan, with prodding from Kitty, tells Oliver that he has put a stop to the "secret" takeover of the Jordan shipping line. +

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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