Young As You Feel (1931)

78 mins | Comedy | 23 August 1931

Director:

Frank Borzage

Writer:

Edwin Burke

Cinematographer:

Chester Lyons

Production Designer:

Jack Schulze

Production Company:

Fox Film Corp.
Full page view
HISTORY

The working titles for this film were Father and the Boys and Cure for the Blues. According to information in the Twentieth Century-Fox Produced Scripts Collection at the UCLA Theater Arts Library, Don Marquis contributed a plot suggestion, and Philip Klein and Barry Conners wrote an outline and a treatment; it is not known if material from these sources was included in the final film. The NYT reviewer noted, "As in some of his previous films, Mr. Rogers occasionally forgets his lines, but he nevertheless succeeds in adding something that causes them to be just as effective." ...

More Less

The working titles for this film were Father and the Boys and Cure for the Blues. According to information in the Twentieth Century-Fox Produced Scripts Collection at the UCLA Theater Arts Library, Don Marquis contributed a plot suggestion, and Philip Klein and Barry Conners wrote an outline and a treatment; it is not known if material from these sources was included in the final film. The NYT reviewer noted, "As in some of his previous films, Mr. Rogers occasionally forgets his lines, but he nevertheless succeeds in adding something that causes them to be just as effective."

Less

PERSONAL & COMPANY INDEX CREDITS
CREDIT
HISTORY CREDITS
CREDIT TYPE
CREDIT
Personal note credit:
SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
9 Aug 1931
p. 10
HF
7 Mar 1931
p. 24
HF
28 Mar 1931
p. 24
Hollywood Reporter
7 Apr 1931
p. 3
International Photographer
1 Sep 1931
p. 28
Motion Picture Herald
3 Jan 1931
p. 111
Motion Picture Herald
18 Apr 1931
p. 42
New York Times
8 Aug 1931
p. 16
New York Times
16 Aug 1931
p. 3
Variety
11 Aug 1931
p. 19
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
Frank Borzage's Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
Wm. Fox
Pres
WRITER
PHOTOGRAPHY
Photog
2d cam
Asst cam
Asst cam
ART DIRECTOR
Jack Schulze
Art dir
FILM EDITOR
COSTUMES
SOUND
PRODUCTION MISC
Alex Kahle
Still photog
SOURCES
LITERARY
Based on the play Father and the Boys by George Ade (New York, 2 Mar 1908).
LITERARY SOURCE AUTHOR
SONGS
"The Cute Little Things You Do," words and music by James F. Hanley.
SONGWRITER/COMPOSER
DETAILS
Alternate Titles:
Cure for the Blues
Father and the Boys
Release Date:
23 August 1931
Premiere Information:
New York opening: week of 7 Aug 1931
Production Date:
1 Mar--2 Apr 1931
Copyright Info
Claimant
Date
Copyright Number
Fox Film Corp.
14 April 1931
LP2355
Physical Properties:
Sound
Western Electric System
Black and White
Duration(in mins):
78
Length(in feet):
7,000
Length(in reels):
9
Country:
United States
SYNOPSIS

Lemuel Morehouse, the owner of a profitable meatpacking company in Chicago, bemoans the fact that neither of his two sons have the time nor inclination to eat with him. Billy is obsessed with culture, while Tom is a physical fitness nut. At the office, Lemuel is exasperated when Billy arrives for work at four in the afternoon and cannot stay because of a party he is giving that night to unveil a statue he bought for $20,000. Lemuel then finds Tom meeting with his golf committee rather than working. When the boys argue that business is only a means to an end, and that happiness and enjoyment of life are desired goals, Lemuel counters their contentions by declaring that what they really need are wives and tells them that Dorothy and Rose Gregson, the daughters of an old friend, will soon be visiting. During the party, Fleurette, a French singer hired by Billy, goes to Lemuel's bedroom to undress before her performance, and after an embarrassing moment, she and Lemuel become friends. She encourages him to loosen up, and after awhile, he saunters downstairs drunk, just as the statue, supposedly a distinguished work of modern art, is being unveiled. Billy worries that Fleurette may be a blackmailer. Sometime later, Billy, Tom and Lemuel's staid partner, Noah Marley, are concerned because Lemuel has not shown up for an important meeting. Since meeting Fleurette, Lemuel is never at home, and he has been arrested in a speakeasy raid. Lemuel arrives at the office in top hat and tails, and when his sons act indignant at his behavior, he reiterates their own philosophy and leaves ...

More Less

Lemuel Morehouse, the owner of a profitable meatpacking company in Chicago, bemoans the fact that neither of his two sons have the time nor inclination to eat with him. Billy is obsessed with culture, while Tom is a physical fitness nut. At the office, Lemuel is exasperated when Billy arrives for work at four in the afternoon and cannot stay because of a party he is giving that night to unveil a statue he bought for $20,000. Lemuel then finds Tom meeting with his golf committee rather than working. When the boys argue that business is only a means to an end, and that happiness and enjoyment of life are desired goals, Lemuel counters their contentions by declaring that what they really need are wives and tells them that Dorothy and Rose Gregson, the daughters of an old friend, will soon be visiting. During the party, Fleurette, a French singer hired by Billy, goes to Lemuel's bedroom to undress before her performance, and after an embarrassing moment, she and Lemuel become friends. She encourages him to loosen up, and after awhile, he saunters downstairs drunk, just as the statue, supposedly a distinguished work of modern art, is being unveiled. Billy worries that Fleurette may be a blackmailer. Sometime later, Billy, Tom and Lemuel's staid partner, Noah Marley, are concerned because Lemuel has not shown up for an important meeting. Since meeting Fleurette, Lemuel is never at home, and he has been arrested in a speakeasy raid. Lemuel arrives at the office in top hat and tails, and when his sons act indignant at his behavior, he reiterates their own philosophy and leaves skipping with Fleurette to go to the races. Billy and Tom call detectives to follow them. At the track, the detectives spy Fleurette introduce Lemuel to Harry Lamson, an infamous blackmailer, but they conclude that she is worth the money it will cost Lemuel. Fleurette tells Lemuel that Lamson is a friend of the man who sold Billy the statue, Colonel Stanhope, and that Stanhope went to Colorado, where her mother owns some land. Lemuel agrees to go with her to check on the land, and Billy and Tom, believing that they left to get married, follow with Marley, the Gregson sisters, who have just arrived in town, the detectives and a judge. At the Hotel Colorado, a suspicious man watches as Lemuel and Fleurette register. When Stanhope boasts that he sold Fleurette's mother's land for $2,000, Lemuel reveals that he has learned that Stanhope made $40,000 from the deal. Lemuel then asserts that the statue Billy bought was in reality a hunk of granite that a drunkard ordered for a tombstone. By warning Stanhope that, as an ex-convict, he could get a ten-year sentence for fraud, Lemuel induces him to pay $40,000 for a large rock he unveils in a ceremony in the hotel lobby. In her bedroom, as Fleurette embraces Lemuel to thank him, the man who earlier spied upon them bursts in and reveals that he is Fleurette's husband. Lemuel is certain that the couple will blackmail him, but thinks the experience has been worth it and takes out his checkbook. Fleurette, disappointed in Lemuel, explains that she left her husband because of his jealousy, and the husband contends that her mother sent for him to check on the land. Convinced that they are telling the truth, Lemuel says that he and Fleurette are not in love, but just good pals. As they shake hands, Lemuel's sons and their party intrude. Lemuel explains that he wanted to teach his sons a lesson, but that he learned one himself: that anyone is dead who lets life pass him by. He then goes on an ocean liner to Paris with Fleurette and her husband, and brings along Marley, who soon sports a toupee and an entourage of attractive young women. The toupee, however, falls into the water, and everyone laughs.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Blue Movie

The 25 Jun 1969 Var review noted that Blue Movie was shot in Sep 1968 in New York City. Along with several other contemporary sources, ... >>

Psycho

Actor Vaughn Taylor's surname is misspelled "Tayler" in the onscreen credits. Several Jun and Jul 1959 HR news items erroneously refer to the film as Psyche. ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

2001: A Space Odyssey

Opening credits precede a title card that reads: "The Dawn of Man."
       In an interview in the 16 Jan 1966 NYT, writer-director-producer Stanley Kubrick discussed ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.