The Show-Off (1934)

79-80 mins | Comedy | 9 March 1934

Producer:

Lucien Hubbard

Cinematographer:

James Wong Howe

Editor:

William S. Gray

Production Designer:

David Townsend

Production Company:

Metro-Goldwyn-Mayer Corp.
Full page view
HISTORY

Although a print of this film was not viewed, the above credits and plot information were taken from a cutting continuity submitted with the copyright records. HR production charts include Sterling Holloway in the cast, but his appearance in the final film has not been confirmed. After months of searching for a lead actor, M-G-M borrowed Spencer Tracy from Fox for this production. According to modern sources, Tracy was selected for the part after M-G-M's original choice, Lee Tracy (no relation), was fired from their production of Viva Villa! and was subsequently expelled from the studio. Modern sources contend that Spencer Tracy won the part with help from M-G-M contract star Frank Morgan. Tracy's work on the film impressed M-G-M executive Irving Thalberg and was, according to modern sources, instrumental in securing him a long-term contract at that prestigious studio.
       For information on other films based on the George Kelly play, please consult the entry for the 1946 M-G-M production The Show-Off, directed by Harry Beaumont and starring Red Skelton and Marilyn Maxwell (see AFI Catalog of Feature Films, 1941-50). ...

More Less

Although a print of this film was not viewed, the above credits and plot information were taken from a cutting continuity submitted with the copyright records. HR production charts include Sterling Holloway in the cast, but his appearance in the final film has not been confirmed. After months of searching for a lead actor, M-G-M borrowed Spencer Tracy from Fox for this production. According to modern sources, Tracy was selected for the part after M-G-M's original choice, Lee Tracy (no relation), was fired from their production of Viva Villa! and was subsequently expelled from the studio. Modern sources contend that Spencer Tracy won the part with help from M-G-M contract star Frank Morgan. Tracy's work on the film impressed M-G-M executive Irving Thalberg and was, according to modern sources, instrumental in securing him a long-term contract at that prestigious studio.
       For information on other films based on the George Kelly play, please consult the entry for the 1946 M-G-M production The Show-Off, directed by Harry Beaumont and starring Red Skelton and Marilyn Maxwell (see AFI Catalog of Feature Films, 1941-50).

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
22 Feb 1934
p. 3
Film Daily
17 Mar 1934
p. 4
HF
3 Feb 1934
p. 6
Hollywood Reporter
27 Jan 1934
p. 4
Hollywood Reporter
5 Feb 1934
p. 6
Hollywood Reporter
22 Feb 1934
p. 3
Motion Picture Daily
27 Feb 1934
p. 8
Motion Picture Herald
3 Mar 1934
p. 35, 38
New York Times
17 Mar 1934
p. 11
Variety
20 Mar 1934
p. 16
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Charles F. Riesner
Dir
Asst dir
PRODUCER
PHOTOGRAPHY
ART DIRECTOR
Art dir
FILM EDITOR
Film ed
SET DECORATOR
Int dec
SOUND
Rec dir
W. Brockway
Mixer
SOURCES
LITERARY
Based on the play The Show-Off by George Kelly (New York, 5 Feb 1924).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
9 March 1934
Production Date:
began 27 or 29 Jan 1934
Copyright Info
Claimant
Date
Copyright Number
Metro-Goldwyn-Mayer Corp.
2 March 1934
LP4539
Physical Properties:
Sound
Western Electric Sound System
Black and White
Duration(in mins):
79-80
Length(in reels):
8
Country:
United States
SYNOPSIS

While sailing on an excursion boat, J. Aubrey Piper, a clerk at the Mid-Atlantic Railroad Company, saves a drunken passenger from drowning and impresses pretty Amy Fisher with his bravery. After the rescue, Aubrey overhears Amy tell the police the address of her father's Newark, New Jersey realty company, and later shows up there, posing as a wealthy, would-be home buyer. Although her no-nonsense parents take an immediate dislike to the loquacious braggart, who makes a practice of test driving new automobiles he has no means to buy, Amy quickly falls in love with him and accepts his proposal. After a modest wedding and honeymoon, Aubrey and Amy settle into their own apartment, which Aubrey, out of impestuous love for Amy, fills with luxury items they cannot afford. Eventually Aubrey's debt leads to the attachment of his salary and, out of desperation, Amy announces that she is returning to work. Amy then tells her stunned husband that they must move in with her parents until they have paid their debts. When Aubrey's initial anger passes, he realizes the wisdom of Amy's actions and vows to change his extravagant, thoughtless ways. For his first act as a "new man," Aubrey, whose laziness and irresponsibility have kept him from rising at the railroad company, goes to work early and impresses his office manager with his concentrated efforts. However, Aubrey falls into trouble with J. B. Preston, the railroad president when he corners Andrew Barnabas, a farmer whose land the railway is interested in buying, and, on his own authority, promises to purchase 900 more acres than the railroad needs. After an infuriated Preston fires ...

More Less

While sailing on an excursion boat, J. Aubrey Piper, a clerk at the Mid-Atlantic Railroad Company, saves a drunken passenger from drowning and impresses pretty Amy Fisher with his bravery. After the rescue, Aubrey overhears Amy tell the police the address of her father's Newark, New Jersey realty company, and later shows up there, posing as a wealthy, would-be home buyer. Although her no-nonsense parents take an immediate dislike to the loquacious braggart, who makes a practice of test driving new automobiles he has no means to buy, Amy quickly falls in love with him and accepts his proposal. After a modest wedding and honeymoon, Aubrey and Amy settle into their own apartment, which Aubrey, out of impestuous love for Amy, fills with luxury items they cannot afford. Eventually Aubrey's debt leads to the attachment of his salary and, out of desperation, Amy announces that she is returning to work. Amy then tells her stunned husband that they must move in with her parents until they have paid their debts. When Aubrey's initial anger passes, he realizes the wisdom of Amy's actions and vows to change his extravagant, thoughtless ways. For his first act as a "new man," Aubrey, whose laziness and irresponsibility have kept him from rising at the railroad company, goes to work early and impresses his office manager with his concentrated efforts. However, Aubrey falls into trouble with J. B. Preston, the railroad president when he corners Andrew Barnabas, a farmer whose land the railway is interested in buying, and, on his own authority, promises to purchase 900 more acres than the railroad needs. After an infuriated Preston fires him, Aubrey heads for an automobile dealership to test drive a new car. When he returns to his in-laws' home that night, Aubrey confesses to Amy and her parents that, not only was he fired, but was involved in a costly automobile accident as well. Undone, Amy tells her husband that she is separating from him until he "becomes a man" and makes good on his pledge to change. A sobered Aubrey then searches for work but secures only a temporary job as a sandwich board advertiser. While walking the street with his board, Aubrey runs into Amy's brother Joe, an aspiring young inventor. Joe tells Aubrey that he is on his way to a law firm to discuss a $5,000 offer for his new rust-preventing invention. Ever the know-it-all, Aubrey cannot resist the temptation to go to the law firm ahead of Joe and haggle with an attorney about the sale price of Joe's invention. After the lawyer dismisses Aubrey's demands that Joe be paid $100,000 and fifty percent of the invention's profits and angrily retracts his original offer, Aubrey returns home in shame. As Aubrey confesses his deed to Amy and her parents, however, Joe bursts in and announces that, because of the machinations of his "manager," the lawyer offered him $50,000 and twenty percent of the profits. Before his disapproving in-laws can absorb this unexpected development, Aubrey then receives a letter from Preston informing him that, because the land he forced the railroad company to buy turned out to be extremely profitable, he may return to the railway in a high-paying position. Fully vindicated, a wiser but still talkative Aubrey happily reunites with Amy.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

It's a Wonderful Life

Philip Van Doren Stern's story, which, according to many contemporary and modern sources, was originally written in Nov 1939, was enclosed by him in his 1943 Christmas cards. Although ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

The Sound of Music

The onscreen title reads "Rodgers and Hammerstein's The Sound of Music."
       The Sound of Music was adapted from the Richard Rodgers and Oscar Hammerstein ... >>

Citizen Kane

This film's end credits begin with the statement, “Most of the principal actors in Citizen Kane are new to motion pictures. The Mercury Theatre is proud ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.