Terror Trail (1933)

55 or 57 mins | Western | 2 February 1933

Full page view
HISTORY

The plot synopsis and credits were based on a screen continuity from MCA. ...

More Less

The plot synopsis and credits were based on a screen continuity from MCA.

Less

PERSONAL & COMPANY INDEX CREDITS
CREDIT
SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
11 Feb 1933
p. 4
International Photographer
1 Feb 1933
p. 31
Motion Picture Herald
18 Feb 1933
p. 27
New York Times
11 Feb 1933
p. 11
Variety
14 Feb 1933
p. 12
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
Carl Laemmle, President
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
WRITER
PHOTOGRAPHY
Cam op
Asst cam
Edward Jones
Asst cam
Asst cam
FILM EDITORS
Phil Cahn
Film ed
SOUND
PRODUCTION MISC
Still photog
Still photog
SOURCES
LITERARY
Based on the short story "Riders of Terror Trail" by Grant Taylor in Ace High Magazine (18 Oct 1926).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
2 February 1933
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Universal Pictures Corp.
24 January 1933
LP3599
Physical Properties:
Sound
Western Electric Noiseless Recording
Black and White
Duration(in mins):
55 or 57
Length(in feet):
5,319
Length(in reels):
6
Country:
United States
SYNOPSIS

Tad and Tim McPherson are members of a ruthless gang of rustlers and robbers known as the Paint Horse Riders, who operate out of Silver City, Arizona in 1885. Although Colonel Charles Ormsby has organized a group of vigilantes and offered a reward for the capture of the killers, they remain at large, mainly because Ormsby is their leader and is in cahoots with Sheriff Judell. The governor sends ranchowner Tom Munroe to clear out the criminals, and on his way into town, Tom arrests four of Ormsby's gang for stealing ponies from an Indian reservation. In his hotel room, Tom is startled when bullets are shot through the floor, and rushes downstairs, half-dressed, to find drunken cowboy Lucky Dawson shooting his gun at random. He befriends Lucky and then runs into rancher Norma Laird on his way back to his room, but is embarrassed because he forgot his pants. The next day, Sheriff Judell reports that Tom's prisoners have escaped and stolen all the horses in Lucky's stable, including Tom's horse, Tony. Lucky and Tom have dinner with Norma, but Tom leaves when he hears his horse outside and finds Norma's brother Bernie, also known as "Little Casino," with the stolen horses. After yet another stagecoach robbery, Tom follows the outlaws to their hideout and arrests Bernie, Tad and Tim. Ormsby again helps his men break out of jail, and Bernie heads to Norma's ranch to hide. He confesses his misdeeds to his sister, but Ormsby and the gang are afraid he is going to squeal on them and follow him there. Tom arrives and claims Bernie as his ...

More Less

Tad and Tim McPherson are members of a ruthless gang of rustlers and robbers known as the Paint Horse Riders, who operate out of Silver City, Arizona in 1885. Although Colonel Charles Ormsby has organized a group of vigilantes and offered a reward for the capture of the killers, they remain at large, mainly because Ormsby is their leader and is in cahoots with Sheriff Judell. The governor sends ranchowner Tom Munroe to clear out the criminals, and on his way into town, Tom arrests four of Ormsby's gang for stealing ponies from an Indian reservation. In his hotel room, Tom is startled when bullets are shot through the floor, and rushes downstairs, half-dressed, to find drunken cowboy Lucky Dawson shooting his gun at random. He befriends Lucky and then runs into rancher Norma Laird on his way back to his room, but is embarrassed because he forgot his pants. The next day, Sheriff Judell reports that Tom's prisoners have escaped and stolen all the horses in Lucky's stable, including Tom's horse, Tony. Lucky and Tom have dinner with Norma, but Tom leaves when he hears his horse outside and finds Norma's brother Bernie, also known as "Little Casino," with the stolen horses. After yet another stagecoach robbery, Tom follows the outlaws to their hideout and arrests Bernie, Tad and Tim. Ormsby again helps his men break out of jail, and Bernie heads to Norma's ranch to hide. He confesses his misdeeds to his sister, but Ormsby and the gang are afraid he is going to squeal on them and follow him there. Tom arrives and claims Bernie as his prisoner, and the outlaws open fire against the ranch house. Ormsby, who has been inside with his vigilantes, goes outside on the pretense of talking with the criminals, and Bernie reveals to Tom that he is the head of the operation. Tom sneaks out and notifies Lucky to send help, then he saddles up some wild broncos for the rustlers. When Lucky arrives with help, the rustlers try to escape, but are bucked off their horses and all, including Ormsby, Tad and Tim, are arrested. With Ormsby out of the way and Bernie paroled, Tom and Norma get to know one another better.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Gone with the Wind

[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>

King Kong

The working titles of this film were The Eighth Wonder, The Beast and Kong. In the opening credits, the cast list is ... >>

Arabian Nights

Arabian Nights opens and closes with a framing story featuring an elderly guardian relating the story of two rival brothers, Haroum-al-Raschid and Kamar al Zaman, to six ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.