Kentucky Moonshine (1938)

85 mins | Musical comedy | 13 May 1938

Full page view
HISTORY

Reels three and four of the print viewed were tinted in sepia and blue. The working title of this film was Moonshine over Kentucky. The genesis of the story is discussed and disputed in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library in correspondence pertaining to a plagiarism suit by Howard J. Greene, Sam B. Stept and Ned Washington, who claimed that the film was based on their script, "Nitwit's Holiday." According to Twentieth Century-Fox legal counsel George Wasson, in the summer of 1937, studio chief Darryl Zanuck sent a note to producer Kenneth Macgowan requesting that a hillbilly story be written for contract players Joan Davis, Wally Vernon and Jack Haley. Writers Art Arthur and Curtis Kenyon were give the assignment, and Arthur, formerly a columnist for the Brooklyn Eagle, recalled going to a nightclub in New York three or four years earlier, where the proprietor admitted that the so-called "hillbilly" performers were really from Brooklyn. In another piece of correspondence, writer Ralph Spence stated that he directed a two-reel film starring El Brendel, which was written by himself and Joe Traub, about a Broadway radio station that received complaints from listeners because they employed "Broadway hillbillies" to sing; the manager then sent Brendel, the janitor of the station, on a vacation to obtain real hillbillies. According to Spence, prior to the shooting of Kentucky Moonshine, Brendel gave the script of the two-reeler to director David Butler. The legal records state that the suit, which Var reported to be for upwards of one million dollars, was settled for three hundred ...

More Less

Reels three and four of the print viewed were tinted in sepia and blue. The working title of this film was Moonshine over Kentucky. The genesis of the story is discussed and disputed in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library in correspondence pertaining to a plagiarism suit by Howard J. Greene, Sam B. Stept and Ned Washington, who claimed that the film was based on their script, "Nitwit's Holiday." According to Twentieth Century-Fox legal counsel George Wasson, in the summer of 1937, studio chief Darryl Zanuck sent a note to producer Kenneth Macgowan requesting that a hillbilly story be written for contract players Joan Davis, Wally Vernon and Jack Haley. Writers Art Arthur and Curtis Kenyon were give the assignment, and Arthur, formerly a columnist for the Brooklyn Eagle, recalled going to a nightclub in New York three or four years earlier, where the proprietor admitted that the so-called "hillbilly" performers were really from Brooklyn. In another piece of correspondence, writer Ralph Spence stated that he directed a two-reel film starring El Brendel, which was written by himself and Joe Traub, about a Broadway radio station that received complaints from listeners because they employed "Broadway hillbillies" to sing; the manager then sent Brendel, the janitor of the station, on a vacation to obtain real hillbillies. According to Spence, prior to the shooting of Kentucky Moonshine, Brendel gave the script of the two-reeler to director David Butler. The legal records state that the suit, which Var reported to be for upwards of one million dollars, was settled for three hundred dollars.
       According to the legal records, William Demarest was originally scheduled to play the role of "Spats." Publicity for the film, states that Louis J. Witte, a small arms expert, was hired by the studio to teach the Ritz Brothers to shoot, and Ben Sutherland, the "studio sharpshooter," picked off objects with real bullets in the scene where the Hatfields shoot at the Ritz Brothers. J. Edward Bromberg is listed as a cast member in HR production charts, but his participation in the final film is doubtful.

Less

PERSONAL & COMPANY INDEX CREDITS
HISTORY CREDITS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
7-May-38
---
Daily Variety
30 Apr 1938
p. 3
Film Daily
3 May 1938
p. 7
Hollywood Reporter
23 Oct 1937
p. 1
Hollywood Reporter
28 Oct 1937
p. 2
Hollywood Reporter
31 Dec 1937
sect. II, p. 90
Hollywood Reporter
17 Jan 1938
p. 39
Hollywood Reporter
28 Mar 1938
p. 2
Hollywood Reporter
30 Apr 1938
p. 3
Motion Picture Daily
9 May 1938
p. 8
Motion Picture Herald
16 Apr 1938
p. 27
Motion Picture Herald
7 May 1938
p. 36
New York Times
21 May 1938
p. 9
Variety
4 May 1938
p. 15
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXT
Darryl F. Zanuck in charge of production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Dial dir
Asst dir
Asst dir
Lee Vallee
Asst dir
PRODUCER
Assoc prod
WRITERS
Orig story
Orig story
Addl dial
Addl dial
Contr wrt
Contr wrt
Contr wrt
PHOTOGRAPHY
Photog
Cam op
Asst cam
Gaffer
ART DIRECTORS
Lewis Creber
Art dir
FILM EDITORS
Film ed
Asst cutter
SET DECORATORS
Set dec
Painter, AM
Painter, PM
COSTUMES
Cost
Ward man
Ward woman
MUSIC
Mus dir
Vocal supv and mus arr
MAKEUP
PRODUCTION MISC
Prod mgr
Unit mgr
Scr clerk
Herb Romey
Asst grip
Asst grip
Asst to prod
Props
Follow up
Cable man
Asst props
Asst props
Best boy
Still photog
Publicity dir
SOURCES
SONGS
Prologue to I pagliacci , music and libretto by Ruggiero Leoncavallo; "Moonshine over Kentucky," "Reuben, Reuben, I've Been Swingin" and "Sing a Song of Harvest," music and lyrics by Lew Pollack and Sidney D. Mitchell; comedy songs by Sid Kuller and Ray Golden.
SONGWRITERS/COMPOSERS
+
DETAILS
Alternate Title:
Moonshine over Kentucky
Release Date:
13 May 1938
Production Date:
17 Jan--26 Mar 1938
Copyright Info
Claimant
Date
Copyright Number
Twentieth Century-Fox Film Corp.
13 May 1938
LP8321
Physical Properties:
Sound
RCA High Fidelity Recording
Black & white with color sequences
b&w with tinted seq
Duration(in mins):
85
Length(in feet):
7,673
Length(in reels):
9
Country:
United States
PCA No:
4054
SYNOPSIS

Because ratings for singer Jerry Wade's radio program, which specializes in swing music, have dropped drastically in the past six months, announcer Gus Bryce suggests that they do a hillbilly program. Jerry, who thinks that the previous hillbilly music craze was killed when the public discovered the "hillbillies" were phonies from Brooklyn, offers to go with Gus to dig up "the real McCoy" and calls off an audition for new talent. This disappoints Caroline, a performer from Kentucky, who has been waiting hours to audition. Caroline visits her fellow boardinghouse residents, out-of-work performers The Ritz Brothers, who are faking injuries in a hospital hoping to collect after being in an automobile accident. When they learn that the man who hit them is uninsured and on relief, they return to the boardinghouse. After Caroline tells them about the search for hillbilly talent, the boys decide to go to Kentucky and disguise themselves as hillbillies, so that Jerry will hire them. Caroline gets travel money from "Spats" Swanson, who is trying to seduce her, by telling him that her aunt needs false teeth. In the town of Coma in the Blue Ridge Mountains, the Ritz Brothers and Caroline stay in the delapidated Slack family shack. They are confronted by the Hatfields, who have feuded with the Slacks for nearly eighty years. When Jerry and Gus arrive, the Ritz Brothers, disguised in beards, perform for them, as does Caroline, disguised as the Ritz's sister. Jerry is impressed with them all, and he convinces his sponsors to allow him to broadcast his show from Coma. Caroline grows to like Jerry and feels bad ...

More Less

Because ratings for singer Jerry Wade's radio program, which specializes in swing music, have dropped drastically in the past six months, announcer Gus Bryce suggests that they do a hillbilly program. Jerry, who thinks that the previous hillbilly music craze was killed when the public discovered the "hillbillies" were phonies from Brooklyn, offers to go with Gus to dig up "the real McCoy" and calls off an audition for new talent. This disappoints Caroline, a performer from Kentucky, who has been waiting hours to audition. Caroline visits her fellow boardinghouse residents, out-of-work performers The Ritz Brothers, who are faking injuries in a hospital hoping to collect after being in an automobile accident. When they learn that the man who hit them is uninsured and on relief, they return to the boardinghouse. After Caroline tells them about the search for hillbilly talent, the boys decide to go to Kentucky and disguise themselves as hillbillies, so that Jerry will hire them. Caroline gets travel money from "Spats" Swanson, who is trying to seduce her, by telling him that her aunt needs false teeth. In the town of Coma in the Blue Ridge Mountains, the Ritz Brothers and Caroline stay in the delapidated Slack family shack. They are confronted by the Hatfields, who have feuded with the Slacks for nearly eighty years. When Jerry and Gus arrive, the Ritz Brothers, disguised in beards, perform for them, as does Caroline, disguised as the Ritz's sister. Jerry is impressed with them all, and he convinces his sponsors to allow him to broadcast his show from Coma. Caroline grows to like Jerry and feels bad about deceiving him. At the show, when the Ritz Brothers see the drunken Hatfields in the audience, they pretend that they have the hiccups, so Jerry sings instead. In New York, because of a bad connection, almost none of the show is heard. When the brothers see that the Hatfields have fallen asleep, they perform, but Hank Hatfield awakens and sees them. He revives his brothers, who shoot at and chase the Ritz Brothers. Jerry arranges for his sponsor to allow him to bring the show to New York, but Caroline says she will not go. She and Jerry walk by a stream, where he bets a dollar to a kiss that he can hit a log with a stone. After two kisses, Caroline says that she now wants to go to New York, and they embrace. In New York, shortly before the broadcast, Spats comes to Caroline's hotel room and threatens to tell reporters about the ruse unless the Ritz Brothers pay $300. They give him the money, but he then says that he will tell anyway and knocks out two of them before Harry Ritz knocks him out, and then, for no apparent reason, knocks himself out. Gus finds out that the brothers are fakes, but they tie him up in the bathtub. Caroline leaves a note for the brothers saying that she can't hurt Jerry, but that she does not want to spoil their chances, so she is leaving for Chicago. The brothers show Jerry the note and reveal their scheme, and Jerry goes to Grand Central Station in search of Caroline, while the Ritz Brothers take over the show. Their act is a hit, and Jerry finds Caroline, who says she will marry him. Impressed with the Ritz Brothers, the sponsor sees the need for a comedy show. Jerry arrives in time to sing the last number, which he shares with the Ritz Brothers.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Citizen Kane

This film's end credits begin with the statement, “Most of the principal actors in Citizen Kane are new to motion pictures. The Mercury Theatre is proud ... >>

It's a Wonderful Life

Philip Van Doren Stern's story, which, according to many contemporary and modern sources, was originally written in Nov 1939, was enclosed by him in his 1943 Christmas cards. Although ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.