Rich Man, Poor Girl (1938)

65,70 or 72 mins | Comedy-drama | 12 August 1938

Director:

Reinhold Schunzel

Producer:

Edward Chodorov

Cinematographer:

Ray June

Editor:

Frank E. Hull

Production Designer:

Cedric Gibbons

Production Company:

Metro-Goldwyn-Mayer Corp.
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HISTORY

Working titles of the film were White Collars and It's Now or Never. According to a pre-production news item in HR, Franchot Tone was originally set to play the lead opposite Lana Turner. Although Turner does appear in the film, the lead was played by Ruth Hussey and it is unclear whether Turner was originally set to play the role Hussey played or the news item indicated a leading role, rather than "the lead." Another HR news item noted that this was the first American film of German-born director Reinhold Schunzel, who was brought to the United States six months before by M-G-M studio head Louis B. Mayer. Schunzel remained for many years in the United States where he directed several more films and appeared as an actor in many others. Another film based on Edith Ellis' play was made by M-G-M in 1929 under the title The Idle Rich. That film was directed by William C. de Mille and starred Conrad Nagle and Bessie Love (See Entry). ...

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Working titles of the film were White Collars and It's Now or Never. According to a pre-production news item in HR, Franchot Tone was originally set to play the lead opposite Lana Turner. Although Turner does appear in the film, the lead was played by Ruth Hussey and it is unclear whether Turner was originally set to play the role Hussey played or the news item indicated a leading role, rather than "the lead." Another HR news item noted that this was the first American film of German-born director Reinhold Schunzel, who was brought to the United States six months before by M-G-M studio head Louis B. Mayer. Schunzel remained for many years in the United States where he directed several more films and appeared as an actor in many others. Another film based on Edith Ellis' play was made by M-G-M in 1929 under the title The Idle Rich. That film was directed by William C. de Mille and starred Conrad Nagle and Bessie Love (See Entry).

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
6 Aug 1938
p. 3
Film Daily
9 Aug 1938
p. 7
Hollywood Reporter
23 Jun 1938
p. 1
Hollywood Reporter
24 Jun 1938
p. 1
Hollywood Reporter
25 Jun 1938
p. 4
Hollywood Reporter
27 Jun 1938
p. 6
Hollywood Reporter
18 Jul 1938
p. 1
Hollywood Reporter
6 Aug 1938
p. 3
Motion Picture Daily
10 Aug 1938
p. 4
Motion Picture Herald
6 Aug 1938
p. 53
Motion Picture Herald
13 Aug 1938
p. 62
New York Times
19 Aug 1938
p. 13
Variety
17 Aug 1938
p. 22
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
PHOTOGRAPHY
Photog
ART DIRECTORS
Art dir
Art dir assoc
Art dir assoc
FILM EDITOR
Film ed
COSTUMES
Ward
MUSIC
Mus score
SOUND
Rec dir
SOURCES
LITERARY
Based on the play White Collars by Edith Ellis (New York, 23 Feb 1923), as adapted from a story by Edgar Franklin (publication undetermined).
LITERARY SOURCE AUTHORS
DETAILS
Alternate Titles:
It's Now or Never
White Collars
Release Date:
12 August 1938
Production Date:
24 Jun--late Jul 1938
Copyright Info
Claimant
Date
Copyright Number
Loew's Inc.
8 August 1938
LP8205
Physical Properties:
Sound
Western Electric Sound System
Black and White
Duration(in mins):
65,70 or 72
Length(in reels):
8
Country:
United States
PCA No:
4526
Passed by NBR:
Yes
SYNOPSIS

Joan Thayer, the hard-working secretary to construction company president Bill Harrison, comes from a large, poor family. Joan and Bill are in love with each other, but Joan is reluctant to accept Bill's marriage proposal because he comes from a wealthy family, and she is afraid that he will one day start to think that he has married beneath him. When she invites Bill to her home for dinner, her kind but eccentric family do everything wrong, prompting an embarrased Joan to send Bill a note saying that they shouldn't see each other for a while. To prove to Joan that her family's poverty does not matter to him, Bill decides to move in with them, delighting Ma Thayer, but annoying Joan. Bill sleeps on the Thayers' old couch and soon becomes part of the family, much to Joan's continued displeasure. On Sunday morning, Bill takes them to his yacht, the Hilda , and they meet Sally, Bill's sister. Henry Thayer, Joan's cousin, is a radical thinker who professes a philosophy of "share the wealth." Because Henry is unable to find work, Bill secretly gets him a job with a company he owns in Brazil. Henry is suspicious when he is offered the job, and then, when the family goes to a party at Bills's and Henry finds out that Bill knows his new boss, Henry decides not to take the job. He then leaves the party, followed by all of the Thayers except Joan's younger sister Helen, who is trying to better herself in society. The next day, Sally tells the Thayers that Bill has announced ...

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Joan Thayer, the hard-working secretary to construction company president Bill Harrison, comes from a large, poor family. Joan and Bill are in love with each other, but Joan is reluctant to accept Bill's marriage proposal because he comes from a wealthy family, and she is afraid that he will one day start to think that he has married beneath him. When she invites Bill to her home for dinner, her kind but eccentric family do everything wrong, prompting an embarrased Joan to send Bill a note saying that they shouldn't see each other for a while. To prove to Joan that her family's poverty does not matter to him, Bill decides to move in with them, delighting Ma Thayer, but annoying Joan. Bill sleeps on the Thayers' old couch and soon becomes part of the family, much to Joan's continued displeasure. On Sunday morning, Bill takes them to his yacht, the Hilda , and they meet Sally, Bill's sister. Henry Thayer, Joan's cousin, is a radical thinker who professes a philosophy of "share the wealth." Because Henry is unable to find work, Bill secretly gets him a job with a company he owns in Brazil. Henry is suspicious when he is offered the job, and then, when the family goes to a party at Bills's and Henry finds out that Bill knows his new boss, Henry decides not to take the job. He then leaves the party, followed by all of the Thayers except Joan's younger sister Helen, who is trying to better herself in society. The next day, Sally tells the Thayers that Bill has announced that he is going to give all of his money away to worthy causes, and she plans to take him to court to prove his incompetence. The same day, Pa Thayer and Joan's brother Frank are fired from the hardware store in which they work, even though Pa has been there for fifty years. Bill seems to disregard Pa's misfortune and tells everyone that he wants to open a hospital for the small wage earner. The Thayers can't understand what has happened to Bill, but it is soon revealed that Bill and Sally were playing a trick on them to show that the Thayers were more concerned with his money than he. Bill then drives the family to their new home and tells Pa that he will be his partner in a hardware business. He also announces that he and Joan and going to be married the next day, that Henry is going to take the job in Brazil, and that Ma will be sole owner of the Hilda .

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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