Stowaway (1932)

Drama | 11 April 1932

Director:

Phil Whitman

Writer:

Norman Springer

Cinematographer:

Leon Shamroy

Editor:

Milton Carruth

Production Company:

Universal Pictures Corp.
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HISTORY

According to a news item in FD, the title was changed from Tricked after the film's release. MPH credits James Gordon in the role of "Captain", and Maurice Black as "Tony." No other sources corroborate this listing, but FDYB includes this film in both men's filmographies. ...

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According to a news item in FD, the title was changed from Tricked after the film's release. MPH credits James Gordon in the role of "Captain", and Maurice Black as "Tony." No other sources corroborate this listing, but FDYB includes this film in both men's filmographies.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
11 Mar 1932
p. 4
Hollywood Reporter
5 Feb 1932
p. 2
Hollywood Reporter
2 Mar 1932
p. 3
Motion Picture Herald
19 Mar 1932
p. 42
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCERS
Assoc prod
WRITER
PHOTOGRAPHY
Photog
FILM EDITOR
SOUND
DETAILS
Alternate Title:
Tricked
Release Date:
11 April 1932
Production Date:
began 1 Feb 1932
Copyright Info
Claimant
Date
Copyright Number
Universal Pictures Corp.
31 March 1932
LP2950
Physical Properties:
Sound
Black and White
Length(in reels):
5
Country:
United States
SYNOPSIS

On her first night as a dockside taxi dancer, Mary Foster loses her job when she tries to fend off the advances of drunken sailor Groder. As Mary walks in the streets, she is followed by a policeman who intends to arrest her for prostitution. Mary panics and hides in Captain Grant's freighter, on which Groder is first mate. After they set sail, she is discovered by second mate Tommy, and gives in to his advances. She spends the night in his cabin, and Tommy falls in love with her as he gets to know her. In the morning, Groder discovers Mary's presence and sneaks into Tommy's cabin. Tommy comes to Mary's rescue as Groder assaults her, and knocks Groder against the porthole, where he collapses. Unknown to Tommy and Mary, Groder has been stabbed by shipmate Mackie, whom he bilked out of some money from an illegal business they conducted. Captain Grant charges Tommy with murder and arranges for his and Mary's arrest on their arrival in San Francisco. Once there, however, the ship's steward surprises everyone by revealing he is Inspector Redding of Customs. While investigating Groder and Mackie's drug smuggling, he witnessed Groder's murder. Tommy and Mary are released and decide to pursue their romance ashore and ...

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On her first night as a dockside taxi dancer, Mary Foster loses her job when she tries to fend off the advances of drunken sailor Groder. As Mary walks in the streets, she is followed by a policeman who intends to arrest her for prostitution. Mary panics and hides in Captain Grant's freighter, on which Groder is first mate. After they set sail, she is discovered by second mate Tommy, and gives in to his advances. She spends the night in his cabin, and Tommy falls in love with her as he gets to know her. In the morning, Groder discovers Mary's presence and sneaks into Tommy's cabin. Tommy comes to Mary's rescue as Groder assaults her, and knocks Groder against the porthole, where he collapses. Unknown to Tommy and Mary, Groder has been stabbed by shipmate Mackie, whom he bilked out of some money from an illegal business they conducted. Captain Grant charges Tommy with murder and arranges for his and Mary's arrest on their arrival in San Francisco. Once there, however, the ship's steward surprises everyone by revealing he is Inspector Redding of Customs. While investigating Groder and Mackie's drug smuggling, he witnessed Groder's murder. Tommy and Mary are released and decide to pursue their romance ashore and marry.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.