Tell No Tales (1939)

68-69 mins | Mystery | 12 May 1939

Director:

Leslie Fenton

Producer:

Edward Chodorov

Cinematographer:

Joseph Ruttenberg

Editor:

W. Donn Hayes

Production Designer:

Cedric Gibbons

Production Company:

Metro-Goldwyn-Mayer Corp.
Full page view
HISTORY

The working title of this film was A Hundred to One. In onscreen credits, Hobart Cavanaugh's name was misspelled as "Cavanagh." According to the SAB, Pauline London and Alfred Taylor's story, on which the picture was based, was unpublished. The film marked former character actor Leslie Fenton's debut as a director. According to HR news items and production charts, H. B. Warner, Marjorie Main, Florence George and Inez Courtney were to be in the film. Their participation in the final film has not been confirmed, however. ...

More Less

The working title of this film was A Hundred to One. In onscreen credits, Hobart Cavanaugh's name was misspelled as "Cavanagh." According to the SAB, Pauline London and Alfred Taylor's story, on which the picture was based, was unpublished. The film marked former character actor Leslie Fenton's debut as a director. According to HR news items and production charts, H. B. Warner, Marjorie Main, Florence George and Inez Courtney were to be in the film. Their participation in the final film has not been confirmed, however.

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
20-May-39
---
Daily Variety
10 May 1939
p. 3
Film Daily
15 May 1939
p. 7
Film Daily
24 May 1939
p. 6
Hollywood Reporter
16 Feb 1939
p. 3
Hollywood Reporter
18 Feb 1939
p. 6
Hollywood Reporter
20 Feb 1939
p. 4
Hollywood Reporter
21 Feb 1939
p. 6, 7
Hollywood Reporter
22 Feb 1939
p. 6
Hollywood Reporter
18 Mar 1939
p. 6
Hollywood Reporter
6 Apr 1939
p. 2
Hollywood Reporter
10 May 1939
p. 3
Motion Picture Daily
15 May 1939
p. 6
Motion Picture Herald
25 Mar 1939
p. 56
Motion Picture Herald
13 May 1939
p. 40
New York Times
2 Jun 1939
p. 27
Variety
17 May 1939
p. 12
CAST
NAME
CREDITED AS
CREDIT
Douglas Dumbrille
James G. Blaine
Rosalie Lincoln
+
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
WRITERS
PHOTOGRAPHY
ART DIRECTORS
Art dir
Art dir assoc
FILM EDITOR
Film ed
SET DECORATOR
Set dec
COSTUMES
Ward
MUSIC
Mus score
SOUND
Rec dir
VISUAL EFFECTS
Montage eff by
PRODUCTION MISC
Unit mgr
DETAILS
Alternate Title:
A Hundred to One
Release Date:
12 May 1939
Production Date:
18 Feb--late Mar 1939
Copyright Info
Claimant
Date
Copyright Number
Loew's Inc.
8 May 1939
LP8842
Physical Properties:
Sound
Western Electric Sound System
Black and White
Duration(in mins):
68-69
Length(in reels):
7
Country:
United States
PCA No:
5239
Passed by NBR:
Yes
SYNOPSIS

At a party celebrating the 75th anniversary of The Evening Guardian , crusading editor Michael Cassidy is notified by the newspaper's owner, Matt Cooper, that the paper will cease publication immediately. Enraged, Michael goes to Cooper's office and accuses him of killing the Guardian so that Cooper's other paper, the scandalmongering Evening Record , can succeed. As proof of Cooper's unscrupulousness, Michael cites the sensational headlines concerning Ellen Frazier, a schoolteacher who came forward as the only eyewitness to a brutal kidnapping, but who is now being hounded mercilessly by the press. After Cooper refuses to rescind his order, Michael goes to his favorite bar, where owner Mick gives him a hundred dollar bill, which turns out to be part of the ransom in the kidnapping case. Mick received the bill from a jeweler, Charlie Daggett, and so Michael goes to Cooper to ask for help tracking the kidnappers. Cooper states that Michael can only publish the story in the Record , not the Guardian , and Michael storms out. He then goes to the school where Ellen teaches, as only she can identify the criminals. By pretending to be a lawyer, Michael spirits Ellen away from the school, where she was being held a virtual prisoner by overprotective police. She is dismayed to learn that Michael is a reporter, but he convinces her to help him and they proceed to Daggett's home. There, Michael finds out that Daggett got the bill from Dr. Lovelake's wife Lydia. While Michael's questions are disrupting the Daggett household, Ellen disappears and Michael goes on to the Lovelake home, ...

More Less

At a party celebrating the 75th anniversary of The Evening Guardian , crusading editor Michael Cassidy is notified by the newspaper's owner, Matt Cooper, that the paper will cease publication immediately. Enraged, Michael goes to Cooper's office and accuses him of killing the Guardian so that Cooper's other paper, the scandalmongering Evening Record , can succeed. As proof of Cooper's unscrupulousness, Michael cites the sensational headlines concerning Ellen Frazier, a schoolteacher who came forward as the only eyewitness to a brutal kidnapping, but who is now being hounded mercilessly by the press. After Cooper refuses to rescind his order, Michael goes to his favorite bar, where owner Mick gives him a hundred dollar bill, which turns out to be part of the ransom in the kidnapping case. Mick received the bill from a jeweler, Charlie Daggett, and so Michael goes to Cooper to ask for help tracking the kidnappers. Cooper states that Michael can only publish the story in the Record , not the Guardian , and Michael storms out. He then goes to the school where Ellen teaches, as only she can identify the criminals. By pretending to be a lawyer, Michael spirits Ellen away from the school, where she was being held a virtual prisoner by overprotective police. She is dismayed to learn that Michael is a reporter, but he convinces her to help him and they proceed to Daggett's home. There, Michael finds out that Daggett got the bill from Dr. Lovelake's wife Lydia. While Michael's questions are disrupting the Daggett household, Ellen disappears and Michael goes on to the Lovelake home, where he learns that Dr. Lovelake received the bill from a black prizefighter, Jim Alley. Michael leaves and is surprised to see Ellen, who pretends that he is her husband in order to avoid a suspicious policeman. Michael sends her to the Guardian building to stay with his coworker, Davie Bryant, but she is kidnapped after Micheal leaves for Alley's club. At the club, Michael is shocked to find that Alley is dead, and his grieving wife Ruby explains that she got the bill from a male friend of singer Lorna Travers, for whom she is a maid. Michael finds Lorna, learns that Cooper is her suitor and, after discovering that Ellen never made it to see Davie, goes to Cooper's home. Michael informs Cooper that he knows Cooper had the bill, and Cooper admits he got it at Arno's gambling house. Michael goes to the gambling house, where Arno denies any involvement with the money. Arno sends Michael with his hoods, Alex and Kammy, to see gangsters Joe Neves and Frankie Lewis. After Michael is gone, Arno despairingly orders his brother Phil to leave, because, as the club's cashier, Phil must have been laundering the ransom money for the kidnappers. Phil maintains that he was not part of the actual kidnapping, but Arno, upset that he has protected Phil by sending his friend Michael to be murdered by Neves and Lewis, sends him away. After Arno's men throw Michael in their truck, he finds Ellen and Phil, who wishes to atone by helping them. The trio jumps from the truck and, after fighting with Alex and Kammy, succeed in capturing Neves and Lewis, although Phil is killed in the struggle. Michael and Ellen join Davie and print the story on the kidnappers in the last issue of the paper. The fantastic response to the story then prompts Cooper to revive the Guardian .

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Blue Movie

The 25 Jun 1969 Var review noted that Blue Movie was shot in Sep 1968 in New York City. Along with several other contemporary sources, ... >>

Psycho

Actor Vaughn Taylor's surname is misspelled "Tayler" in the onscreen credits. Several Jun and Jul 1959 HR news items erroneously refer to the film as Psyche. ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

2001: A Space Odyssey

Opening credits precede a title card that reads: "The Dawn of Man."
       In an interview in the 16 Jan 1966 NYT, writer-director-producer Stanley Kubrick discussed ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.