Woman Wanted (1935)

65,68 or 70 mins | Drama | 2 August 1935

Director:

George B. Seitz

Cinematographer:

Charles [G.] Clarke

Editor:

Ben Lewis

Production Designer:

Cedric Gibbons

Production Company:

Metro-Goldwyn-Mayer Corp.
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HISTORY

According to HR pre-release news items, this film went into production as Manhattan Madness with Richard Boleslawski directing. After two days of shooting, Boleslawski reportedly left the picture to direct O'Shaughnessy's Boy (see above). Following this, two other directors were assigned to the picture before George B. Seitz took over as the fourth and final director. This turmoil apparently caused many delays and interruptions in the shooting schedule. Boleslawski was later replaced by Harry Beaumont, who soon walked off the picture announcing that he was dissatisfied with the script. In late May, J. Walter Ruben was assigned to direct the picture, but he was sidetracked to direct Riff Raff (see above).
       HR pre-production news items also noted that both Franchot Tone and Wallace Beery were considered for the male lead before Joel McCrea was assigned the part. According to DV, Tone did not take the part because M-G-M assigned him to replace Robert Montgomery in Mutiny on the Bounty (see above). A HR pre-release news item indicates that George Hanneman was assigned to retouch the script after Beaumont's departure. Early HR production charts list actors Henry Bradley, Tom McGuire, Bill Dooley, Eddie Hart, Michael Marc and Tyler Brooke in the cast, but their appearance in the released film has not been confirmed. Also, an early HR production chart lists Claude Gillinwater and Ted Healy in the cast, but they did not appear in the released film. Following the release of Woman Wanted, a HR news item noted ...

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According to HR pre-release news items, this film went into production as Manhattan Madness with Richard Boleslawski directing. After two days of shooting, Boleslawski reportedly left the picture to direct O'Shaughnessy's Boy (see above). Following this, two other directors were assigned to the picture before George B. Seitz took over as the fourth and final director. This turmoil apparently caused many delays and interruptions in the shooting schedule. Boleslawski was later replaced by Harry Beaumont, who soon walked off the picture announcing that he was dissatisfied with the script. In late May, J. Walter Ruben was assigned to direct the picture, but he was sidetracked to direct Riff Raff (see above).
       HR pre-production news items also noted that both Franchot Tone and Wallace Beery were considered for the male lead before Joel McCrea was assigned the part. According to DV, Tone did not take the part because M-G-M assigned him to replace Robert Montgomery in Mutiny on the Bounty (see above). A HR pre-release news item indicates that George Hanneman was assigned to retouch the script after Beaumont's departure. Early HR production charts list actors Henry Bradley, Tom McGuire, Bill Dooley, Eddie Hart, Michael Marc and Tyler Brooke in the cast, but their appearance in the released film has not been confirmed. Also, an early HR production chart lists Claude Gillinwater and Ted Healy in the cast, but they did not appear in the released film. Following the release of Woman Wanted, a HR news item noted that, due to a studio error, too many names appeared in the writers credit in the preview credits. Only Fields, Silverstein and Collison were intended to receive writing credits.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
10 May 1935
p. 1
Daily Variety
16 May 1935
p. 5
Daily Variety
1 Jul 1935
p. 20
Daily Variety
15 Jul 1935
p. 3
Film Daily
10 Aug 1935
p. 4
Hollywood Reporter
2 May 1935
p. 1
Hollywood Reporter
15 May 1935
p. 8
Hollywood Reporter
16 May 1935
p. 7
Hollywood Reporter
19 May 1935
p. 1
Hollywood Reporter
20 May 1935
p. 6, 10
Hollywood Reporter
23 May 1935
p. 1
Hollywood Reporter
24 May 1935
p. 12
Hollywood Reporter
27 May 1935
p. 10
Hollywood Reporter
28 May 1935
p. 1
Hollywood Reporter
29 May 1935
p. 6
Hollywood Reporter
1 Jun 1935
p. 4
Hollywood Reporter
3 Jun 1935
p. 2
Hollywood Reporter
17 Jun 1935
p. 10
Hollywood Reporter
15 Jul 1935
p. 4
Hollywood Reporter
16 Jul 1935
p. 6
Motion Picture Daily
16 Jul 1935
p. 4
Motion Picture Herald
6 Jul 1935
p. 82
Motion Picture Herald
27 Jul 1935
p. 49
Variety
14 Aug 1935
p. 15
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
WRITERS
Dave Silverstein
Scr
Contr wrt
Contr wrt
Contr wrt
Contr wrt
Contr wrt
PHOTOGRAPHY
Charles [G.] Clarke
Photog
ART DIRECTORS
Art dir
Joseph Wright
Art dir assoc
Art dir assoc
FILM EDITOR
Film ed
COSTUMES
Ward
MUSIC
Mus score
SOUND
Rec dir
SOURCES
LITERARY
Based on the story or play Get That Girl by Wilson Collison (publication undetermined).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Title:
Manhattan Madness
Release Date:
2 August 1935
Production Date:
15 May--22 May; 1 Jun--mid Jun 1935
Copyright Info
Claimant
Date
Copyright Number
Metro-Goldwyn-Mayer Corp.
29 July 1935
LP5699
Physical Properties:
Sound
Western Electric Sound System
Black and White
Duration(in mins):
65,68 or 70
Length(in reels):
7
Country:
United States
PCA No:
1076
Passed by NBR:
Yes
SYNOPSIS

While awaiting the verdict in her murder trial, Ann Gray, charged with killing gangster Ted Arnold, flirts with attorney Tony Baxter across the courthouse light well. After Ann is found guilty of first-degree murder she is taken to jail, but she manages to escape with the help of gang leader Smiley, who wants to keep her out of jail because he believes that she posesses information that is of value to his operation. Though Ann escapes from the police, she does not fall into the hands of Smiley as planned, but instead finds a ride with Tony, who is unaware that Ann was on trial or that she is a fugitive. While an all-points bulletin is issued for Ann's capture, Tony takes her back to his apartment. Sweeney, the house detective in Tony's building, takes notice of Ann's picture in the newspaper and realizes that it was she who accompanied Tony to his apartment. Before Sweeney is able to call the police and accuse Tony of harboring the fugitive, Betty Randolph, Tony's fiancée, arrives, and with the help of Peedles, his personal valet, Tony makes it appear as if Sweeney mistook Betty for the fugitive. After the detectives and Betty leave, Tony, convinced of Ann's innocence, offers to help her. Ann explains that she was naive when she arrived in New York and unwittingly fell in with the racketeers. She also admits that she was taken advantage of by gangster Monk Shelby. When Shelby calls Ann at Tony's and asks her to meet him, Tony agrees to drive her to him. Unknown to Ann and Tony, Shelby was forced to ...

More Less

While awaiting the verdict in her murder trial, Ann Gray, charged with killing gangster Ted Arnold, flirts with attorney Tony Baxter across the courthouse light well. After Ann is found guilty of first-degree murder she is taken to jail, but she manages to escape with the help of gang leader Smiley, who wants to keep her out of jail because he believes that she posesses information that is of value to his operation. Though Ann escapes from the police, she does not fall into the hands of Smiley as planned, but instead finds a ride with Tony, who is unaware that Ann was on trial or that she is a fugitive. While an all-points bulletin is issued for Ann's capture, Tony takes her back to his apartment. Sweeney, the house detective in Tony's building, takes notice of Ann's picture in the newspaper and realizes that it was she who accompanied Tony to his apartment. Before Sweeney is able to call the police and accuse Tony of harboring the fugitive, Betty Randolph, Tony's fiancée, arrives, and with the help of Peedles, his personal valet, Tony makes it appear as if Sweeney mistook Betty for the fugitive. After the detectives and Betty leave, Tony, convinced of Ann's innocence, offers to help her. Ann explains that she was naive when she arrived in New York and unwittingly fell in with the racketeers. She also admits that she was taken advantage of by gangster Monk Shelby. When Shelby calls Ann at Tony's and asks her to meet him, Tony agrees to drive her to him. Unknown to Ann and Tony, Shelby was forced to place the call by Smiley, who then shot the caller. Once they arrive at the designated rendezvous point, Ann and Tony are taken hostage by Smiley, but they soon escape by crashing their car through a wall. They then flee to Ma Purdy's, a deserted roadside diner, where they pose as the proprieters of the place when the constable shows up. The constable arrests Ann and Tony for breaking into Ma Purdy's, but before he can haul them off, they ply him with applejack and get him drunk. As soon as the constable passes out, Ann and Tony steal his car and kiss. When they return to Tony's, Peedles informs his boss that the police had been by inquiring about his car. Later, Tony is called into district attorney Martin's office, where he is told that Monk Shelby's body was found in a ditch near his car. Meanwhile, Ann, realizing that Tony may get into trouble on her account, calls Martin to surrender, and then prepares to commit suicide. Just as she is about to shoot herself, a hand reaches from behind to stop her and a shot rings out. When Martin arrives at Tony's to collect Ann, he finds Ann gone and Peedles on the ground with a shotgun wound. Acting on the only clue he has, Tony suggests that Martin go to Smiley's nightclub, the Show Boat Cafe, where he thinks that they will find the mobsters and Ann. Tony, Martin and the police arrive, and a fistfight ensues, followed by a shootout. Smiley is arrested and Tony is told that Shelby, who is still alive, has confessed to Arnold's murder. Ann, now vindicated, speeds away in a motor boat with Tony.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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