A Child Is Born (1940)

75 or 79 mins | Melodrama | 6 January 1940

Director:

Lloyd Bacon

Writer:

Robert Rossen

Cinematographer:

Charles Rosher

Editor:

Jack Killifer

Production Designer:

John Hughes

Production Company:

Warner Bros. Pictures, Inc.
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HISTORY

The working title of this picture was Give Me a Child. According to the MPAA/PCA Collection at the AMPAS Library, the film was rejected in Ireland, New Zealand and British Columbia because "it might create fear in the minds of expectant mothers" and because it misrepresented the facts of hospital management. In the United States, studio relations director Joseph I. Breen told Jack Warner to omit any scenes of the expectant mothers experiencing labor pains and any scenes of actual or suggested childbirth. This picture marked actress Jean Sharon's screen debut. Mary McDougal Axelson's play was first filmed by First National in 1932 under the title of Life Begins starring Loretta Young (see below). ...

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The working title of this picture was Give Me a Child. According to the MPAA/PCA Collection at the AMPAS Library, the film was rejected in Ireland, New Zealand and British Columbia because "it might create fear in the minds of expectant mothers" and because it misrepresented the facts of hospital management. In the United States, studio relations director Joseph I. Breen told Jack Warner to omit any scenes of the expectant mothers experiencing labor pains and any scenes of actual or suggested childbirth. This picture marked actress Jean Sharon's screen debut. Mary McDougal Axelson's play was first filmed by First National in 1932 under the title of Life Begins starring Loretta Young (see below).

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PERSONAL & COMPANY INDEX CREDITS
HISTORY CREDITS
CREDIT TYPE
CREDIT
Personal note credit:
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
3 Jan 1940
p. 3
Film Daily
16 Jan 1940
p. 8
Hollywood Reporter
13 Mar 1939
p. 6
Hollywood Reporter
23 Mar 1939
p. 2
Hollywood Reporter
5 Jan 1940
p. 3
Hollywood Reporter
7 Dec 1939
p. 3
Motion Picture Daily
12 Jan 1940
p. 5
Motion Picture Herald
6 Jan 1940
p. 42
New York Times
11 Jan 1940
p. 19
Variety
17 Jan 1940
p. 14
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
A Warner Bros.--First National Picture; Jack L. Warner in charge of production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Dial dir
Asst dir
PRODUCERS
Exec prod
Assoc prod
WRITER
PHOTOGRAPHY
ART DIRECTOR
Art dir
FILM EDITOR
Film ed
COSTUMES
MUSIC
Orch arr
SOUND
Charles Lang
Sd
MAKEUP
Makeup
PRODUCTION MISC
Tech adv
Unit mgr
SOURCES
LITERARY
Based on the play Life Begins by Mary McDougal Axelson (New York, 28 Mar 1932).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Title:
Give Me a Child
Release Date:
6 January 1940
Premiere Information:
Kansas City, Mo opening: 7 Dec 1939
Production Date:
13 Mar--late Apr 1939
Copyright Info
Claimant
Date
Copyright Number
Warner Bros. Pictures, Inc.
30 December 1939
LP9325
Physical Properties:
Sound
Black and White
Duration(in mins):
75 or 79
Length(in reels):
9
Country:
United States
PCA No:
5229
SYNOPSIS

Jed Sutton comes to the maternity ward of a large hospital to visit his wife Grace, a convicted murderess who has been released from prison only long enough to give birth to her child. Soon after, Mrs. Mamie West also arrives on the maternity floor to give birth to her seventh child, and is greeted by Miss Bowers, the head nurse. Before seeing his wife, Jed is called into consultation by Dr. Lee, who informs him that Grace is in a severely weakened condition. Grace's plight wins the sympathy of Miss Bowers, who smuggles Jed into see his wife, against the orders of the prison matron. Other patients in the ward are Florette Laverne, a vaudeville dancer who doesn't want her baby because her husband Harry has threatened to leave her and get a new partner for his act; Gladys Norton, an eighteen-year-old who is secretly married and fears the reaction of her mother; Mrs. Kempner, who desperately wants a child even though the doctors have told her that she can never bear one; and Mrs. Helen Banks, whose frantic husband Ringer paces the waiting room. When Florette receives a telegram from Harry notifying her that he has found a new partner and is leaving her, she decides to put her twin babies up for adoption. As Grace's condition worsens, she tells Jed that she no longer wants to live and asks him to care for their baby. Jed insists that his wife's life is more precious than that of his child, but when Dr. Lee is blinded in a laboratory accident, another doctor is assigned to the case and Grace instructs him ...

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Jed Sutton comes to the maternity ward of a large hospital to visit his wife Grace, a convicted murderess who has been released from prison only long enough to give birth to her child. Soon after, Mrs. Mamie West also arrives on the maternity floor to give birth to her seventh child, and is greeted by Miss Bowers, the head nurse. Before seeing his wife, Jed is called into consultation by Dr. Lee, who informs him that Grace is in a severely weakened condition. Grace's plight wins the sympathy of Miss Bowers, who smuggles Jed into see his wife, against the orders of the prison matron. Other patients in the ward are Florette Laverne, a vaudeville dancer who doesn't want her baby because her husband Harry has threatened to leave her and get a new partner for his act; Gladys Norton, an eighteen-year-old who is secretly married and fears the reaction of her mother; Mrs. Kempner, who desperately wants a child even though the doctors have told her that she can never bear one; and Mrs. Helen Banks, whose frantic husband Ringer paces the waiting room. When Florette receives a telegram from Harry notifying her that he has found a new partner and is leaving her, she decides to put her twin babies up for adoption. As Grace's condition worsens, she tells Jed that she no longer wants to live and asks him to care for their baby. Jed insists that his wife's life is more precious than that of his child, but when Dr. Lee is blinded in a laboratory accident, another doctor is assigned to the case and Grace instructs him to save the infant at any cost. Meanwhile, Florette experiences a change of heart and decides to keep her twins and Mrs. Kempner, who has lost her baby, offers to care for the children while Florette is on the road. Jed, informed that his wife has died in childbirth, is about to leave the hospital when Miss Bowers hands him his infant with a dying message from Grace that she wants her life to begin again in their baby.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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