Young Dr. Kildare (1938)

80-81 or 83 mins | Drama | 14 October 1938

Director:

Harold S. Bucquet

Cinematographer:

John Seitz

Editor:

Elmo Veron

Production Designer:

Cedric Gibbons

Production Company:

Metro-Goldwyn-Mayer Corp.
Full page view
HISTORY

Max Brand's story was published as a novel in 1941. A HR news item during the film's production noted that USC football star Tony Beard was to portray a doctor in the picture, but his participation in the completed film has not been confirmed. Roger Converse is listed in the cast on a HR production chart, but he was not in the released film. News items also noted that Young Dr. Kildare was the first M-G-M picture to open at New York's Radio City Music Hall, and that Harry Bucquet was making his directing debut with the film. Bucquet had previously worked as an assistant director and second unit director at M-G-M for many years. At the end of the picture, actors Lew Ayres and Lionel Barrymore appear as themselves and announce to the audience that they will appear in "further adventures" of "Drs. Kildare" and "Gillespie." Barrymore, who is in a wheelchair, then quips that he is still in a wheelchair because of his role and thought that the audience would not recognize him without it. This was the first in a series of fifteen popular films set at Blair General Hospital in New York. Ayres appeared as "Dr. James Kildare" in the first nine films of the series, but left after completing Dr. Kildare's Victory in 1942. As the United States entered World War II, Ayres declared himself a conscientious objector and lost his popularity with fans. After being confined for a time with other conscientious objectors at Cascade Locks, Oregon, Ayres entered the U.S. Army Medical Corps. and served with ...

More Less

Max Brand's story was published as a novel in 1941. A HR news item during the film's production noted that USC football star Tony Beard was to portray a doctor in the picture, but his participation in the completed film has not been confirmed. Roger Converse is listed in the cast on a HR production chart, but he was not in the released film. News items also noted that Young Dr. Kildare was the first M-G-M picture to open at New York's Radio City Music Hall, and that Harry Bucquet was making his directing debut with the film. Bucquet had previously worked as an assistant director and second unit director at M-G-M for many years. At the end of the picture, actors Lew Ayres and Lionel Barrymore appear as themselves and announce to the audience that they will appear in "further adventures" of "Drs. Kildare" and "Gillespie." Barrymore, who is in a wheelchair, then quips that he is still in a wheelchair because of his role and thought that the audience would not recognize him without it. This was the first in a series of fifteen popular films set at Blair General Hospital in New York. Ayres appeared as "Dr. James Kildare" in the first nine films of the series, but left after completing Dr. Kildare's Victory in 1942. As the United States entered World War II, Ayres declared himself a conscientious objector and lost his popularity with fans. After being confined for a time with other conscientious objectors at Cascade Locks, Oregon, Ayres entered the U.S. Army Medical Corps. and served with distinction. In a modern interview, Ayres has stated that his role in the "Dr. Kildare" series influenced his decision to become a medic. Subsequent to the end of the war, Ayres returned to filmmaking, but his career never attained the status that it had previous to his unpopular decision not to serve as a fighting man.
       After Ayres left the series, several other actors portrayed "Dr. Gillespie's" assistants, but none took over the character of "James Kildare." The later films usually had "Dr. Gillespie's" name in the title, and the series became known as the "Dr. Gillespie" series, although many contemporary and modern sources refer to all of the films as "Dr. Kildare" pictures. Throughout the series, Barrymore, who was crippled by arthritis, acted in a wheelchair, a requirement of his physical condition rather than an affectation of his character. Of the successors to Ayres, Van Johnson and Keye Luke were the most popular, and appeared in several films in the early 1940s. The last film in the series was Dark Delusion (1947), starring James Craig, Keye Luke and Lionel Barrymore. In addition to "Drs. Kildare" and "Gillespie," most films in the series featured a number of recurring characters, among them Kildare's parents (Emma Dunn and Samuel S. Hinds), "Dr. Walter Carew," (Walter Kingsford) the chief administrator of the hospital, ambulance attendant "Joe Wayman," (Nat Pendleton) and switchboard operator "Sally" (Marie Blake). The second film in the series, Calling Dr. Kildare, released on 28 Apr 1939, introduced Laraine Day as "Nurse Mary Lamont," Dr. Kildare's love interest in several subsequent films, and Alma Kruger as "Molly Byrd," head of nurses, who became both friend and foil to Dr. Gillespie.
       The character of "Dr. James Kildare" was previously featured in the 1937 Paramount film Internes Can't Take Money. Joel McCrea portrayed "Kildare" in that film. The characters of "Kildare" and "Gillespie" were revived by M-G-M for a popular NBC television series, Dr. Kildare, which ran from 1961 to 1966. In the television series, Richard Chamberlain appeared as "Kildare" and Raymond Massey assumed the role of "Dr. Gillespie."

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
12 Oct 1938
p. 3
Film Daily
12 Oct 1938
p. 8
Hollywood Reporter
7 Sep 1938
p. 5
Hollywood Reporter
10 Sep 1938
p. 2
Hollywood Reporter
12 Oct 1938
p. 3
Motion Picture Daily
13 Oct 1938
p. 11
Motion Picture Daily
5 Dec 1938
p. 1
Motion Picture Herald
15 Oct 1938
p. 36
New York Times
28 Oct 1938
p. 27
Variety
19 Oct 1938
p. 12
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
Prod
WRITERS
Orig story
PHOTOGRAPHY
John Seitz
Photog
ART DIRECTORS
Art dir
Art dir assoc
FILM EDITOR
Film ed
SET DECORATOR
Set dec
MUSIC
Mus score
SOUND
Rec dir
DETAILS
Series:
Release Date:
14 October 1938
Production Date:
5 Sep--28 Sep 1938
Copyright Info
Claimant
Date
Copyright Number
Loew's Inc.
12 October 1938
LP8362
Physical Properties:
Sound
Western Electric Sound System
Black and White
Duration(in mins):
80-81 or 83
Length(in reels):
8
Country:
United States
PCA No:
4751
Passed by NBR:
Yes
SYNOPSIS

After completing medical school, young Dr. James Kildare returns to Dartford, Connecticut to see his mother Martha, father, Dr. Steve Kildare, and childhood sweetheart, Alice Raymond. The senior Dr. Kildare is disappointed that Jimmy wants to work at Blair General Hospital in New York, but wishes him well in his twenty dollar-a-month internship. On Jimmy's first day at Blair, he meets Dr. Leonard Gillespie, a brilliant, but gruff physician whose surgical career is now hampered by his confinement to a wheel chair. Though Gillespie pretends to disdain dedication and ideals, he sees that Jimmy could be a worthy successor. When Gillespie asks him to diagnose his condition, Jimmy reluctantly reveals that Gillespie has a melanoma and may only live a year. On Jimmy's first case, he is called to a bar where a man has collapsed. After examining the man, Jimmy is summoned to an attempted suicide at a boardinghouse. Jimmy tells Joe Wayman, his ambulance assistant to give the man oxygen on the way back to the hospital, then goes to the suicide case. Jimmy is able to save the life of the young woman, who will not reveal her name, but the man at the bar dies after Wayman, thinking that that man was merely drunk, failed to administer oxygen. When the man turns out to have been a prominent politician, Jimmy is blamed for the death and refuses to implicate Wayman. Jimmy's position changes, however, when the suicide case turns out to be Barbara Chanler, the daughter of a millionaire. Jimmy realizes that the girl is despondent, but disagrees with prominent psychiatrist Dr. Lane-Porteus, who diagnoses Barbara's condition ...

More Less

After completing medical school, young Dr. James Kildare returns to Dartford, Connecticut to see his mother Martha, father, Dr. Steve Kildare, and childhood sweetheart, Alice Raymond. The senior Dr. Kildare is disappointed that Jimmy wants to work at Blair General Hospital in New York, but wishes him well in his twenty dollar-a-month internship. On Jimmy's first day at Blair, he meets Dr. Leonard Gillespie, a brilliant, but gruff physician whose surgical career is now hampered by his confinement to a wheel chair. Though Gillespie pretends to disdain dedication and ideals, he sees that Jimmy could be a worthy successor. When Gillespie asks him to diagnose his condition, Jimmy reluctantly reveals that Gillespie has a melanoma and may only live a year. On Jimmy's first case, he is called to a bar where a man has collapsed. After examining the man, Jimmy is summoned to an attempted suicide at a boardinghouse. Jimmy tells Joe Wayman, his ambulance assistant to give the man oxygen on the way back to the hospital, then goes to the suicide case. Jimmy is able to save the life of the young woman, who will not reveal her name, but the man at the bar dies after Wayman, thinking that that man was merely drunk, failed to administer oxygen. When the man turns out to have been a prominent politician, Jimmy is blamed for the death and refuses to implicate Wayman. Jimmy's position changes, however, when the suicide case turns out to be Barbara Chanler, the daughter of a millionaire. Jimmy realizes that the girl is despondent, but disagrees with prominent psychiatrist Dr. Lane-Porteus, who diagnoses Barbara's condition as mental illness. Despite the attempts of hospital administrater, Dr. Walter Carew, to make him reveal what Barbara has told him, Jimmy refuses, so Carew suspends him. Despondent, Jimmy goes to a local bar and is surprised by Alice, who has come to New York with his parents. He tells her that he is going to return to Dartford, and when his parents arrive, he pretends that nothing is wrong. His mother knows that Jimmy is troubled and tell him to do what he thinks is right, no matter what the consequences. Taking his mother's advice, Jimmy goes to Barbara's fiancé, John Hamilton, and learns that he and Barbara had argued about her desire to go to the Blue Swan Club with shady race horse owner Albert Foster. Jimmy later confronts Barbara and she confesses that she had been with Foster that night and had gotten very drunk. She then went upstairs with him to a private room. Later, realizing that Foster had drugged her, she wandered the streets until she found the boardinghouse where she tried to kill herself. Now knowing the truth, Jimmy tells Barbara not to tell anyone else, but say that she tried to kill herself over an argument with John. A short time later, Barbara is fine, but Jimmy is dismissed by Dr. Carew, who does not know that Jimmy has helped her. Meanwhile, suspecting what has happened, Dr. Gillespie goes to Barbara and learns the truth. As Jimmy is packing to return to Dartford, Gillespie pays a surprise visit and tells him that the melanoma diagnosis was correct and he doesn't have much time to teach him everything he needs to know as his new assistant.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

The Long Haul

Onscreen credits contain the following written acknowlegment: "The producer gratefully acknowleges the assistance and facilities made availabe to the producer by Leyland Motors Limited." Tom Morahan's onscreen credit reads ... >>

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

The Terminator

A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>

Incendiary Blonde

The working titles of this film were The Smoothest Gal in Town , The Life of Texas Guinan and Texas Guinan . The film opens ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.