I Stole a Million (1939)

78 mins | Drama | 21 July 1939

Director:

Frank Tuttle

Writer:

Nathanael West

Cinematographer:

Milton Krasner

Editor:

Ed Curtiss

Production Designer:

Jack Otterson

Production Company:

Universal Pictures Co.
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HISTORY

According to a news item in HR, this picture was based on the exploits of mail bandit Roy Gardner. Other news items in HR note that Universal negotiated with Edward G. Robinson to play the lead in this picture. When negotiations with Robinson failed, George Raft was borrowed from Warners and the script rewritten for him. Frances Dee and Joan Blondell were considered for the female leads in this picture. Universal also considered borrowing Dennis O'Keefe from M-G-M to appear in this picture. This film marked stage actor Tom Fadden's screen debut. ...

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According to a news item in HR, this picture was based on the exploits of mail bandit Roy Gardner. Other news items in HR note that Universal negotiated with Edward G. Robinson to play the lead in this picture. When negotiations with Robinson failed, George Raft was borrowed from Warners and the script rewritten for him. Frances Dee and Joan Blondell were considered for the female leads in this picture. Universal also considered borrowing Dennis O'Keefe from M-G-M to appear in this picture. This film marked stage actor Tom Fadden's screen debut.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
13 Jul 1939
p. 3
Film Daily
22 Aug 1939
p. 17
Hollywood Reporter
1 Mar 1939
p. 1
Hollywood Reporter
6 Mar 1939
p. 1
Hollywood Reporter
14 Apr 1939
p. 2
Hollywood Reporter
17 Apr 1939
p. 3
Hollywood Reporter
19 May 1939
p. 7
Hollywood Reporter
22 May 1939
p. 3
Hollywood Reporter
24 May 1939
p. 5
Hollywood Reporter
9 Jun 1939
p. 11
Hollywood Reporter
1 Jul 1939
p. 4
Hollywood Reporter
5 Jul 1939
p. 1
Hollywood Reporter
12 Jul 1939
p. 1
Hollywood Reporter
14 Jul 1939
p. 3
Motion Picture Daily
18 Jul 1939
p. 4
Motion Picture Herald
22 Jul 1939
p. 53
New York Times
7 Aug 1939
p. 11
Variety
19 Jul 1939
p. 12
CAST
NAME
CREDITED AS
CREDIT
Robert Elliot
Ed Peil Sr.
Harry B. Stafford
+
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
Assoc prod
WRITERS
Orig story
PHOTOGRAPHY
Dir of photog
ART DIRECTORS
Art dir
Charles [H.] Clarke
Art dir assoc
FILM EDITOR
Ed Curtiss
Film ed
SET DECORATOR
R. A. Gausman
Set dec
COSTUMES
Gowns
MUSIC
Mus dir
SOUND
Sd tech
PRODUCTION MISC
Unit publicist
DETAILS
Release Date:
21 July 1939
Production Date:
24 May--1 Jul 1939; retakes 11 Jul 1939
Copyright Info
Claimant
Date
Copyright Number
Universal Pictures Co.
24 July 1939
LP9027
Physical Properties:
Sound
Western Electric Mirrophonic Recording
Black and White
Duration(in mins):
78
Length(in reels):
10
Country:
United States
PCA No:
5507
SYNOPSIS

Taxi driver Joe Lourik gets in an argument with the manager of a cab finance company over payments that owes on his new cab. Believing that he has been cheated, Joe reclaims his payments and is arrested for robbery. Escaping with a pair of handcuffs dangling from his wrists, Joe jumps on a passing freight train where he meets a tramp who gives him the address of Patian, a thief and a fence in San Diego, from whom he can get his handcuffs removed. In San Diego, Patian agrees to remove the cuffs on the condition that Joe drive the getaway car for a bank robbery. After the robbery, Patian sends Joe to a boarding house in Sacramento to await his cut of the money. Growing impatient, Joe decides to return to San Diego and enters a flower shop with the intention of robbing it. At the store, he meets clerk Laura Benson, falls in love at first sight and decides to go straight. With his winnings from a crap game, Joe buys a garage in Amesville and settles down, but a year later, the police are back on his trail. Desperate, Joe travels to San Diego to demand money from Patian, but Patian's thugs waylay him, forcing Joe to rob a post office . Afraid that he will be caught if he returns home, Joe disappears. Some time later, he sees a picture of his newborn baby in the paper and arranges for a meeting with Laura who pleads with Joe to give himself up and serve his time so that he can start a new life. Hearing ...

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Taxi driver Joe Lourik gets in an argument with the manager of a cab finance company over payments that owes on his new cab. Believing that he has been cheated, Joe reclaims his payments and is arrested for robbery. Escaping with a pair of handcuffs dangling from his wrists, Joe jumps on a passing freight train where he meets a tramp who gives him the address of Patian, a thief and a fence in San Diego, from whom he can get his handcuffs removed. In San Diego, Patian agrees to remove the cuffs on the condition that Joe drive the getaway car for a bank robbery. After the robbery, Patian sends Joe to a boarding house in Sacramento to await his cut of the money. Growing impatient, Joe decides to return to San Diego and enters a flower shop with the intention of robbing it. At the store, he meets clerk Laura Benson, falls in love at first sight and decides to go straight. With his winnings from a crap game, Joe buys a garage in Amesville and settles down, but a year later, the police are back on his trail. Desperate, Joe travels to San Diego to demand money from Patian, but Patian's thugs waylay him, forcing Joe to rob a post office . Afraid that he will be caught if he returns home, Joe disappears. Some time later, he sees a picture of his newborn baby in the paper and arranges for a meeting with Laura who pleads with Joe to give himself up and serve his time so that he can start a new life. Hearing footsteps, Joe flees from the police who have followed Laura, and Laura is arrested as an accomplice. While Laura is in jail, Joe decides to steal enough money so that Laura and his daughter will be financially secure, and so he embarks upon a crime wave which earns him the moniker of "the million dollar bandit." After serving her sentence, Laura arranges for another meeting with Joe and again pleads with him to give himself up. As the police surround them, Joe has no other choice but to concede to his wife's wishes.

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GENRE
Genre:
Sub-genre:
Crime


Subject
Subject (Major):

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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