Zaza
(1939)
83 or 86-87 mins | Drama | 13 January 1939
Director:
George CukorWriter:
Zoë AkinsProducer:
Albert LewinCinematographer:
Charles Lang Jr.Editor:
Edward DmytrykProduction Designers:
Hans Dreier, Robert UsherProduction Company:
Paramount Pictures, Inc.The play Zaza was adapted by David Belasco from the French play Zaza by Pierre Berton and Charles Simon, produced in Paris in 1898. Belasco previewed his play in Washington, D.C. on 26 Dec 1898. News items in HR and NYT report that Isa Miranda was cast in the title role but replaced after three days of shooting by Claudette Colbert. NYT notes that although ill health was given as the official explanation for Miranda's replacement, the real reason was that she was miscast and temperamental. HR states that she suffered a nervous breakdown. In an early draft of SAB, Jules Furthman was credited with "substantial contribution to screenplay," but his name was later removed. According to the MPAA/PCA files at the AMPAS Library, the PCA ordered substantial cuts in the Can-Can scenes because the dancing and costumes were too suggestive. The play served as a basis for two other Paramount films under the banner of Famous Players. In 1915, Edwin S. Porter and Hugh Ford directed Pauline Frederick and Julian L'Estrange in Zaza (see AFI Catalog of Feature Films, 1911-20; F1.5184). In 1923, Allan Dwan directed Gloria Swanson in the starring role (see AFI Catalog of Feature Films, 1921-30; F2.6004). According to 1960 news item in HR, Carlo Ponti was planning a remake of the film starring Sophia Loren, but it was never made. ...
The play Zaza was adapted by David Belasco from the French play Zaza by Pierre Berton and Charles Simon, produced in Paris in 1898. Belasco previewed his play in Washington, D.C. on 26 Dec 1898. News items in HR and NYT report that Isa Miranda was cast in the title role but replaced after three days of shooting by Claudette Colbert. NYT notes that although ill health was given as the official explanation for Miranda's replacement, the real reason was that she was miscast and temperamental. HR states that she suffered a nervous breakdown. In an early draft of SAB, Jules Furthman was credited with "substantial contribution to screenplay," but his name was later removed. According to the MPAA/PCA files at the AMPAS Library, the PCA ordered substantial cuts in the Can-Can scenes because the dancing and costumes were too suggestive. The play served as a basis for two other Paramount films under the banner of Famous Players. In 1915, Edwin S. Porter and Hugh Ford directed Pauline Frederick and Julian L'Estrange in Zaza (see AFI Catalog of Feature Films, 1911-20; F1.5184). In 1923, Allan Dwan directed Gloria Swanson in the starring role (see AFI Catalog of Feature Films, 1921-30; F2.6004). According to 1960 news item in HR, Carlo Ponti was planning a remake of the film starring Sophia Loren, but it was never made.
Monsieur Dufresne, a debonair traveler from Paris, meets the singer Zaza at a train station in the provincial town in which she has come to perform. Enchanted by her beauty, Dufresne returns to the theater night after night, without ever attempting to meet her. Wildly curious about her mysterious admirer, Zaza badgers the songwriter Bussy to bring his friend Dufresne backstage. Dufresne is strangely reluctant to meet the object of his desire, however, and when he finally does come to her dressing room, he is amused by her obvious attempts to ensnare him. Zaza's charms eventually win out, and Dufresne misses his return train to Paris and spends the night with his enchantress. Falling deeply in love, Zaza abandons her career and her partner, Cascart, for the pursuit of her romance. Meanwhile, Cascart accidentally discovers that Dufresne has a wife in Paris and, concerned for Zaza's well being, informs her of her lover's secret life. Furious, Zaza determines to confront the other woman and banish her from Dufresne's life. She goes to Paris where, while waiting to speak to her rival, Zaza meets Dufresne's little daughter Toto and comes to realize that Dufresne really loves his wife and daughter. Leaving Paris without ever revealing Dufresne's duplicity to his wife, Zaza confronts her lover with the truth when he pays her a visit the next night, and he walks out of her life. Zaza then pours her energy into the stage and, three years later, has become a star of the Follies. On opening night, Dufresne comes to see her perform, but Zaza sings a song of parting, forcing him to ...
Monsieur Dufresne, a debonair traveler from Paris, meets the singer Zaza at a train station in the provincial town in which she has come to perform. Enchanted by her beauty, Dufresne returns to the theater night after night, without ever attempting to meet her. Wildly curious about her mysterious admirer, Zaza badgers the songwriter Bussy to bring his friend Dufresne backstage. Dufresne is strangely reluctant to meet the object of his desire, however, and when he finally does come to her dressing room, he is amused by her obvious attempts to ensnare him. Zaza's charms eventually win out, and Dufresne misses his return train to Paris and spends the night with his enchantress. Falling deeply in love, Zaza abandons her career and her partner, Cascart, for the pursuit of her romance. Meanwhile, Cascart accidentally discovers that Dufresne has a wife in Paris and, concerned for Zaza's well being, informs her of her lover's secret life. Furious, Zaza determines to confront the other woman and banish her from Dufresne's life. She goes to Paris where, while waiting to speak to her rival, Zaza meets Dufresne's little daughter Toto and comes to realize that Dufresne really loves his wife and daughter. Leaving Paris without ever revealing Dufresne's duplicity to his wife, Zaza confronts her lover with the truth when he pays her a visit the next night, and he walks out of her life. Zaza then pours her energy into the stage and, three years later, has become a star of the Follies. On opening night, Dufresne comes to see her perform, but Zaza sings a song of parting, forcing him to realize that theirs is a forbidden love. Dufresne leaves the theater, never to see her again.
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