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HISTORY

This film was released in Great Britain under the title The Man Who Changed His Mind . Modern sources include Prod Michael Balcon, Des Vetchinsky, Cost Molyneux and Mus dir Louis Levy in the ... More Less

This film was released in Great Britain under the title The Man Who Changed His Mind . Modern sources include Prod Michael Balcon, Des Vetchinsky, Cost Molyneux and Mus dir Louis Levy in the production. More Less

GEOGRAPHIC LOCATIONS
LOCATION
SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
16-Dec-36
---
Variety
23 Dec 36
p. 18.
DETAILS
Alternate Titles:
Doctor Manic
The Man Who Changed His Mind
Release Date:
1 November 1936
Premiere Information:
London opening: September 1936
Copyright Claimant:
Gaumont-British Picture Corp. of America
Copyright Date:
4 October 1936
Copyright Number:
LP6753
Physical Properties:
Sound
Black and White
Duration(in mins):
61 or 65-66
Length(in feet):
7
Countries:
United Kingdom, United States
Language:
English
Passed by NBR:
No
SYNOPSIS

Outside London, Dr. Laurience discovers a way to transport the mind of one person into another. His discovery enlists the support of newspaper publisher Lord Haslewood, whom the doctor turns on when the London medical community dismisses him. Out of jealousy, Laurience attempts to exchange minds with Dick Haslewood, the fiancé of Dr. Clare Wyatt. His plans foiled, Laurience dies as Clare promises to destroy his ... +


Outside London, Dr. Laurience discovers a way to transport the mind of one person into another. His discovery enlists the support of newspaper publisher Lord Haslewood, whom the doctor turns on when the London medical community dismisses him. Out of jealousy, Laurience attempts to exchange minds with Dick Haslewood, the fiancé of Dr. Clare Wyatt. His plans foiled, Laurience dies as Clare promises to destroy his invention. +

GENRE
Genre:


Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.