Dusk to Dawn (1922)
Drama, Fantasy | 2 September 1922
Director:
King VidorWriter:
Frank Howard ClarkCinematographer:
George BarnesProduction Company:
Florence Vidor ProductionsActress Florence Arto Vidor, the wife of director King Vidor, was the nominal producer of Dusk to Dawn through Florence Vidor Productions. However, film credits and a full page ad in the 23 Sep 1922 Exhibitors Trade Review bill the movie as “A King Vidor Production.”
According to the 30 Aug 1922 FD, Dusk to Dawn was opening at the huge Capitol Theatre on Broadway in New York City, sharing the bill with a Johnny Jones comedy short called “Makin’ Movies,” a couple of opera singers, and a dancer, Doris Miles, performing “Dance Hindu.”
In his 2012 book, American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929, John T. Soister pointed out that Dusk to Dawn was adapted from a short story in the June 1916 Munsey’s Magazine, not from a “famous novel,” as claimed in the film’s advertising.
Critics praised the film’s technical values, but were puzzled by the story’s strange spirituality. A reviewer in the 25 Sep 1922 LAT felt the story never explained how the “wild idea” of two women sharing a single soul during their opposite waking hours worked. “What if one of them happened to doze overtime? What if she didn’t give the other the proper chance to wake up?”
Dusk to Dawn is apparently a lost film.
...
Actress Florence Arto Vidor, the wife of director King Vidor, was the nominal producer of Dusk to Dawn through Florence Vidor Productions. However, film credits and a full page ad in the 23 Sep 1922 Exhibitors Trade Review bill the movie as “A King Vidor Production.”
According to the 30 Aug 1922 FD, Dusk to Dawn was opening at the huge Capitol Theatre on Broadway in New York City, sharing the bill with a Johnny Jones comedy short called “Makin’ Movies,” a couple of opera singers, and a dancer, Doris Miles, performing “Dance Hindu.”
In his 2012 book, American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929, John T. Soister pointed out that Dusk to Dawn was adapted from a short story in the June 1916 Munsey’s Magazine, not from a “famous novel,” as claimed in the film’s advertising.
Critics praised the film’s technical values, but were puzzled by the story’s strange spirituality. A reviewer in the 25 Sep 1922 LAT felt the story never explained how the “wild idea” of two women sharing a single soul during their opposite waking hours worked. “What if one of them happened to doze overtime? What if she didn’t give the other the proper chance to wake up?”
Dusk to Dawn is apparently a lost film.
Marjorie has nightly dreams wherein she enacts the life of Aziza, a beggar girl in India who shares her soul whenever Marjorie is sleeping. To save her fugitive brother Ralph from imprisonment for forgery, Marjorie appeals to bank president Mark Randall. He agrees not to prosecute if Marjorie can use her wiles to break up an affair between his son, Philip Randall, and a notorious dancer named Babette. Masquerading as a vamp, Marjorie gains Babette's trust and exposes her as the real forger, thus exonerating her brother. She also falls in love with Philip, but cannot marry him because her soul is not completely her own. However, when Aziza kills herself on her husband's funeral pyre in India, Marjorie regains control of her own soul and agrees to wed ...
Marjorie has nightly dreams wherein she enacts the life of Aziza, a beggar girl in India who shares her soul whenever Marjorie is sleeping. To save her fugitive brother Ralph from imprisonment for forgery, Marjorie appeals to bank president Mark Randall. He agrees not to prosecute if Marjorie can use her wiles to break up an affair between his son, Philip Randall, and a notorious dancer named Babette. Masquerading as a vamp, Marjorie gains Babette's trust and exposes her as the real forger, thus exonerating her brother. She also falls in love with Philip, but cannot marry him because her soul is not completely her own. However, when Aziza kills herself on her husband's funeral pyre in India, Marjorie regains control of her own soul and agrees to wed Philip.
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