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HISTORY

The 12 Mar 1921 Motion Picture News announced that Plymouth Pictures, Inc., had acquired worldwide rights to the film, originally released in seven reels as Mothers of Men (1917, see entry). The picture was re-edited to five reels during the previous week under the supervision of Martin G. Cohn and J. F. Matteford. Principal photography took place in Santa Cruz, CA.
       As stated in the 19 Mar 1921 Moving Picture World, Plymouth Pictures president Nat Levine planned a series of test screenings “at representative theatres in each exchange center” to gauge audience response. The results would then determine the appropriate admission price for exhibitors according to states’ rights territory. Three or four theaters catering to multiple demographics were selected in each region. The program was already underway in New York City and New Jersey. States’ rights distributors included the Empire Film Exchange of Chicago, IL (1 Apr 1921 Wid’s Daily); American Film and Equipment Co. of San Francisco, CA, and New England’s Cosmopolitan Film Corp. (2 Apr 1921 Motion Picture News); Industrial Film Co. of New York (30 Apr 1921 Motion Picture News); Western Film Exchange of Portland, OR (11 Jun 1921 Motion Picture News); and Richard & Flynn of Kansas City, MO (28 May 1921 Moving Picture World).
       An article in the 9 Apr 1921 Motion Picture News noted that Plymouth’s publicity campaign included several novelty items, such as a counterfeit jury summons mailed to exhibitors, instructing them to report to their local film exchanges.
       Every Woman’s Problem ...

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The 12 Mar 1921 Motion Picture News announced that Plymouth Pictures, Inc., had acquired worldwide rights to the film, originally released in seven reels as Mothers of Men (1917, see entry). The picture was re-edited to five reels during the previous week under the supervision of Martin G. Cohn and J. F. Matteford. Principal photography took place in Santa Cruz, CA.
       As stated in the 19 Mar 1921 Moving Picture World, Plymouth Pictures president Nat Levine planned a series of test screenings “at representative theatres in each exchange center” to gauge audience response. The results would then determine the appropriate admission price for exhibitors according to states’ rights territory. Three or four theaters catering to multiple demographics were selected in each region. The program was already underway in New York City and New Jersey. States’ rights distributors included the Empire Film Exchange of Chicago, IL (1 Apr 1921 Wid’s Daily); American Film and Equipment Co. of San Francisco, CA, and New England’s Cosmopolitan Film Corp. (2 Apr 1921 Motion Picture News); Industrial Film Co. of New York (30 Apr 1921 Motion Picture News); Western Film Exchange of Portland, OR (11 Jun 1921 Motion Picture News); and Richard & Flynn of Kansas City, MO (28 May 1921 Moving Picture World).
       An article in the 9 Apr 1921 Motion Picture News noted that Plymouth’s publicity campaign included several novelty items, such as a counterfeit jury summons mailed to exhibitors, instructing them to report to their local film exchanges.
       Every Woman’s Problem began its seven-day premiere engagement at the U.S. Theatre in Paterson, NJ, during the week of 10 Apr 1921. According to the 27 Apr 1921 Wid’s Daily and 7 May 1921 Moving Picture World, publicist Al W. Sobler placed “advance teasers” in local newspapers, hinting at “every woman’s problem” ten days prior to the opening. Classified advertisements appeared in the Paterson Press-Guardian, instructing local residents, whose names were randomly selected from the telephone directory, to contact the newspaper office for two free tickets. Sobler also arranged private screenings for the League of Women Voters, the Professional Women’s association, and the Women’s Club. An essay contest was held by the Paterson Evening News, challenging writers to make the climactic life-or-death decision portrayed in the film. Judges included Mrs. Benjamin Stein of the League of Women Voters, and secretaries of the Paterson chapters of the Rotary and Kiwanis Clubs. Prizes were presented at the U.S. Theatre by a representative of the mayor’s office.
       Although the picture garnered generally positive reviews, the 9 Apr 1921 Exhibitors Herald argued that the story was dated and the revised subtitles were poorly written.
       A news item in the 9 Apr 1921 Var stated that Famous Players-Lasky Corp. had given permission for Plymouth Pictures to bill lead actress Dorothy Davenport as Mrs. Wallace Reid. Davenport’s husband was under contract to Famous Players-Lasky.
       The 14 May 1921 Exhibitors Herald reported that Nat Levine was visiting independent exchanges east of the Mississippi River on behalf of the film, which he also intended to market in “the remaining 30 per cent of unsold territories.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald
19 Mar 1921
p. 62
Exhibitors Herald
9 Apr 1921
p. 69
Exhibitors Herald
14 May 1921
p. 67
Motion Picture News
12 Mar 1921
p. 1940
Motion Picture News
2 Apr 1921
p. 2348
Motion Picture News
9 Apr 1921
p. 2460, 2461
Motion Picture News
16 Apr 1921
p. 2571, 2615
Motion Picture News
30 Apr 1921
p. 2822
Motion Picture News
11 Jun 1921
p. 3564
Moving Picture World
19 Mar 1921
p. 296, 312
Moving Picture World
7 May 1921
p. 59
Moving Picture World
28 May 1921
p. 4279
Variety
9 Apr 1921
p. 47
Wid's Daily
27 Mar 1921
p. 7
Wid's Daily
1 Apr 1921
p. 4
Wid's Daily
5 Apr 1921
p. 6
Wid's Daily
27 Apr 1921
p. 6
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
WRITERS
J. F. Natteford
Scen
Story
FILM EDITOR
Film ed
DETAILS
Alternate Title:
Mothers of Men
Release Date:
April 1921
Premiere Information:
Paterson, NJ, premiere: week of 10 Apr 1921
Production Date:
early 1917
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

"Clara Madison, a lawyer, is nominated by the woman's party for a judgeship and is elected. A yellow newspaper opposes her to such an extent that her husband threatens the life of the editor. Bootleggers whom the paper has also opposed concoct a scheme by which the newspaper office is destroyed by a bomb and the editor killed. Circumstantial evidence overwhelmingly points to the guilt of Clara's husband and with the two bootleggers, he is sentenced to death. Clara, in the meantime, is elected governor and is now faced with the question of allowing the law to take its course or of pardoning her husband, whom she dearly loves. She decides on the former course, but he is saved by the last minute confession of one of the bootleggers." ( Moving Picture World, 19 Mar 1921, ...

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"Clara Madison, a lawyer, is nominated by the woman's party for a judgeship and is elected. A yellow newspaper opposes her to such an extent that her husband threatens the life of the editor. Bootleggers whom the paper has also opposed concoct a scheme by which the newspaper office is destroyed by a bomb and the editor killed. Circumstantial evidence overwhelmingly points to the guilt of Clara's husband and with the two bootleggers, he is sentenced to death. Clara, in the meantime, is elected governor and is now faced with the question of allowing the law to take its course or of pardoning her husband, whom she dearly loves. She decides on the former course, but he is saved by the last minute confession of one of the bootleggers." ( Moving Picture World, 19 Mar 1921, p312.)

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.