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HISTORY

According to the 16 Aug 1924 Moving Picture World, screenwriters Agnes Christine Johnston and Hans Kraly adapted the screenplay from The Czarina, a New York City stage production of Lajos Biró and Melchior Lengyel’s Hungarian-language novel. The 12 Jul 1924 Moving Picture World reported that director Ernst Lubitsch, who had a standing contract with Warner Bros. Pictures, was “loaned” to Paramount Pictures for the production. Principal photography was expected to begin 14 Jul 1924.
       The Jun 1924 The Educational Screen listed Forbidden Paradise as one of “The Ten Best [Films] for 1924-25.”
       Forbidden Paradise was restored by Martin Scorsese's The Film Foundation with support from the Museum of Modern Art (MoMA). ...

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According to the 16 Aug 1924 Moving Picture World, screenwriters Agnes Christine Johnston and Hans Kraly adapted the screenplay from The Czarina, a New York City stage production of Lajos Biró and Melchior Lengyel’s Hungarian-language novel. The 12 Jul 1924 Moving Picture World reported that director Ernst Lubitsch, who had a standing contract with Warner Bros. Pictures, was “loaned” to Paramount Pictures for the production. Principal photography was expected to begin 14 Jul 1924.
       The Jun 1924 The Educational Screen listed Forbidden Paradise as one of “The Ten Best [Films] for 1924-25.”
       Forbidden Paradise was restored by Martin Scorsese's The Film Foundation with support from the Museum of Modern Art (MoMA).

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SOURCE CITATIONS
SOURCE
DATE
PAGE
The Educational Screen
Jun 1925
p. 358
Moving Picture World
12 Jul 1924
p. 99
Moving Picture World
16 Aug 1924
p. 555
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCERS
PHOTOGRAPHY
Charles J. Van Enger
Dir of photog
SET DECORATOR
Set dec
SOURCES
LITERARY
Based on the novel The Czarina by Lajos Biró, Melchior Lengyel (Budapest, 1913).
LITERARY SOURCE AUTHORS
DETAILS
Release Date:
24 November 1924
Premiere Information:
New York premiere: 16 Nov 1924
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Famous Players-Lasky Corp.
21 November 1924
LP20776
Physical Properties:
Silent
Black and White
Length(in feet):
7,543
Length(in reels):
8
Country:
United States
Language:
English
SYNOPSIS

"Alexei, a young officer, saves the Czarina of a small European kingdom from revolutionary conspirators and is rewarded with her love. Infatuated, he deserts his sweetheart, Anna, the Czarina's lady-in-waiting, only to discover that his Queen is far from true to him. Desperate, he joins the revolutionists and plots against her. The Czarina pleads that she loves only him, and he swears no harm will befall her. Meantime the chancellor nips the revolution in the bud, and the Czarina orders Alexei's arrest. But she causes herself such unhappiness in doing so that she releases him from prison, relinquishes him to Anna, and seeks solace in a new affair with the French Ambassador." ( Exhibitors Trade Review, 6 Dec 1924, ...

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"Alexei, a young officer, saves the Czarina of a small European kingdom from revolutionary conspirators and is rewarded with her love. Infatuated, he deserts his sweetheart, Anna, the Czarina's lady-in-waiting, only to discover that his Queen is far from true to him. Desperate, he joins the revolutionists and plots against her. The Czarina pleads that she loves only him, and he swears no harm will befall her. Meantime the chancellor nips the revolution in the bud, and the Czarina orders Alexei's arrest. But she causes herself such unhappiness in doing so that she releases him from prison, relinquishes him to Anna, and seeks solace in a new affair with the French Ambassador." ( Exhibitors Trade Review, 6 Dec 1924, p51.)

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GENRE
Genre:
Sub-genre:
Historical


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.