The Ghost Talks (1929)

61 mins | Comedy-drama | 24 February 1929

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HISTORY

       Filming began on 27 September 1928, according to a studio production schedule in the 3 November 1928 Exhibitors Herald and Moving Picture World. ...

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       Filming began on 27 September 1928, according to a studio production schedule in the 3 November 1928 Exhibitors Herald and Moving Picture World.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald and Moving Picture World
3 Nov 1928
p. 40
Film Daily
24 Feb 1929
---
New York Times
18 Feb 1929
p. 28
Variety
27 Feb 1929
p. 80
DETAILS
Release Date:
24 February 1929
Premiere Information:
New York opening: week of 16 Feb 1929
Production Date:
began 27 September 1928
Copyright Info
Claimant
Date
Copyright Number
Fox Film Corp.
18 December 1928
LP25921
Physical Properties:
Sound
Movietone
Black and White
Duration(in mins):
61
Length(in feet):
6,482
Length(in reels):
9
Country:
United States
Language:
English
SYNOPSIS

Franklyn Green, a correspondence-school detective working as a nightclerk in a hotel, comes to the aid of Miriam Holt when she checks into the hotel looking for $1 million in bonds stolen by her uncle, recently deceased. A quartet of crooks gets onto Miriam's trail, and Franklyn mistakes two of them for government postal inspectors. By chance, Franklyn discovers that they are crooks and, recovering the stolen bonds, turns them over to the police. Franklyn wins Miriam for his ...

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Franklyn Green, a correspondence-school detective working as a nightclerk in a hotel, comes to the aid of Miriam Holt when she checks into the hotel looking for $1 million in bonds stolen by her uncle, recently deceased. A quartet of crooks gets onto Miriam's trail, and Franklyn mistakes two of them for government postal inspectors. By chance, Franklyn discovers that they are crooks and, recovering the stolen bonds, turns them over to the police. Franklyn wins Miriam for his wife.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.