Full page view
HISTORY

According to the 23 Feb 1924 Exhibitors Herald, Happiness was adapted from the stage play by J. Hartley Manners, husband of leading actress Laurette Taylor. The 15 Oct 1923 FD stated that King Vidor, who previously worked with Taylor in Peg o’ My Heart (1922, see entry), was temporarily released from his contract at the Goldwyn Pictures Corp. to direct the project for Metro Pictures Corp.
       The 17 Nov 1923 Moving Picture World reported that the production had recently arrived in New York City for several weeks of exterior shooting. The 23 Feb 1924 Exhibitors Herald indicated that principal photography had been completed the previous week. A 30 Oct 1923 FD item listed Winifred Dunn as the scenario editor, David Howard as assistant director, and Sarah Hudson as script clerk. ...

More Less

According to the 23 Feb 1924 Exhibitors Herald, Happiness was adapted from the stage play by J. Hartley Manners, husband of leading actress Laurette Taylor. The 15 Oct 1923 FD stated that King Vidor, who previously worked with Taylor in Peg o’ My Heart (1922, see entry), was temporarily released from his contract at the Goldwyn Pictures Corp. to direct the project for Metro Pictures Corp.
       The 17 Nov 1923 Moving Picture World reported that the production had recently arrived in New York City for several weeks of exterior shooting. The 23 Feb 1924 Exhibitors Herald indicated that principal photography had been completed the previous week. A 30 Oct 1923 FD item listed Winifred Dunn as the scenario editor, David Howard as assistant director, and Sarah Hudson as script clerk.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
15 Oct 1923
p. 4
Film Daily
30 Oct 1923
p. 2
Moving Picture World
17 Nov 1923
p. 327
Exhibitors Herald
23 Feb 1924
p. 68
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PHOTOGRAPHY
Chester A. Lyons
Dir of photog
SOURCES
LITERARY
Based on the play "Happiness" by J. Hartley Manners in Happiness and Other Plays (New York, 31 Dec 1917).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
9 March 1924
Production Date:
late fall 1923--mid Feb 1924
Copyright Info
Claimant
Date
Copyright Number
Metro Pictures
5 March 1924
LP20031
Physical Properties:
Silent
Black and White
Length(in feet):
7,745
Length(in reels):
8
Country:
United States
Language:
English
SYNOPSIS

Jenny, a poor New York shopgirl, is befriended by two members of the bored and idle rich, Mrs. Chrystal Pole and Philip Chandos, who through the association deepen their lives. The girl marries Fermoy MacDonough, an electrician, and years later these four principals are able to recount their experience to benefit another ...

More Less

Jenny, a poor New York shopgirl, is befriended by two members of the bored and idle rich, Mrs. Chrystal Pole and Philip Chandos, who through the association deepen their lives. The girl marries Fermoy MacDonough, an electrician, and years later these four principals are able to recount their experience to benefit another waif.

Less

GENRE
Genre:
Sub-genre:
Society


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

It's a Wonderful Life

Philip Van Doren Stern's story, which, according to many contemporary and modern sources, was originally written in Nov 1939, was enclosed by him in his 1943 Christmas cards. Although ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.