The Hottentot (1929)

79 mins | Comedy | 10 August 1929

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HISTORY

The scenario was based on the 1920 play, The Hottentot by Victor Mapes and William Collier. This was the second screen version, the first of which was made in 1922 by Thomas H. Ince Productions.
       The 16 December 1928 Los Angeles Times announced that Harvey Thew had been recently contracted by Warner Bros. Pictures, Inc., to write the upcoming feature. Warner Bros. invested an estimated $2,000,000 to soundproof the seven stages at their Hollywood, CA, studio, as stated in the 8 January 1929 [Medford, OR] Mail Tribune. The next day’s issue of Variety reported that principal photography had begun on 7 January 1929. An item in the 10 January 1929 Los Angeles Times noted that star Edward Everett Horton was reprising his role from the play. Nearly three months later, the 4 April 1929 issue indicated that Horton was rehearsing a stage version, scheduled to open later that month at the Majestic Theatre in Los Angeles, CA.
       According to the 19 January 1929 Los Angeles Evening Post-Record, approximately 200 background actors would be required for a racetrack sequence. Production chief Jack L. Warner was quoted in the 3 March 1929 [Baltimore, MD] Sun, saying that the studio’s need for background actors had increased by 400 percent over the past year, due primarily to advances in sound technology that enabled the recording of large crowds.
       The 1 August 1929 and 9 August 1929 editions of the Los Angeles Evening Citizen News stated that the picture was the first ...

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The scenario was based on the 1920 play, The Hottentot by Victor Mapes and William Collier. This was the second screen version, the first of which was made in 1922 by Thomas H. Ince Productions.
       The 16 December 1928 Los Angeles Times announced that Harvey Thew had been recently contracted by Warner Bros. Pictures, Inc., to write the upcoming feature. Warner Bros. invested an estimated $2,000,000 to soundproof the seven stages at their Hollywood, CA, studio, as stated in the 8 January 1929 [Medford, OR] Mail Tribune. The next day’s issue of Variety reported that principal photography had begun on 7 January 1929. An item in the 10 January 1929 Los Angeles Times noted that star Edward Everett Horton was reprising his role from the play. Nearly three months later, the 4 April 1929 issue indicated that Horton was rehearsing a stage version, scheduled to open later that month at the Majestic Theatre in Los Angeles, CA.
       According to the 19 January 1929 Los Angeles Evening Post-Record, approximately 200 background actors would be required for a racetrack sequence. Production chief Jack L. Warner was quoted in the 3 March 1929 [Baltimore, MD] Sun, saying that the studio’s need for background actors had increased by 400 percent over the past year, due primarily to advances in sound technology that enabled the recording of large crowds.
       The 1 August 1929 and 9 August 1929 editions of the Los Angeles Evening Citizen News stated that the picture was the first talkie to feature a steeplechase racetrack, and featured such champion racehorses as Le Elegant, L. A. Murray, Charles Jiggers, Skyward, and Chisanthy. The 9 August 1929 Los Angeles Times credited Leo F. Forbstein as conductor of the film’s musical score, which was performed by the Vitaphone Orchestra.
       A scheduled 10 August 1929 release was announced as in the 17 August 1929 Variety. The next day’s issue of the [Lansing, MI] State Journal noted that editing was currently in progress. De Leon Anthony was credited with writing subtitles for the silent version.
       The Hottentot opened on 2 August 1929 at the Ambassador Theatre in St. Louis, MO; on 3 August 1929 at the Metropolitan Theatre in Washington, DC; and on 5 August 1929 at the Warner Bros. Theatre in Hollywood. During the latter engagement, the 10 August 1929 Los Angeles Times reported that DuBrock’s Riding Academy in Sherman Oaks, CA, had organized a party of approximately 100 equestrians to attend a screening on horseback. One week later, the 17 August 1929 Motion Picture News stated that The Hottentot was currently the highest-grossing film in the Los Angeles area.
       A review in the 14 September 1929 Harrison’s Reports estimated 28 September 1929 as the opening date for the silent version.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Baltimore Sun [Baltimore, MD]
3 Mar 1929
p. 53
Evening Star [Washington, DC]
1 Aug 1929
p. 50
Film Daily
2 Sep 1929
---
Harrison's Reports
14 Sep 1929
p. 147
Hartford Courant [Hartford, CT]
1 Aug 1929
p. 19
Hollywood Filmograph
31 Aug 1929
p. 33
Lansing State Journal [Lansing, MI]
18 Jul 1929
p. 14
Los Angeles Evening Citizen News [Los Angeles, CA]
1 Aug 1929
p. 8
Los Angeles Evening Citizen News [Los Angeles, CA]
9 Aug 1929
p. 7
Los Angeles Evening Express [Los Angeles, CA]
3 Aug 1929
p. 9
Los Angeles Evening Post-Record [Los Angeles, CA]
19 Jan 1929
p. 12
Los Angeles Times
16 Dec 1928
Section C, p. 16
Los Angeles Times
10 Jan 1929
p. 32
Los Angeles Times
4 Apr 1929
Section A, p. 7
Los Angeles Times
9 Aug 1929
p. 31
Los Angeles Times
10 Aug 1929
Section A, p. 7
Medford Mail Tribune [Medford, OR]
8 Jan 1929
p. 7
Modern View [St. Louis, MO]
2 Aug 1929
p. 10
Motion Picture News
17 Aug 1929
p. 659
New York Times
7 Sep 1929
p. 15, 21
Variety
9 Jan 1929
p. 27
Variety
17 Jul 1929
p. 54
Variety
11 Sep 1929
p. 18
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
WRITERS
PHOTOGRAPHY
Dir of photog
FILM EDITOR
Film ed
SOURCES
LITERARY
Based on the play, The Hottentot by Victor Mapes and William Collier (New York, 1 Mar 1920).
LITERARY SOURCE AUTHORS
DETAILS
Release Date:
10 August 1929
Premiere Information:
Silent version release: ca.28 Sep 1929; St. Louis, MO, opening: 2 Aug 1929; Washington, DC, opening: 3 Aug 1929; Los Angeles opening: 5 Aug 1929
Production Date:
began 7 Jan 1929
Copyright Info
Claimant
Date
Copyright Number
Warner Bros. Pictures, Inc.
15 July 1929
LP524
Physical Properties:
Sound
Vitaphone
Black and White
Sound, also silent
Also si, 28 Sep 1929; 5,004 ft.
Duration(in mins):
79
Length(in feet):
7,241
Length(in reels):
8
Country:
United States
Language:
English
SYNOPSIS

Peggy Fairfax, whose family is devoted to horses and everything associated with them, mistakes Sam Harrington for a famous steeplechase rider and enthusiastically asks him to ride her horse, "Hottentot," in an important race. Because Sam is in love with Peggy, he tries to oblige her, but is thrown by the high-spirited horse. Eventually, with the aid of Swift, the Fairfax family butler, Sam is able to overcome his fears and win the race, as well as Peggy's devotion. ...

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Peggy Fairfax, whose family is devoted to horses and everything associated with them, mistakes Sam Harrington for a famous steeplechase rider and enthusiastically asks him to ride her horse, "Hottentot," in an important race. Because Sam is in love with Peggy, he tries to oblige her, but is thrown by the high-spirited horse. Eventually, with the aid of Swift, the Fairfax family butler, Sam is able to overcome his fears and win the race, as well as Peggy's devotion.

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GENRE
Genre:


Subject
Subject (Major):

Subject (Minor):
Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.