Full page view
HISTORY

The May 1924 AmCin reported that cinematographer Antonio Gaudio was on loan from Joseph M. Schenck to film Husbands and Lovers for John M. Stahl at the Louis B. Mayer Studios at 3800 [N.] Mission Road in northeast Los Angeles, CA. Cameraman Steve Norton presided over a second camera during a major scene. This is almost certainly that movie.
       Some sources credit Stahl with story. Given release dates vary from Jun to 28 Dec ... More Less

The May 1924 AmCin reported that cinematographer Antonio Gaudio was on loan from Joseph M. Schenck to film Husbands and Lovers for John M. Stahl at the Louis B. Mayer Studios at 3800 [N.] Mission Road in northeast Los Angeles, CA. Cameraman Steve Norton presided over a second camera during a major scene. This is almost certainly that movie.
       Some sources credit Stahl with story. Given release dates vary from Jun to 28 Dec 1924. More Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
American Cinematographer
May 1924
p. 26.
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
PHOTOGRAPHY
ART DIRECTOR
Art dir
FILM EDITORS
Film ed
Film ed
DETAILS
Release Date:
2 November 1924
Copyright Claimant:
Louis B. Mayer Productions
Copyright Date:
21 October 1924
Copyright Number:
LP20676
Physical Properties:
Silent
Black and White
Length(in feet):
7,822
Length(in reels):
8
Country:
United States
Language:
English
Passed by NBR:
No
SYNOPSIS

Chided by her husband, James, for neglecting her appearance, Grace Livingston changes her style to that of a flapper. James disapproves of so great a change, while his debonair friend, Rex Phillips, is highly complimentary and attentive. In a darkened room Grace mistakes James for Rex and confesses her love for him, so James clears the way for a divorce. Grace and Rex are about to be married when James realizes he still loves Grace and must be emphatic about it, and he persuades Grace to elope with him--leaving Rex waiting at the ... +


Chided by her husband, James, for neglecting her appearance, Grace Livingston changes her style to that of a flapper. James disapproves of so great a change, while his debonair friend, Rex Phillips, is highly complimentary and attentive. In a darkened room Grace mistakes James for Rex and confesses her love for him, so James clears the way for a divorce. Grace and Rex are about to be married when James realizes he still loves Grace and must be emphatic about it, and he persuades Grace to elope with him--leaving Rex waiting at the altar. +

GENRE
Genre:
Sub-genre:
Domestic


Subject
Subject (Major):

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

CASABLANCA

During World War II, Casablanca, Morocco is a waiting point for throngs of desperate refugees fleeing Nazi-occupied Europe. Exit visas, which are necessary to leave the country, are at ... >>

CITIZEN KANE

Seventy-year-old newspaper tycoon Charles Foster Kane dies in his palatial Florida home, Xanadu, after uttering the single word “Rosebud.” While watching a newsreel summarizing the years during which Kane ... >>

REAR WINDOW

Laid up with a broken leg during the height of summer, renowned New York magazine photographer L. B. “Jeff” Jeffries enters his last week of home confinement, bored and ... >>

RAGING BULL

In 1941, at a boxing match in Cleveland, Ohio, pandemonium breaks out when Jake La Motta, an up-and-coming young boxer, loses a decision to Jimmy Reeves, suffering his first ... >>

CITY LIGHTS

At an outdoor dedication ceremony, a tramp is discovered sleeping in the arms of a statue as it is being unveiled before a crowd. He is chased into ... >>

KEEP EXPLORING
Marriage, Divorce, Flappers
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.