In Every Woman's Life (1924)

Drama | 28 September 1924

Director:

Irving Cummings

Producer:

M. C. Levee

Cinematographer:

Arthur L. Todd

Editor:

Charles Hunt

Production Designer:

Jack Okey
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HISTORY

The 6 Sep 1924 Exhibitors Trade Review noted that director Irving Cummings had filmed the last scene and was now cutting and titling In Every Woman's Life. ... More Less

The 6 Sep 1924 Exhibitors Trade Review noted that director Irving Cummings had filmed the last scene and was now cutting and titling In Every Woman's Life. More Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Trade Review
6 Sep 1924
p. 18.
Exhibitors Trade Review
20 Dec 1924
p. 50.
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
PRODUCERS
WRITER
PHOTOGRAPHY
Dir of photog
ART DIRECTOR
Art dir
FILM EDITOR
Film ed
PRODUCTION MISC
Prod mgr
SOURCES
LITERARY
Based on the novel Belonging by Olive Wadsley (New York, 1920).
AUTHOR
DETAILS
Release Date:
28 September 1924
Production Date:
ended August 1924
Copyright Claimant:
Associated First National Pictures
Copyright Date:
15 September 1924
Copyright Number:
LP20566
Physical Properties:
Silent
Black and White
Length(in feet):
6,300
Length(in reels):
7
Country:
United States
Language:
English
Passed by NBR:
No
SYNOPSIS

Sara Langford, an American girl in Paris, is courted by Count Desanges, who loves her but is considerably older; Thomas Carlton, who is married but is out for conquest; and Julian Greer, her true love. In rescuing Greer from the sea, the count is permanently paralyzed but manages to shoot Carlton when he attacks Sara. Ultimately, the true lovers are ... +


Sara Langford, an American girl in Paris, is courted by Count Desanges, who loves her but is considerably older; Thomas Carlton, who is married but is out for conquest; and Julian Greer, her true love. In rescuing Greer from the sea, the count is permanently paralyzed but manages to shoot Carlton when he attacks Sara. Ultimately, the true lovers are reunited. +

GENRE
Genre:
Sub-genre:
Society


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.