The Invisible Fear (1921)

Melodrama | 10 October 1921

Director:

Edwin Carewe

Cinematographer:

Robert B. Kurrle

Production Designer:

John D. Schulze

Production Company:

Anita Stewart Productions
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DETAILS
Release Date:
10 October 1921
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Anita Stewart Productions
19 October 1921
LP17106
Physical Properties:
Silent
Black and White
Sound, also silent
Later cut to 5 reels, 4,900 ft.
Length(in feet):
5,800
Length(in reels):
6
Country:
United States
SYNOPSIS

Sylvia Langdon, living with the Arnolds, is engaged to their son, Bentley. Arthur Comstock, nephew of Arnold's partner, John Randall, is disinherited and steals his father's will. Sylvia and Arthur, while riding, are forced to seek refuge from a storm; in a struggle to repulse his advances, she knocks him unconscious with a candlestick; and, escaping, she sees the lodge in flames. Believing that she has killed Arthur, she keeps the incident secret. After the marriage of Sylvia and Bentley and the death of John Randall, she is overcome with fright at seeing Arthur at a party. Arthur is arrested for the murder of his uncle, and Sylvia is freed from her ...

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Sylvia Langdon, living with the Arnolds, is engaged to their son, Bentley. Arthur Comstock, nephew of Arnold's partner, John Randall, is disinherited and steals his father's will. Sylvia and Arthur, while riding, are forced to seek refuge from a storm; in a struggle to repulse his advances, she knocks him unconscious with a candlestick; and, escaping, she sees the lodge in flames. Believing that she has killed Arthur, she keeps the incident secret. After the marriage of Sylvia and Bentley and the death of John Randall, she is overcome with fright at seeing Arthur at a party. Arthur is arrested for the murder of his uncle, and Sylvia is freed from her fear.

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GENRE
Genre:


Subject
Subject (Major):

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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Fear, Murder, Wills, Disinheritance
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.