Viva Las Vegas (1964)

86 mins | Comedy-drama | 20 May 1964

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HISTORY

On 29 May 1962, DV included Viva Las Vegas among twenty new motion pictures at Metro-Goldwyn-Mayer (MGM). Although production was expected to begin later that year, development continued into the following spring. A 1 Apr 1963 DV item named Ray Singer and Dick Chevillat as the film’s writers, but they did not remain with the project. The 31 May 1963 edition suggested that producers considered changing the title, as Viva Las Vegas was previously used for the overseas release of Meet Me in Las Vegas (1956, see entry).
       According to a 19 Jul 1963 DV production chart, principal photography began four days earlier. In an LAT article published that day, a representative from MGM stated that Viva Las Vegas was one of many films currently shooting at the studio facilities in Culver City, CA, which the 2 Jul 1963 DV claimed housed a replica of Las Vegas, NV’s Silver Spoon casino. Items in the 31 Jul 1963 Var and 5 Jun 1964 DV indicated that Las Vegas locations included the Sahara and Flamingo hotels, while the 6 Sep 1963 issue stated that dancers were recruited from The Mint. Additional scenes were shot at the Hoover Dam Lake. One of the vehicles featured in the film included a race car, nicknamed the “Vinegaroon,” was owned by actor Dan Blocker. The 9 Aug 1963 DV reported that the twelve-week rental cost $5,000.
       Several summer 1963 DV briefs listed cast and crew members not credited in the final film, such as piano accompanist Joe Marino, ...

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On 29 May 1962, DV included Viva Las Vegas among twenty new motion pictures at Metro-Goldwyn-Mayer (MGM). Although production was expected to begin later that year, development continued into the following spring. A 1 Apr 1963 DV item named Ray Singer and Dick Chevillat as the film’s writers, but they did not remain with the project. The 31 May 1963 edition suggested that producers considered changing the title, as Viva Las Vegas was previously used for the overseas release of Meet Me in Las Vegas (1956, see entry).
       According to a 19 Jul 1963 DV production chart, principal photography began four days earlier. In an LAT article published that day, a representative from MGM stated that Viva Las Vegas was one of many films currently shooting at the studio facilities in Culver City, CA, which the 2 Jul 1963 DV claimed housed a replica of Las Vegas, NV’s Silver Spoon casino. Items in the 31 Jul 1963 Var and 5 Jun 1964 DV indicated that Las Vegas locations included the Sahara and Flamingo hotels, while the 6 Sep 1963 issue stated that dancers were recruited from The Mint. Additional scenes were shot at the Hoover Dam Lake. One of the vehicles featured in the film included a race car, nicknamed the “Vinegaroon,” was owned by actor Dan Blocker. The 9 Aug 1963 DV reported that the twelve-week rental cost $5,000.
       Several summer 1963 DV briefs listed cast and crew members not credited in the final film, such as piano accompanist Joe Marino, and Billy May, who the 17 Sep 1963 LAT reported had been hired to write special song arrangements for actress Ann-Margret. Actors included Roy Engel and Bob Williams; Virginia Broderick, who made her motion picture debut as a nightclub hostess; Lance LeGault and the rock ‘n’ roll group The Dynamics; Jack Carter; Mickey Lansburgh, son of Flamingo owner Morris Lansburgh; and an unnamed striptease dancer from the club, Largo, in West Hollywood, CA.
       Viva Las Vegas opened 20 May 1964 in New York City, followed by a citywide release in Los Angeles, CA, on 1 Jul 1964.

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GEOGRAPHIC LOCATIONS
PERSONAL & COMPANY INDEX CREDITS
HISTORY CREDITS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
29 May 1962
p. 8
Daily Variety
1 Apr 1963
p. 2
Daily Variety
31 May 1963
p. 2
Daily Variety
2 Jul 1963
p. 19
Daily Variety
19 Jul 1963
p. 6
Daily Variety
7 Aug 1963
p. 7
Daily Variety
9 Aug 1963
p. 2, 4
Daily Variety
16 Aug 1963
p. 2
Daily Variety
19 Aug 1963
p. 2
Daily Variety
5 Sep 1963
p. 11
Daily Variety
6 Sep 1963
p. 2
Daily Variety
9 Sep 1963
p. 4
Daily Variety
5 Jun 1964
p. 2
Los Angeles Times
20 Mar 1963
Section C, p. 16
Los Angeles Times
15 Jul 1963
Section E, p. 11
Los Angeles Times
17 Sep 1963
Section D, p. 6
Los Angeles Times
25 Jun 1964
Section C, p. 9
Los Angeles Times
3 Jul 1964
Section D, p. 6
New York Times
17 May 1964
Section X, p. 9
New York Times
21 May 1964
p. 42
Variety
31 Jul 1963
p. 110
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
A Jack Cummings-George Sidney Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
WRITER
PHOTOGRAPHY
Dir of photog
ART DIRECTORS
Art dir
Art dir
FILM EDITOR
SET DECORATORS
Set dec
COSTUMES
Cost des
MUSIC
SOUND
Rec supv
DANCE
Choreog
MAKEUP
Makeup supv
Hairstyles
PRODUCTION MISC
"Folies bérgère" seq by arr with
SOURCES
SONGS
"Viva Las Vegas" and "I Need Somebody to Lean On," words and music by Doc Pomus; "The Lady Loves Me," words and music by Sid Tepper and Roy C. Bennett; "Come on Everybody," words and music by Stanley Chianese; "Today Tomorrow and Forever," words and music by Bill Giant, Bernie Baum and Florence Kaye; "If You Think I Don't Need You," words and music by Bob "Red" West; "Appreciation" and "My Rival," words and music by Marvin More and Bernie Wayne.
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
20 May 1964
Premiere Information:
New York opening: 20 May 1964; Los Angeles opening: 1 Jul 1964
Production Date:
began 15 Jul 1963
Copyright Info
Claimant
Date
Copyright Number
Jack Cummings Productions
20 December 1963
LP26846
Physical Properties:
Sound
Westrex
Color
Metrocolor
Widescreen/ratio
Panavision
Duration(in mins):
86
Country:
United States
Language:
English
SYNOPSIS

Sports car enthusiast Lucky Jackson defeats Italian champion Count Elmo Mancini, who then asks Lucky to drive for him. Lucky refuses and plans to get a new engine and race his own car in the Las Vegas Grand Prix. When Lucky and Mancini arrive in Las Vegas, they are both attracted to Rusty Martin, a hotel swimming instructor. Lucky loses his money when he is pushed into a pool, and he takes a job as a waiter in order to pay his bills. Rusty, falling in love with Lucky, tries to persuade him to give up racing, and she flirts with Mancini to make Lucky jealous. Lucky enters the hotel talent contest but only ties with Rusty. Instead of the necessary cash, Rusty receives a pool table and Lucky, a honeymoon. Hours before the Grand Prix, Rusty's father, who has always been interested in racing, secretly borrows the money for Lucky. Mancini's car crashes, and Lucky goes on to win the race and marry Rusty. Performers and additional songs : "Yellow Rose of Texas," "What'd I Say," "I Need Somebody To Lean On" (Lucky); "My Rival" (Rusty); "The Lady Loves Me" (Lucky and Rusty); "The Eyes of Texas Are Upon You" (Lucky and chorus); "The Climb" ...

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Sports car enthusiast Lucky Jackson defeats Italian champion Count Elmo Mancini, who then asks Lucky to drive for him. Lucky refuses and plans to get a new engine and race his own car in the Las Vegas Grand Prix. When Lucky and Mancini arrive in Las Vegas, they are both attracted to Rusty Martin, a hotel swimming instructor. Lucky loses his money when he is pushed into a pool, and he takes a job as a waiter in order to pay his bills. Rusty, falling in love with Lucky, tries to persuade him to give up racing, and she flirts with Mancini to make Lucky jealous. Lucky enters the hotel talent contest but only ties with Rusty. Instead of the necessary cash, Rusty receives a pool table and Lucky, a honeymoon. Hours before the Grand Prix, Rusty's father, who has always been interested in racing, secretly borrows the money for Lucky. Mancini's car crashes, and Lucky goes on to win the race and marry Rusty. Performers and additional songs : "Yellow Rose of Texas," "What'd I Say," "I Need Somebody To Lean On" (Lucky); "My Rival" (Rusty); "The Lady Loves Me" (Lucky and Rusty); "The Eyes of Texas Are Upon You" (Lucky and chorus); "The Climb" (quartet).

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.